{"id":742,"date":"2019-03-28T15:41:27","date_gmt":"2019-03-28T15:41:27","guid":{"rendered":"https:\/\/courses.lumenlearning.com\/epcc-britlit1\/?post_type=chapter&#038;p=742"},"modified":"2019-08-17T03:32:52","modified_gmt":"2019-08-17T03:32:52","slug":"general-prologue-from-wikisource","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/epcc-britlit1\/chapter\/general-prologue-from-wikisource\/","title":{"raw":"Geoffrey Chaucer -- Portrait","rendered":"Geoffrey Chaucer &#8212; Portrait"},"content":{"raw":"<div id=\"mw-page-base\" class=\"noprint\"><\/div>\r\n<div id=\"mw-head-base\" class=\"noprint\"><\/div>\r\n<div id=\"content\" class=\"mw-body\" role=\"main\">\r\n<div id=\"siteNotice\" class=\"mw-body-content\">\r\n\r\n<!-- CentralNotice -->\r\n\r\n<\/div>\r\n<h1 id=\"firstHeading\" class=\"firstHeading\" lang=\"\"><\/h1>\r\n<a href=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/4051\/2019\/03\/16122710\/9200267_BibliographicResource_3000059120971.jpeg\"><img class=\"wp-image-1212 aligncenter\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/4051\/2019\/03\/16122710\/9200267_BibliographicResource_3000059120971-182x300.jpeg\" alt=\"\" width=\"464\" height=\"766\" \/><\/a>\r\n<div id=\"bodyContent\" class=\"mw-body-content\">\r\n<div id=\"mw-content-text\" class=\"mw-content-ltr\" dir=\"ltr\" lang=\"en\">\r\n<div id=\"headerContainer\" class=\"ws-noexport noprint\">\r\n<div id=\"navigationHeader\" class=\"headertemplate\">\r\n<div>\r\n<div>\r\n<div class=\"gen_header_forelink searchaux\"><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div id=\"ws-data\" class=\"ws-noexport\">\r\n<div class=\"chapter\">\r\n<h2 class=\"nobreak\">GEOFFREY CHAUCER\r\n<small>ABOUT 1340-1400<\/small><\/h2>\r\n<\/div>\r\n<div class=\"sidenote\">Nicholas\u2019s\u00a0<i>Life of Chaucer<\/i>.<\/div>\r\n<span class=\"smcap\">\u201cThe<\/span> affection of Occleve\u201d (<i>his contemporary and dear friend<\/i>) \u201chas made Chaucer\u2019s person better known than that of any individual of his age. The portrait of which an engraving illustrates this memoir, is taken from Occleve\u2019s painting already mentioned in the Harleian MS. 4866, which he says was painted from memory after Chaucer\u2019s decease, and which is apparently the only genuine portrait in existence. The figure, which is half-length, has a background of green tapestry. He is represented with gray hair and beard, which is bi-forked; he wears a dark-coloured dress and hood, his right hand is extended, and in his left he holds a string of beads. From his vest a black case is suspended, which appears to<span class=\"pagenum\"><a id=\"Page_62\" name=\"Page_62\"><\/a><\/span>\u00a0contain a knife, or possibly a \u2018penner\u2019<a id=\"FNanchor_2_2\" name=\"FNanchor_2_2\"><\/a>or pencase. The expression of the countenance is intelligent, but the fire of the eye seems quenched, and evident marks of advanced age appear on the countenance. This is incomparably the best portrait of Chaucer yet discovered.\u201d\r\n<div class=\"sidenote\">Nicholas\u2019s\u00a0<i>Life of Chaucer<\/i>.<\/div>\r\n\u201cThere is a third portrait in a copy of the <i>Canterbury Tales<\/i> made about the reign of King Henry the Fifth, being within twenty years of the poet\u2019s death, in the Lansdowne MS. 851. The figure, which is a small full-length, is placed in the initial letter of the volume. He is dressed in a long gray gown, with red stockings, and black shoes fastened with black sandals round the ankles. His head is bare, and the hair closely cut. In his right hand he holds an open book; and a knife or pencase, as in the other portraits, is attached to his vest.\u201d\r\n<div class=\"poetry-container\">\r\n<div class=\"poetry\">\r\n<div class=\"stanza\">\r\n<div class=\"verse\"><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div><\/div>\r\n<div><\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"mw-parser-output\">\r\n<h2><\/h2>\r\n<h2><\/h2>\r\n<h2><\/h2>\r\n<h2><\/h2>\r\n<h2><\/h2>\r\n<h2><\/h2>\r\n<h2><\/h2>\r\n<h2><\/h2>\r\n<h2><\/h2>\r\n<h2><\/h2>\r\n<h2><\/h2>\r\n<h2><\/h2>\r\n<h2><\/h2>\r\n<h2><\/h2>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div id=\"footer\" role=\"contentinfo\"><\/div>\r\n<div class=\"suggestions\">\r\n<div class=\"suggestions-results\"><\/div>\r\n<div class=\"suggestions-special\"><\/div>\r\n<\/div>","rendered":"<div id=\"mw-page-base\" class=\"noprint\"><\/div>\n<div id=\"mw-head-base\" class=\"noprint\"><\/div>\n<div id=\"content\" class=\"mw-body\" role=\"main\">\n<div id=\"siteNotice\" class=\"mw-body-content\">\n<p><!-- CentralNotice --><\/p>\n<\/div>\n<h1 id=\"firstHeading\" class=\"firstHeading\" lang=\"\"><\/h1>\n<p><a href=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/4051\/2019\/03\/16122710\/9200267_BibliographicResource_3000059120971.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1212 aligncenter\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/4051\/2019\/03\/16122710\/9200267_BibliographicResource_3000059120971-182x300.jpeg\" alt=\"\" width=\"464\" height=\"766\" \/><\/a><\/p>\n<div id=\"bodyContent\" class=\"mw-body-content\">\n<div id=\"mw-content-text\" class=\"mw-content-ltr\" dir=\"ltr\" lang=\"en\">\n<div id=\"headerContainer\" class=\"ws-noexport noprint\">\n<div id=\"navigationHeader\" class=\"headertemplate\">\n<div>\n<div>\n<div class=\"gen_header_forelink searchaux\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"ws-data\" class=\"ws-noexport\">\n<div class=\"chapter\">\n<h2 class=\"nobreak\">GEOFFREY CHAUCER<br \/>\n<small>ABOUT 1340-1400<\/small><\/h2>\n<\/div>\n<div class=\"sidenote\">Nicholas\u2019s\u00a0<i>Life of Chaucer<\/i>.<\/div>\n<p><span class=\"smcap\">\u201cThe<\/span> affection of Occleve\u201d (<i>his contemporary and dear friend<\/i>) \u201chas made Chaucer\u2019s person better known than that of any individual of his age. The portrait of which an engraving illustrates this memoir, is taken from Occleve\u2019s painting already mentioned in the Harleian MS. 4866, which he says was painted from memory after Chaucer\u2019s decease, and which is apparently the only genuine portrait in existence. The figure, which is half-length, has a background of green tapestry. He is represented with gray hair and beard, which is bi-forked; he wears a dark-coloured dress and hood, his right hand is extended, and in his left he holds a string of beads. From his vest a black case is suspended, which appears to<span class=\"pagenum\"><a id=\"Page_62\" name=\"Page_62\"><\/a><\/span>\u00a0contain a knife, or possibly a \u2018penner\u2019<a id=\"FNanchor_2_2\" name=\"FNanchor_2_2\"><\/a>or pencase. The expression of the countenance is intelligent, but the fire of the eye seems quenched, and evident marks of advanced age appear on the countenance. This is incomparably the best portrait of Chaucer yet discovered.\u201d<\/p>\n<div class=\"sidenote\">Nicholas\u2019s\u00a0<i>Life of Chaucer<\/i>.<\/div>\n<p>\u201cThere is a third portrait in a copy of the <i>Canterbury Tales<\/i> made about the reign of King Henry the Fifth, being within twenty years of the poet\u2019s death, in the Lansdowne MS. 851. The figure, which is a small full-length, is placed in the initial letter of the volume. He is dressed in a long gray gown, with red stockings, and black shoes fastened with black sandals round the ankles. His head is bare, and the hair closely cut. In his right hand he holds an open book; and a knife or pencase, as in the other portraits, is attached to his vest.\u201d<\/p>\n<div class=\"poetry-container\">\n<div class=\"poetry\">\n<div class=\"stanza\">\n<div class=\"verse\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div><\/div>\n<div><\/div>\n<\/div>\n<\/div>\n<div class=\"mw-parser-output\">\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"footer\" role=\"contentinfo\"><\/div>\n<div class=\"suggestions\">\n<div class=\"suggestions-results\"><\/div>\n<div class=\"suggestions-special\"><\/div>\n<\/div>\n\n\t\t\t <section class=\"citations-section\" role=\"contentinfo\">\n\t\t\t <h3>Candela Citations<\/h3>\n\t\t\t\t\t <div>\n\t\t\t\t\t\t <div id=\"citation-list-742\">\n\t\t\t\t\t\t\t <div class=\"licensing\"><div class=\"license-attribution-dropdown-subheading\">CC licensed content, Specific attribution<\/div><ul class=\"citation-list\"><li>Steel engraved portrait of Chaucer by J. Thomson after Occleve. <strong>Authored by<\/strong>: J. Thomson after Occleve. <strong>Provided by<\/strong>: University of Edinburgh. <strong>Located at<\/strong>: <a target=\"_blank\" href=\"https:\/\/www.europeana.eu\/portal\/en\/record\/9200267\/BibliographicResource_3000059120971.html?q=geoffrey+chaucer#dcId=1555373600109&#038;p=1\">https:\/\/www.europeana.eu\/portal\/en\/record\/9200267\/BibliographicResource_3000059120971.html?q=geoffrey+chaucer#dcId=1555373600109&#038;p=1<\/a>. <strong>License<\/strong>: <em><a target=\"_blank\" rel=\"license\" href=\"https:\/\/creativecommons.org\/about\/pdm\">Public Domain: No Known Copyright<\/a><\/em><\/li><\/ul><div class=\"license-attribution-dropdown-subheading\">Public domain content<\/div><ul class=\"citation-list\"><li>Word Portraits of Famous Writers. <strong>Authored by<\/strong>: Mabel E. Wotten, editor. <strong>Provided by<\/strong>: Project Gutenberg. <strong>Located at<\/strong>: <a target=\"_blank\" href=\"http:\/\/www.gutenberg.org\/files\/56166\/56166-h\/56166-h.htm\">http:\/\/www.gutenberg.org\/files\/56166\/56166-h\/56166-h.htm<\/a>. <strong>License<\/strong>: <em><a target=\"_blank\" rel=\"license\" href=\"https:\/\/creativecommons.org\/about\/pdm\">Public Domain: No Known Copyright<\/a><\/em><\/li><\/ul><\/div>\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t <\/div>\n\t\t\t <\/section>","protected":false},"author":164231,"menu_order":1,"template":"","meta":{"_candela_citation":"[{\"type\":\"pd\",\"description\":\"Word Portraits of Famous Writers\",\"author\":\"Mabel E. Wotten, editor\",\"organization\":\"Project Gutenberg\",\"url\":\"http:\/\/www.gutenberg.org\/files\/56166\/56166-h\/56166-h.htm\",\"project\":\"\",\"license\":\"pd\",\"license_terms\":\"\"},{\"type\":\"cc-attribution\",\"description\":\"Steel engraved portrait of Chaucer by J. Thomson after Occleve\",\"author\":\"J. Thomson after Occleve\",\"organization\":\"University of Edinburgh\",\"url\":\"https:\/\/www.europeana.eu\/portal\/en\/record\/9200267\/BibliographicResource_3000059120971.html?q=geoffrey+chaucer#dcId=1555373600109&p=1\",\"project\":\"\",\"license\":\"pd\",\"license_terms\":\"\"}]","CANDELA_OUTCOMES_GUID":"","pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-742","chapter","type-chapter","status-publish","hentry"],"part":570,"_links":{"self":[{"href":"https:\/\/courses.lumenlearning.com\/epcc-britlit1\/wp-json\/pressbooks\/v2\/chapters\/742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.lumenlearning.com\/epcc-britlit1\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/courses.lumenlearning.com\/epcc-britlit1\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/epcc-britlit1\/wp-json\/wp\/v2\/users\/164231"}],"version-history":[{"count":15,"href":"https:\/\/courses.lumenlearning.com\/epcc-britlit1\/wp-json\/pressbooks\/v2\/chapters\/742\/revisions"}],"predecessor-version":[{"id":1937,"href":"https:\/\/courses.lumenlearning.com\/epcc-britlit1\/wp-json\/pressbooks\/v2\/chapters\/742\/revisions\/1937"}],"part":[{"href":"https:\/\/courses.lumenlearning.com\/epcc-britlit1\/wp-json\/pressbooks\/v2\/parts\/570"}],"metadata":[{"href":"https:\/\/courses.lumenlearning.com\/epcc-britlit1\/wp-json\/pressbooks\/v2\/chapters\/742\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/courses.lumenlearning.com\/epcc-britlit1\/wp-json\/wp\/v2\/media?parent=742"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/epcc-britlit1\/wp-json\/pressbooks\/v2\/chapter-type?post=742"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/epcc-britlit1\/wp-json\/wp\/v2\/contributor?post=742"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/epcc-britlit1\/wp-json\/wp\/v2\/license?post=742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}