{"id":86,"date":"2015-04-10T18:33:38","date_gmt":"2015-04-10T18:33:38","guid":{"rendered":"https:\/\/courses.candelalearning.com\/masteryart1x6xmaster\/?post_type=chapter&p=86"},"modified":"2017-09-07T16:22:49","modified_gmt":"2017-09-07T16:22:49","slug":"oer-1-3","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/sac-artappreciation\/chapter\/oer-1-3\/","title":{"raw":"Formalism and Content","rendered":"Formalism and Content"},"content":{"raw":"

Viewing Art<\/h2>\r\nWhen we are looking at art we typically have an initial response or impression. This response to what we see (or hear, etc.) is formed by a lifetime of knowledge and experience and the culture and time in which we live. The expression \"Beauty lies in the eye of the beholder\" gets at the subjective and personal nature of perception\u2014and of the \"first impression,\" in particular. There's nothing wrong with one's first impression or response\u2014it is, after all, a personal response. It's your<\/em> point of view.\r\n

Formal Analysis<\/h3>\r\nFormal analysis is a close and analytical way of looking at and discussing a work of art. It includes\u00a0describing the work in terms of various elements, such as color, shape, texture, line, lighting, mass, and space, as well as a discussion of how those elements have been used (the design principles). Formal analysis can lead the viewer beyond<\/em>\u00a0<\/em>description of the artwork and its content by linking the elements of the work to the effects that they have on the viewer. This is discussion of the artwork from the point of view of \u201chere is the artwork, and this is what I see and can make sense of . . .\u201d\r\n

Content<\/h3>\r\nContent is simply the the subject matter of an artwork. It's the images you see\u2014like the trees in a painting of a forest, or the town, the sky, and the moon in Van Gogh\u2019s Starry Night<\/em>. Content can play a role in formal analysis, but the content aspect is less important than the \"artwork\" aspect in a formal analysis. A contextual analysis, however, often brings additional information to light allowing a deeper appreciation beyond the formal (visual) aspects alone.\r\n\r\n ","rendered":"

Viewing Art<\/h2>\n

When we are looking at art we typically have an initial response or impression. This response to what we see (or hear, etc.) is formed by a lifetime of knowledge and experience and the culture and time in which we live. The expression “Beauty lies in the eye of the beholder” gets at the subjective and personal nature of perception\u2014and of the “first impression,” in particular. There’s nothing wrong with one’s first impression or response\u2014it is, after all, a personal response. It’s your<\/em> point of view.<\/p>\n

Formal Analysis<\/h3>\n

Formal analysis is a close and analytical way of looking at and discussing a work of art. It includes\u00a0describing the work in terms of various elements, such as color, shape, texture, line, lighting, mass, and space, as well as a discussion of how those elements have been used (the design principles). Formal analysis can lead the viewer beyond<\/em>\u00a0<\/em>description of the artwork and its content by linking the elements of the work to the effects that they have on the viewer. This is discussion of the artwork from the point of view of \u201chere is the artwork, and this is what I see and can make sense of . . .\u201d<\/p>\n

Content<\/h3>\n

Content is simply the the subject matter of an artwork. It’s the images you see\u2014like the trees in a painting of a forest, or the town, the sky, and the moon in Van Gogh\u2019s Starry Night<\/em>. Content can play a role in formal analysis, but the content aspect is less important than the “artwork” aspect in a formal analysis. A contextual analysis, however, often brings additional information to light allowing a deeper appreciation beyond the formal (visual) aspects alone.<\/p>\n

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