{"id":532,"date":"2015-06-03T22:51:07","date_gmt":"2015-06-03T22:51:07","guid":{"rendered":"https:\/\/courses.candelalearning.com\/musicx15xmaster\/?post_type=chapter&p=532"},"modified":"2015-07-13T18:46:16","modified_gmt":"2015-07-13T18:46:16","slug":"du-ring-an-meinem-finger","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/odessa-musicapp-medievaltomodern\/chapter\/du-ring-an-meinem-finger\/","title":{"raw":"Du Ring an Meinem Finger","rendered":"Du Ring an Meinem Finger"},"content":{"raw":"\"Du Ring an Meinem Finger\" is part of a larger cycle of songs called Frauenliebe und Leben. \u00a0You can download this\u00a0scan of an public domain score<\/a> to the song cycle\u00a0if\u00a0you would like to review the printed music.\r\n

Introduction<\/h2>\r\nFrauenliebe und -leben<\/b><\/i> (A Woman's Love and Life<\/i>) is a cycle of poems by Adelbert von Chamisso, written in 1830. They describe the course of a woman's love for her man, from her point of view, from first meeting through marriage to his death, and after. Selections were set to music as a song-cycle by masters of German Lied, namely Carl Loewe, Franz Paul Lachner and Robert Schumann. The setting by Schumann (his opus 42) is now the most widely known.\r\n

Schumann's Cycle<\/h2>\r\nSchumann wrote his setting in 1840, a year in which he wrote so many lieder (including three other song cycles: Liederkreis<\/i> Op. 24 and Op. 39, Dichterliebe<\/i>), that it is known as his \"year of song\". There are eight poems in his cycle, together telling a story from the protagonist first meeting her love, through their marriage, to his death. They are:\r\n
    \r\n\t
  1. \"Seit ich ihn gesehen\" (\"Since I Saw Him\")<\/li>\r\n\t
  2. \"Er, der Herrlichste von allen\" (\"He, the Noblest of All\")<\/li>\r\n\t
  3. \"Ich kann's nicht fassen, nicht glauben\" (\"I Cannot Grasp or Believe It\")<\/li>\r\n\t
  4. \"Du Ring an meinem Finger\" (\"You Ring Upon My Finger\")<\/li>\r\n\t
  5. \"Helft mir, ihr Schwestern\" (\"Help Me, Sisters\")<\/li>\r\n\t
  6. \"S\u00fc\u00dfer Freund, du blickest mich verwundert an\" (\"Sweet Friend, You Gaze\")<\/li>\r\n\t
  7. \"An meinem Herzen, an meiner Brust\" (\"At My Heart, At My Breast\")<\/li>\r\n\t
  8. \"Nun hast du mir den ersten Schmerz getan\" (\"Now You Have Caused Me Pain for the First Time\")<\/li>\r\n<\/ol>\r\nSchumann's choice of text was very probably inspired in part by events in his personal life. He had been courting Clara Wieck, but had failed to get her father's permission to marry her. In 1840, after a legal battle to make such permission unnecessary, he finally married her.\r\n\r\nThe songs in this cycle are notable for the fact that the piano has a remarkable independence from the voice. Breaking away from the Schubertian ideal, Schumann has the piano contain the mood of the song in its totality. Another notable characteristic is the cycle's cyclic structure, in which the last movement repeats the theme of the first.\r\n

    \u201cDu Ring an meinem Finger\u201d from Frauenliebe und Leben<\/em><\/strong><\/h2>\r\nComposer:\u00a0<\/strong>Robert Schumann\r\nTempo: <\/strong>Score markings indicate \u201cintimate\u201d (suggesting slow tempo) with the second half marked \u201cgradually faster\u201d\r\nVoice part: <\/strong>Mezzo-soprano or soprano\r\nForm: <\/strong>Rondo\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
    German<\/strong><\/td>\r\nEnglish<\/strong><\/td>\r\n<\/tr>\r\n
    Du Ring an meinem Finger,<\/td>\r\nYou ring on my finger<\/td>\r\n<\/tr>\r\n
    Mein goldenes Ringelein,<\/td>\r\nMy little golden ring,<\/td>\r\n<\/tr>\r\n
    Ich dr\u00fccke dich fromm an die Lippen,<\/td>\r\nI press you with devotion to my lips<\/td>\r\n<\/tr>\r\n
    Dich fromm an das Herze mein.<\/td>\r\nWith devotion to my heart.<\/td>\r\n<\/tr>\r\n
    <\/td>\r\n<\/td>\r\n<\/tr>\r\n
    Ich hatt ihn ausgetr\u00e4umt,<\/td>\r\nI had dreamed it<\/td>\r\n<\/tr>\r\n
    Der Kindheit friedlich sch\u00f6nen Traum,<\/td>\r\nThe beautiful, peaceful dream of childhood<\/td>\r\n<\/tr>\r\n
    Ich fand allein mich, verloren<\/td>\r\nI found myself alone, lost<\/td>\r\n<\/tr>\r\n
    Im \u00f6den, unendlichen Raum.<\/td>\r\nIn the barren, infinite space.<\/td>\r\n<\/tr>\r\n
    <\/td>\r\n<\/td>\r\n<\/tr>\r\n
    Du Ring an meinem Finger<\/td>\r\nYou ring on my finger<\/td>\r\n<\/tr>\r\n
    Da hast du mich erst belehrt,<\/td>\r\nYou have first taught me,<\/td>\r\n<\/tr>\r\n
    Hast meinem Blick erschlossen<\/td>\r\nHave opened my eyes<\/td>\r\n<\/tr>\r\n
    Des Lebens unendlichen, tiefen Wert.<\/td>\r\nLife\u2019s infinite, deep value.<\/td>\r\n<\/tr>\r\n
    <\/td>\r\n<\/td>\r\n<\/tr>\r\n
    Ich will ihm dienen, ihm leben,<\/td>\r\nI want to serve him, live for him<\/td>\r\n<\/tr>\r\n
    Ihm angeh\u00f6ren ganz,<\/td>\r\nBelong to him completely<\/td>\r\n<\/tr>\r\n
    Hin selber mich geben und finden<\/td>\r\nGiving and finding myself<\/td>\r\n<\/tr>\r\n
    Verkl\u00e4rt mich in seinem Glanz.<\/td>\r\nTransformed in his glory.<\/td>\r\n<\/tr>\r\n
    <\/td>\r\n<\/td>\r\n<\/tr>\r\n
    Du Ring an meinem Finger,<\/td>\r\nYou ring on my finger<\/td>\r\n<\/tr>\r\n
    Mein goldenes Ringelein,<\/td>\r\nMy little golden ring,<\/td>\r\n<\/tr>\r\n
    Ich dr\u00fccke dich fromm an die Lippen<\/td>\r\nI press you with devotion to my lips<\/td>\r\n<\/tr>\r\n
    Dich fromm an das Herze mein.<\/td>\r\nWith devotion to my heart.<\/td>\r\n<\/tr>\r\n
    <\/td>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n ","rendered":"

    “Du Ring an Meinem Finger” is part of a larger cycle of songs called Frauenliebe und Leben. \u00a0You can download this\u00a0scan of an public domain score<\/a> to the song cycle\u00a0if\u00a0you would like to review the printed music.<\/p>\n

    Introduction<\/h2>\n

    Frauenliebe und -leben<\/b><\/i> (A Woman’s Love and Life<\/i>) is a cycle of poems by Adelbert von Chamisso, written in 1830. They describe the course of a woman’s love for her man, from her point of view, from first meeting through marriage to his death, and after. Selections were set to music as a song-cycle by masters of German Lied, namely Carl Loewe, Franz Paul Lachner and Robert Schumann. The setting by Schumann (his opus 42) is now the most widely known.<\/p>\n

    Schumann’s Cycle<\/h2>\n

    Schumann wrote his setting in 1840, a year in which he wrote so many lieder (including three other song cycles: Liederkreis<\/i> Op. 24 and Op. 39, Dichterliebe<\/i>), that it is known as his “year of song”. There are eight poems in his cycle, together telling a story from the protagonist first meeting her love, through their marriage, to his death. They are:<\/p>\n

      \n
    1. “Seit ich ihn gesehen” (“Since I Saw Him”)<\/li>\n
    2. “Er, der Herrlichste von allen” (“He, the Noblest of All”)<\/li>\n
    3. “Ich kann’s nicht fassen, nicht glauben” (“I Cannot Grasp or Believe It”)<\/li>\n
    4. “Du Ring an meinem Finger” (“You Ring Upon My Finger”)<\/li>\n
    5. “Helft mir, ihr Schwestern” (“Help Me, Sisters”)<\/li>\n
    6. “S\u00fc\u00dfer Freund, du blickest mich verwundert an” (“Sweet Friend, You Gaze”)<\/li>\n
    7. “An meinem Herzen, an meiner Brust” (“At My Heart, At My Breast”)<\/li>\n
    8. “Nun hast du mir den ersten Schmerz getan” (“Now You Have Caused Me Pain for the First Time”)<\/li>\n<\/ol>\n

      Schumann’s choice of text was very probably inspired in part by events in his personal life. He had been courting Clara Wieck, but had failed to get her father’s permission to marry her. In 1840, after a legal battle to make such permission unnecessary, he finally married her.<\/p>\n

      The songs in this cycle are notable for the fact that the piano has a remarkable independence from the voice. Breaking away from the Schubertian ideal, Schumann has the piano contain the mood of the song in its totality. Another notable characteristic is the cycle’s cyclic structure, in which the last movement repeats the theme of the first.<\/p>\n

      \u201cDu Ring an meinem Finger\u201d from Frauenliebe und Leben<\/em><\/strong><\/h2>\n

      Composer:\u00a0<\/strong>Robert Schumann
      \nTempo: <\/strong>Score markings indicate \u201cintimate\u201d (suggesting slow tempo) with the second half marked \u201cgradually faster\u201d
      \nVoice part: <\/strong>Mezzo-soprano or soprano
      \nForm: <\/strong>Rondo<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
      German<\/strong><\/td>\nEnglish<\/strong><\/td>\n<\/tr>\n
      Du Ring an meinem Finger,<\/td>\nYou ring on my finger<\/td>\n<\/tr>\n
      Mein goldenes Ringelein,<\/td>\nMy little golden ring,<\/td>\n<\/tr>\n
      Ich dr\u00fccke dich fromm an die Lippen,<\/td>\nI press you with devotion to my lips<\/td>\n<\/tr>\n
      Dich fromm an das Herze mein.<\/td>\nWith devotion to my heart.<\/td>\n<\/tr>\n
      <\/td>\n<\/td>\n<\/tr>\n
      Ich hatt ihn ausgetr\u00e4umt,<\/td>\nI had dreamed it<\/td>\n<\/tr>\n
      Der Kindheit friedlich sch\u00f6nen Traum,<\/td>\nThe beautiful, peaceful dream of childhood<\/td>\n<\/tr>\n
      Ich fand allein mich, verloren<\/td>\nI found myself alone, lost<\/td>\n<\/tr>\n
      Im \u00f6den, unendlichen Raum.<\/td>\nIn the barren, infinite space.<\/td>\n<\/tr>\n
      <\/td>\n<\/td>\n<\/tr>\n
      Du Ring an meinem Finger<\/td>\nYou ring on my finger<\/td>\n<\/tr>\n
      Da hast du mich erst belehrt,<\/td>\nYou have first taught me,<\/td>\n<\/tr>\n
      Hast meinem Blick erschlossen<\/td>\nHave opened my eyes<\/td>\n<\/tr>\n
      Des Lebens unendlichen, tiefen Wert.<\/td>\nLife\u2019s infinite, deep value.<\/td>\n<\/tr>\n
      <\/td>\n<\/td>\n<\/tr>\n
      Ich will ihm dienen, ihm leben,<\/td>\nI want to serve him, live for him<\/td>\n<\/tr>\n
      Ihm angeh\u00f6ren ganz,<\/td>\nBelong to him completely<\/td>\n<\/tr>\n
      Hin selber mich geben und finden<\/td>\nGiving and finding myself<\/td>\n<\/tr>\n
      Verkl\u00e4rt mich in seinem Glanz.<\/td>\nTransformed in his glory.<\/td>\n<\/tr>\n
      <\/td>\n<\/td>\n<\/tr>\n
      Du Ring an meinem Finger,<\/td>\nYou ring on my finger<\/td>\n<\/tr>\n
      Mein goldenes Ringelein,<\/td>\nMy little golden ring,<\/td>\n<\/tr>\n
      Ich dr\u00fccke dich fromm an die Lippen<\/td>\nI press you with devotion to my lips<\/td>\n<\/tr>\n
      Dich fromm an das Herze mein.<\/td>\nWith devotion to my heart.<\/td>\n<\/tr>\n
      <\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

       <\/p>\n\n\t\t\t

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      Candela Citations<\/h3>\n\t\t\t\t\t
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      CC licensed content, Original<\/div>