{"id":585,"date":"2015-06-03T23:55:06","date_gmt":"2015-06-03T23:55:06","guid":{"rendered":"https:\/\/courses.candelalearning.com\/musicx15xmaster\/?post_type=chapter&#038;p=585"},"modified":"2015-10-10T06:58:04","modified_gmt":"2015-10-10T06:58:04","slug":"early-romantic-opera","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/odessa-musicapp-medievaltomodern\/chapter\/early-romantic-opera\/","title":{"raw":"Early Romantic Opera","rendered":"Early Romantic Opera"},"content":{"raw":"As you read about the composers and operas we study in this class, you'll hear frequent references to other earlier composers. Please read <a href=\"http:\/\/www.educationscotland.gov.uk\/learnlisteningonline\/higherandadvancedhigher\/musicalperiods\/romanticperiod\/earlyopera.asp\" target=\"_blank\">this brief background on the composers and trends<\/a> that led to the later Romantic operas we will focus on. This site uses the term \"vamp\" to refer to the simple chordal accompaniment heard supporting bel canto arias. In the United States that term tends to refer to a repeated accompaniment or ostinato, but the Scottish site we're linking to uses it to mean a particular way of repeating a simple chord. View\u00a0their site's definition of vamp\u00a0<a href=\"http:\/\/www.educationscotland.gov.uk\/learnlisteningonline\/atozdictionary\/uvandw.asp\" target=\"_blank\">here<\/a>\u00a0along with a music example.","rendered":"<p>As you read about the composers and operas we study in this class, you&#8217;ll hear frequent references to other earlier composers. Please read <a href=\"http:\/\/www.educationscotland.gov.uk\/learnlisteningonline\/higherandadvancedhigher\/musicalperiods\/romanticperiod\/earlyopera.asp\" target=\"_blank\">this brief background on the composers and trends<\/a> that led to the later Romantic operas we will focus on. This site uses the term &#8220;vamp&#8221; to refer to the simple chordal accompaniment heard supporting bel canto arias. In the United States that term tends to refer to a repeated accompaniment or ostinato, but the Scottish site we&#8217;re linking to uses it to mean a particular way of repeating a simple chord. View\u00a0their site&#8217;s definition of vamp\u00a0<a href=\"http:\/\/www.educationscotland.gov.uk\/learnlisteningonline\/atozdictionary\/uvandw.asp\" target=\"_blank\">here<\/a>\u00a0along with a music example.<\/p>\n\n\t\t\t <section class=\"citations-section\" role=\"contentinfo\">\n\t\t\t <h3>Candela Citations<\/h3>\n\t\t\t\t\t <div>\n\t\t\t\t\t\t <div id=\"citation-list-585\">\n\t\t\t\t\t\t\t <div class=\"licensing\"><div class=\"license-attribution-dropdown-subheading\">CC licensed content, Original<\/div><ul class=\"citation-list\"><li><strong>Authored by<\/strong>: Elliott Jones. <strong>Provided by<\/strong>: Santa Ana College. <strong>Located at<\/strong>: <a target=\"_blank\" href=\"http:\/\/www.sac.edu\">http:\/\/www.sac.edu<\/a>. <strong>License<\/strong>: <em><a target=\"_blank\" rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\">CC BY: Attribution<\/a><\/em><\/li><\/ul><\/div>\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t <\/div>\n\t\t\t <\/section>","protected":false},"author":78,"menu_order":18,"template":"","meta":{"_candela_citation":"[{\"type\":\"original\",\"description\":\"\",\"author\":\"Elliott Jones\",\"organization\":\"Santa Ana College\",\"url\":\"www.sac.edu\",\"project\":\"\",\"license\":\"cc-by\",\"license_terms\":\"\"}]","CANDELA_OUTCOMES_GUID":"","pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-585","chapter","type-chapter","status-publish","hentry"],"part":1200,"_links":{"self":[{"href":"https:\/\/courses.lumenlearning.com\/odessa-musicapp-medievaltomodern\/wp-json\/pressbooks\/v2\/chapters\/585","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.lumenlearning.com\/odessa-musicapp-medievaltomodern\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/courses.lumenlearning.com\/odessa-musicapp-medievaltomodern\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/odessa-musicapp-medievaltomodern\/wp-json\/wp\/v2\/users\/78"}],"version-history":[{"count":3,"href":"https:\/\/courses.lumenlearning.com\/odessa-musicapp-medievaltomodern\/wp-json\/pressbooks\/v2\/chapters\/585\/revisions"}],"predecessor-version":[{"id":1104,"href":"https:\/\/courses.lumenlearning.com\/odessa-musicapp-medievaltomodern\/wp-json\/pressbooks\/v2\/chapters\/585\/revisions\/1104"}],"part":[{"href":"https:\/\/courses.lumenlearning.com\/odessa-musicapp-medievaltomodern\/wp-json\/pressbooks\/v2\/parts\/1200"}],"metadata":[{"href":"https:\/\/courses.lumenlearning.com\/odessa-musicapp-medievaltomodern\/wp-json\/pressbooks\/v2\/chapters\/585\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/courses.lumenlearning.com\/odessa-musicapp-medievaltomodern\/wp-json\/wp\/v2\/media?parent=585"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/odessa-musicapp-medievaltomodern\/wp-json\/pressbooks\/v2\/chapter-type?post=585"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/odessa-musicapp-medievaltomodern\/wp-json\/wp\/v2\/contributor?post=585"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/odessa-musicapp-medievaltomodern\/wp-json\/wp\/v2\/license?post=585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}