{"id":86,"date":"2015-04-10T18:33:38","date_gmt":"2015-04-10T18:33:38","guid":{"rendered":"https:\/\/courses.candelalearning.com\/masteryart1x6xmaster\/?post_type=chapter&p=86"},"modified":"2023-01-26T19:58:50","modified_gmt":"2023-01-26T19:58:50","slug":"oer-1-3","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/masteryart1\/chapter\/oer-1-3\/","title":{"raw":"Reading: Formalism and Content","rendered":"Reading: Formalism and Content"},"content":{"raw":"This is an overview of some important terms related to writing about and discussing art. The term\u00a0formalism<\/em>\u00a0comes\u00a0from critical art theory, which resembles \"aesthetics discussion.\" Content<\/em> is one aspect of the artwork. This will also touch on point of view (POV), which is an important factor as we look at and discuss artworks.\r\n

Viewing Art<\/h2>\r\n

Personal Level<\/h3>\r\nWhen we are looking at art, when we find or \"run into\" an artwork or exhibition, we typically have an initial response or impression. This response to what we see (or hear, etc.) is formed by a lifetime of knowledge and experience and the culture and time in which we live. The expression \"Beauty lies in the eye of the beholder\" gets at the subjective and personal nature of perception\u2014and of the \"first impression,\" in particular. There's nothing wrong with one's first impression or response\u2014it is, after all, a personal response. It's your<\/em> point of view.\r\n

Formal Analysis<\/h3>\r\nFormal analysis is a close and analytical way of looking at and discussing a work of art. It includes\u00a0describing the work in terms of various design elements, such as color, shape, texture, line, lighting, mass, and space, as well as a discussion of how those elements have been used (the design principles). Formal analysis moves beyond<\/em>\u00a0<\/em>description of the artwork and its content by linking the elements of the work to the effects that they have on the viewer. This is discussion of the artwork from the point of view of \u201chere is the artwork, and this is what I see and can make sense of as a viewer.\u201d Formal analysis uses art terminology to\u00a0consider the effects of an artwork the viewer (you), and it's a process that enables us to think about and consider the overall meaning of the artwork.\r\n\r\nNOTE: Formal analysis does not use or require research and is based on your POV. The more informed you are, the deeper your analysis will\u00a0go\u2014but that depth depends on experience and knowledge, not on research.\r\n

Content<\/h3>\r\nContent is simply the the subject matter of an artwork. It's the images you see\u2014like the trees in a painting of a forest, or the town, the sky, and the moon in Van Gogh\u2019s Starry Night<\/em>.<\/a> Content can play a role in formal analysis, but the content aspect is less important than the \"artwork\" aspect.","rendered":"

This is an overview of some important terms related to writing about and discussing art. The term\u00a0formalism<\/em>\u00a0comes\u00a0from critical art theory, which resembles “aesthetics discussion.” Content<\/em> is one aspect of the artwork. This will also touch on point of view (POV), which is an important factor as we look at and discuss artworks.<\/p>\n

Viewing Art<\/h2>\n

Personal Level<\/h3>\n

When we are looking at art, when we find or “run into” an artwork or exhibition, we typically have an initial response or impression. This response to what we see (or hear, etc.) is formed by a lifetime of knowledge and experience and the culture and time in which we live. The expression “Beauty lies in the eye of the beholder” gets at the subjective and personal nature of perception\u2014and of the “first impression,” in particular. There’s nothing wrong with one’s first impression or response\u2014it is, after all, a personal response. It’s your<\/em> point of view.<\/p>\n

Formal Analysis<\/h3>\n

Formal analysis is a close and analytical way of looking at and discussing a work of art. It includes\u00a0describing the work in terms of various design elements, such as color, shape, texture, line, lighting, mass, and space, as well as a discussion of how those elements have been used (the design principles). Formal analysis moves beyond<\/em>\u00a0<\/em>description of the artwork and its content by linking the elements of the work to the effects that they have on the viewer. This is discussion of the artwork from the point of view of \u201chere is the artwork, and this is what I see and can make sense of as a viewer.\u201d Formal analysis uses art terminology to\u00a0consider the effects of an artwork the viewer (you), and it’s a process that enables us to think about and consider the overall meaning of the artwork.<\/p>\n

NOTE: Formal analysis does not use or require research and is based on your POV. The more informed you are, the deeper your analysis will\u00a0go\u2014but that depth depends on experience and knowledge, not on research.<\/p>\n

Content<\/h3>\n

Content is simply the the subject matter of an artwork. It’s the images you see\u2014like the trees in a painting of a forest, or the town, the sky, and the moon in Van Gogh\u2019s Starry Night<\/em>.<\/a> Content can play a role in formal analysis, but the content aspect is less important than the “artwork” aspect.<\/p>\n\n\t\t\t

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Candela Citations<\/h3>\n\t\t\t\t\t
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CC licensed content, Original<\/div>