{"id":1947,"date":"2018-02-20T20:48:10","date_gmt":"2018-02-20T20:48:10","guid":{"rendered":"https:\/\/courses.lumenlearning.com\/arthistory2-91\/?post_type=chapter&#038;p=1947"},"modified":"2018-04-24T02:00:37","modified_gmt":"2018-04-24T02:00:37","slug":"module-5-art-and-architecture-discussion-forum-ii_architecture-in-the-20th-century","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/atd-herkimer-arthistory2\/chapter\/module-5-art-and-architecture-discussion-forum-ii_architecture-in-the-20th-century\/","title":{"raw":"Module 5 Art and Architecture Discussion Forum II_Architecture in the 20th Century","rendered":"Module 5 Art and Architecture Discussion Forum II_Architecture in the 20th Century"},"content":{"raw":"&nbsp;\r\n\r\n<span style=\"color: #0000ff\">In the 20th,\u00a0and 21st\u00a0Century,\u00a0architects began using new materials to build private and public spaces.\u00a0Modern art influenced modern architecture.<\/span>\r\n\r\n<span style=\"color: #0000ff\"><a style=\"color: #0000ff\" title=\"architecture\" href=\"https:\/\/courses.lumenlearning.com\/boundless-arthistory\/chapter\/modern-architecture\/\">https:\/\/courses.lumenlearning.com\/boundless-arthistory\/chapter\/modern-architecture\/<\/a><\/span>\r\n\r\n<span style=\"color: #0000ff\">https:\/\/courses.lumenlearning.com\/arthistory2-91\/chapter\/frank-lloyd-wright-guggenheim-museum\/<\/span>\r\n\r\n<span style=\"color: #0000ff\">https:\/\/courses.lumenlearning.com\/arthistory2-91\/chapter\/mies-van-der-rohe-seagram-building\/<\/span>\r\n\r\n<span style=\"color: #0000ff\">https:\/\/courses.lumenlearning.com\/arthistory2-91\/chapter\/external-resources-13\/<\/span>\r\n\r\n<span style=\"color: #0000ff\">Choose architects from our Lumen text, or the Lumen Boundless Art History text to start your discussion research.\u00a0<\/span>\r\n\r\n<span style=\"color: #0000ff\">https:\/\/courses.lumenlearning.com\/arthistory2-91\/chapter\/gilbert-woolworth-building\/<\/span>\r\n\r\n<span style=\"color: #0000ff\">Other websites included in this module are supplementary, and may provide you with valuable insights. They are not required to successfully complete the learning objectives.<\/span>\r\n\r\n<span style=\"color: #0000ff\">A great website is Great Buildings .com \u00a0 \u00a0\u00a0<strong><a style=\"color: #0000ff\" title=\"Great Buildings\" href=\"http:\/\/www.greatbuildings.com\/\" target=\"_blank\" rel=\"noopener\"> www.greatbuildings.com\/<\/a><\/strong><\/span>\r\n\r\n<span style=\"color: #0000ff\">Antoni Gaud\u00ed\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<a style=\"color: #0000ff\" title=\"Gaudi\" href=\"https:\/\/herkimer.open.suny.edu\/webapps\/blackboard\/content\/%20https:\/\/www.khanacademy.org\/humanities\/becoming-modern\/symbolism\/a\/gaud-sagrada-famlia\" target=\"_blank\" rel=\"noopener\">\r\n<\/a><\/span>\r\n\r\n<span style=\"color: #0000ff\">https:\/\/archive.nytimes.com\/www.nytimes.com\/fodors\/top\/features\/travel\/destinations\/europe\/spain\/barcelona\/fdrs_feat_23_9.html<\/span>\r\n\r\n<span style=\"color: #0000ff\">https:\/\/www.nytimes.com\/2015\/11\/12\/arts\/international\/high-ambitions-for-the-sagrada-familia.html<\/span>\r\n<h1 id=\"anonymous_element_27\" class=\"title_k2aiyo\"><span style=\"color: #0000ff\">Le Corbusier<\/span><\/h1>\r\n<a title=\"Corbusier\" href=\"https:\/\/www.nytimes.com\/2016\/07\/19\/arts\/design\/le-corbusiers-work-added-to-heritage-list.html\">https:\/\/www.nytimes.com\/2016\/07\/19\/arts\/design\/le-corbusiers-work-added-to-heritage-list.html<\/a>\r\n<h1 id=\"anonymous_element_28\" class=\"title_k2aiyo\"><span style=\"color: #0000ff\">Mies van der Rohe<\/span><\/h1>\r\n<span style=\"color: #0000ff\">https:\/\/courses.lumenlearning.com\/arthistory2-91\/chapter\/mies-van-der-rohe-seagram-building\/<\/span>\r\n<h1 id=\"anonymous_element_29\" class=\"title_k2aiyo\"><span style=\"color: #0000ff\">Frank Lloyd Wright<\/span><\/h1>\r\n<a title=\"Fallingwater\" href=\"https:\/\/www.khanacademy.org\/humanities\/ap-art-history\/later-europe-and-americas\/modernity-ap\/a\/frank-lloyd-wright-fallingwater\" target=\"_blank\" rel=\"noopener\">https:\/\/www.khanacademy.org\/humanities\/ap-art-history\/later-europe-and-americas\/modernity-ap\/a\/frank-lloyd-wright-fallingwater<\/a>\r\n\r\n<a title=\"Guggenheim\" href=\"https:\/\/www.khanacademy.org\/humanities\/art-1010\/architecture-20c\/v\/frank-lloyd-wright-solomon-r-guggenheim-museum-new-york-city-1942-1959\" target=\"_blank\" rel=\"noopener\">https:\/\/www.khanacademy.org\/humanities\/art-1010\/architecture-20c\/v\/frank-lloyd-wright-solomon-r-guggenheim-museum-new-york-city-1942-1959<\/a>\r\n<h1 id=\"anonymous_element_30\" class=\"title_k2aiyo\"><span style=\"color: #0000ff\">Frank Gehry<\/span><\/h1>\r\n<a title=\"Bilbao\" href=\"https:\/\/www.khanacademy.org\/humanities\/ap-art-history\/global-contemporary\/a\/gehry-bilbao\" target=\"_blank\" rel=\"noopener\">https:\/\/www.khanacademy.org\/humanities\/ap-art-history\/global-contemporary\/a\/gehry-bilbao<\/a>\r\n<h1 id=\"anonymous_element_31\" class=\"title_k2aiyo\"><span style=\"color: #0000ff\">Maya Lin<\/span><\/h1>\r\n<span style=\"color: #0000ff\"><strong>Vietnam Memorial<\/strong><\/span>\r\n\r\n<a title=\"Maya lin\" href=\"https:\/\/www.nps.gov\/vive\/index.htm\">https:\/\/www.nps.gov\/vive\/index.htm<\/a>\r\n\r\n<span style=\"color: #0000ff\"><strong>http:\/\/www.mayalin.com\/<\/strong><\/span>\r\n\r\n<a title=\"Maya Lin\" href=\"https:\/\/www.splcenter.org\/civil-rights-memorial\" target=\"_blank\" rel=\"noopener\"><strong>https:\/\/www.splcenter.org\/civil-rights-memorial<\/strong><\/a>\r\n<ul>\r\n \t<li><span style=\"color: #0000ff\"><strong>World Trade Center Freedom Tower<\/strong><\/span><\/li>\r\n \t<li><span style=\"color: #0000ff\"><strong>Architect: Skidmore, Owings &amp; Merrill (David M. Childs)<\/strong><\/span><\/li>\r\n \t<li><span style=\"color: #0000ff\"><strong>Daniel Libeskind<\/strong><\/span><\/li>\r\n<\/ul>\r\n<a title=\"Freedom Tower\" href=\"https:\/\/www.wtc.com\/about\/buildings\/1-world-trade-center\">https:\/\/www.wtc.com\/about\/buildings\/1-world-trade-center<\/a>\r\n\r\n<span style=\"color: #0000ff\">http:\/\/inhabitat.com\/nyc\/the-tower-that-could-have-been-daniel-libeskinds-award-winning-wtc-design\/<\/span>\r\n\r\n<span style=\"color: #0000ff\">Sam Rodia\u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0<a style=\"color: #0000ff\" title=\"Watts Tower\" href=\"http:\/\/www.wattstowers.us\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.wattstowers.us\/<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0The Watts Tower, Los Angeles, California<\/span>\r\n\r\n<span style=\"color: #0000ff\">https:\/\/www.parks.ca.gov\/?page_id=613<\/span>\r\n\r\n<span style=\"color: #0000ff\"><strong>I.M. Pei<\/strong><\/span>\r\n\r\n<a title=\"IM Pei\" href=\"http:\/\/nymag.com\/daily\/intelligencer\/2017\/04\/a-portrait-of-i-m-pei-at-nearly-100.html\" target=\"_blank\" rel=\"noopener\">http:\/\/nymag.com\/daily\/intelligencer\/2017\/04\/a-portrait-of-i-m-pei-at-nearly-100.html<\/a>\r\n\r\n<span style=\"color: #0000ff\"><strong>Louvre Museum Entrance<\/strong><\/span>\r\n\r\n<a title=\"Louvre entrance\" href=\"https:\/\/www.pariscityvision.com\/en\/paris\/museums\/louvre-museum\/the-louvre-pyramid-history-architecture-legend\"><strong>https:\/\/www.pariscityvision.com\/en\/paris\/museums\/louvre-museum\/the-louvre-pyramid-history-architecture-legend<\/strong><\/a>\r\n\r\n<span style=\"color: #0000ff\">Eero Saarinen<\/span>\r\n\r\n<span style=\"color: #0000ff\"><strong>TWA Terminal JFK<\/strong><\/span>\r\n\r\n<a title=\"TWA\" href=\"https:\/\/www.archdaily.com\/66828\/ad-classics-twa-terminal-eero-saarinen\"><strong>https:\/\/www.archdaily.com\/66828\/ad-classics-twa-terminal-eero-saarinen<\/strong><\/a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<h1 id=\"anonymous_element_27\" class=\"title_k2aiyo\"><\/h1>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<h1 id=\"anonymous_element_28\" class=\"title_k2aiyo\"><\/h1>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<h1 id=\"anonymous_element_30\" class=\"title_k2aiyo\"><\/h1>\r\n&nbsp;\r\n\r\n&nbsp;\r\n<h1 id=\"anonymous_element_31\" class=\"title_k2aiyo\"><\/h1>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<h1 id=\"anonymous_element_32\"><\/h1>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;","rendered":"<p>&nbsp;<\/p>\n<p><span style=\"color: #0000ff\">In the 20th,\u00a0and 21st\u00a0Century,\u00a0architects began using new materials to build private and public spaces.\u00a0Modern art influenced modern architecture.<\/span><\/p>\n<p><span style=\"color: #0000ff\"><a style=\"color: #0000ff\" title=\"architecture\" href=\"https:\/\/courses.lumenlearning.com\/boundless-arthistory\/chapter\/modern-architecture\/\">https:\/\/courses.lumenlearning.com\/boundless-arthistory\/chapter\/modern-architecture\/<\/a><\/span><\/p>\n<p><span style=\"color: #0000ff\">https:\/\/courses.lumenlearning.com\/arthistory2-91\/chapter\/frank-lloyd-wright-guggenheim-museum\/<\/span><\/p>\n<p><span style=\"color: #0000ff\">https:\/\/courses.lumenlearning.com\/arthistory2-91\/chapter\/mies-van-der-rohe-seagram-building\/<\/span><\/p>\n<p><span style=\"color: #0000ff\">https:\/\/courses.lumenlearning.com\/arthistory2-91\/chapter\/external-resources-13\/<\/span><\/p>\n<p><span style=\"color: #0000ff\">Choose architects from our Lumen text, or the Lumen Boundless Art History text to start your discussion research.\u00a0<\/span><\/p>\n<p><span style=\"color: #0000ff\">https:\/\/courses.lumenlearning.com\/arthistory2-91\/chapter\/gilbert-woolworth-building\/<\/span><\/p>\n<p><span style=\"color: #0000ff\">Other websites included in this module are supplementary, and may provide you with valuable insights. They are not required to successfully complete the learning objectives.<\/span><\/p>\n<p><span style=\"color: #0000ff\">A great website is Great Buildings .com \u00a0 \u00a0\u00a0<strong><a style=\"color: #0000ff\" title=\"Great Buildings\" href=\"http:\/\/www.greatbuildings.com\/\" target=\"_blank\" rel=\"noopener\"> www.greatbuildings.com\/<\/a><\/strong><\/span><\/p>\n<p><span style=\"color: #0000ff\">Antoni Gaud\u00ed\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<a style=\"color: #0000ff\" title=\"Gaudi\" href=\"https:\/\/herkimer.open.suny.edu\/webapps\/blackboard\/content\/%20https:\/\/www.khanacademy.org\/humanities\/becoming-modern\/symbolism\/a\/gaud-sagrada-famlia\" target=\"_blank\" rel=\"noopener\"><br \/>\n<\/a><\/span><\/p>\n<p><span style=\"color: #0000ff\">https:\/\/archive.nytimes.com\/www.nytimes.com\/fodors\/top\/features\/travel\/destinations\/europe\/spain\/barcelona\/fdrs_feat_23_9.html<\/span><\/p>\n<p><span style=\"color: #0000ff\">https:\/\/www.nytimes.com\/2015\/11\/12\/arts\/international\/high-ambitions-for-the-sagrada-familia.html<\/span><\/p>\n<h1 id=\"anonymous_element_27\" class=\"title_k2aiyo\"><span style=\"color: #0000ff\">Le Corbusier<\/span><\/h1>\n<p><a title=\"Corbusier\" href=\"https:\/\/www.nytimes.com\/2016\/07\/19\/arts\/design\/le-corbusiers-work-added-to-heritage-list.html\">https:\/\/www.nytimes.com\/2016\/07\/19\/arts\/design\/le-corbusiers-work-added-to-heritage-list.html<\/a><\/p>\n<h1 id=\"anonymous_element_28\" class=\"title_k2aiyo\"><span style=\"color: #0000ff\">Mies van der Rohe<\/span><\/h1>\n<p><span style=\"color: #0000ff\">https:\/\/courses.lumenlearning.com\/arthistory2-91\/chapter\/mies-van-der-rohe-seagram-building\/<\/span><\/p>\n<h1 id=\"anonymous_element_29\" class=\"title_k2aiyo\"><span style=\"color: #0000ff\">Frank Lloyd Wright<\/span><\/h1>\n<p><a title=\"Fallingwater\" href=\"https:\/\/www.khanacademy.org\/humanities\/ap-art-history\/later-europe-and-americas\/modernity-ap\/a\/frank-lloyd-wright-fallingwater\" target=\"_blank\" rel=\"noopener\">https:\/\/www.khanacademy.org\/humanities\/ap-art-history\/later-europe-and-americas\/modernity-ap\/a\/frank-lloyd-wright-fallingwater<\/a><\/p>\n<p><a title=\"Guggenheim\" href=\"https:\/\/www.khanacademy.org\/humanities\/art-1010\/architecture-20c\/v\/frank-lloyd-wright-solomon-r-guggenheim-museum-new-york-city-1942-1959\" target=\"_blank\" rel=\"noopener\">https:\/\/www.khanacademy.org\/humanities\/art-1010\/architecture-20c\/v\/frank-lloyd-wright-solomon-r-guggenheim-museum-new-york-city-1942-1959<\/a><\/p>\n<h1 id=\"anonymous_element_30\" class=\"title_k2aiyo\"><span style=\"color: #0000ff\">Frank Gehry<\/span><\/h1>\n<p><a title=\"Bilbao\" href=\"https:\/\/www.khanacademy.org\/humanities\/ap-art-history\/global-contemporary\/a\/gehry-bilbao\" target=\"_blank\" rel=\"noopener\">https:\/\/www.khanacademy.org\/humanities\/ap-art-history\/global-contemporary\/a\/gehry-bilbao<\/a><\/p>\n<h1 id=\"anonymous_element_31\" class=\"title_k2aiyo\"><span style=\"color: #0000ff\">Maya Lin<\/span><\/h1>\n<p><span style=\"color: #0000ff\"><strong>Vietnam Memorial<\/strong><\/span><\/p>\n<p><a title=\"Maya lin\" href=\"https:\/\/www.nps.gov\/vive\/index.htm\">https:\/\/www.nps.gov\/vive\/index.htm<\/a><\/p>\n<p><span style=\"color: #0000ff\"><strong>http:\/\/www.mayalin.com\/<\/strong><\/span><\/p>\n<p><a title=\"Maya Lin\" href=\"https:\/\/www.splcenter.org\/civil-rights-memorial\" target=\"_blank\" rel=\"noopener\"><strong>https:\/\/www.splcenter.org\/civil-rights-memorial<\/strong><\/a><\/p>\n<ul>\n<li><span style=\"color: #0000ff\"><strong>World Trade Center Freedom Tower<\/strong><\/span><\/li>\n<li><span style=\"color: #0000ff\"><strong>Architect: Skidmore, Owings &amp; Merrill (David M. Childs)<\/strong><\/span><\/li>\n<li><span style=\"color: #0000ff\"><strong>Daniel Libeskind<\/strong><\/span><\/li>\n<\/ul>\n<p><a title=\"Freedom Tower\" href=\"https:\/\/www.wtc.com\/about\/buildings\/1-world-trade-center\">https:\/\/www.wtc.com\/about\/buildings\/1-world-trade-center<\/a><\/p>\n<p><span style=\"color: #0000ff\">http:\/\/inhabitat.com\/nyc\/the-tower-that-could-have-been-daniel-libeskinds-award-winning-wtc-design\/<\/span><\/p>\n<p><span style=\"color: #0000ff\">Sam Rodia\u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0<a style=\"color: #0000ff\" title=\"Watts Tower\" href=\"http:\/\/www.wattstowers.us\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.wattstowers.us\/<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0The Watts Tower, Los Angeles, California<\/span><\/p>\n<p><span style=\"color: #0000ff\">https:\/\/www.parks.ca.gov\/?page_id=613<\/span><\/p>\n<p><span style=\"color: #0000ff\"><strong>I.M. Pei<\/strong><\/span><\/p>\n<p><a title=\"IM Pei\" href=\"http:\/\/nymag.com\/daily\/intelligencer\/2017\/04\/a-portrait-of-i-m-pei-at-nearly-100.html\" target=\"_blank\" rel=\"noopener\">http:\/\/nymag.com\/daily\/intelligencer\/2017\/04\/a-portrait-of-i-m-pei-at-nearly-100.html<\/a><\/p>\n<p><span style=\"color: #0000ff\"><strong>Louvre Museum Entrance<\/strong><\/span><\/p>\n<p><a title=\"Louvre entrance\" href=\"https:\/\/www.pariscityvision.com\/en\/paris\/museums\/louvre-museum\/the-louvre-pyramid-history-architecture-legend\"><strong>https:\/\/www.pariscityvision.com\/en\/paris\/museums\/louvre-museum\/the-louvre-pyramid-history-architecture-legend<\/strong><\/a><\/p>\n<p><span style=\"color: #0000ff\">Eero Saarinen<\/span><\/p>\n<p><span style=\"color: #0000ff\"><strong>TWA Terminal JFK<\/strong><\/span><\/p>\n<p><a title=\"TWA\" href=\"https:\/\/www.archdaily.com\/66828\/ad-classics-twa-terminal-eero-saarinen\"><strong>https:\/\/www.archdaily.com\/66828\/ad-classics-twa-terminal-eero-saarinen<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h1 id=\"anonymous_element_27\" class=\"title_k2aiyo\"><\/h1>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h1 id=\"anonymous_element_28\" class=\"title_k2aiyo\"><\/h1>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h1 id=\"anonymous_element_30\" class=\"title_k2aiyo\"><\/h1>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h1 id=\"anonymous_element_31\" class=\"title_k2aiyo\"><\/h1>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h1 id=\"anonymous_element_32\"><\/h1>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n\n\t\t\t <section class=\"citations-section\" role=\"contentinfo\">\n\t\t\t <h3>Candela Citations<\/h3>\n\t\t\t\t\t <div>\n\t\t\t\t\t\t <div id=\"citation-list-1947\">\n\t\t\t\t\t\t\t <div class=\"licensing\"><div class=\"license-attribution-dropdown-subheading\">CC licensed content, Original<\/div><ul class=\"citation-list\"><li>Module 5 Discussion Forum Architecture in the 20th-21st Century. <strong>Authored by<\/strong>: J. Bruce Schwabach. <strong>Provided by<\/strong>: Herkimer College. <strong>Located at<\/strong>: <a target=\"_blank\" href=\"https:\/\/courses.lumenlearning.com\/arthistory2-91\/chapter\/module-5-art-and-architecture-discussion-forum-ii_architecture-in-the-20th-century\/\">https:\/\/courses.lumenlearning.com\/arthistory2-91\/chapter\/module-5-art-and-architecture-discussion-forum-ii_architecture-in-the-20th-century\/<\/a>. <strong>Project<\/strong>: Art History II Achieving the Dream Course. <strong>License<\/strong>: <em><a target=\"_blank\" rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\">CC BY: Attribution<\/a><\/em><\/li><\/ul><\/div>\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t <\/div>\n\t\t\t <\/section>","protected":false},"author":335,"menu_order":4,"template":"","meta":{"_candela_citation":"[{\"type\":\"original\",\"description\":\"Module 5 Discussion Forum Architecture in the 20th-21st Century\",\"author\":\"J. 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