{"id":1672,"date":"2015-08-20T05:21:10","date_gmt":"2015-08-20T05:21:10","guid":{"rendered":"https:\/\/courses.candelalearning.com\/americanyawphist118x15x1\/?post_type=chapter&p=1672"},"modified":"2015-08-20T05:21:10","modified_gmt":"2015-08-20T05:21:10","slug":"conclusion-29","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/sanjacinto-atdcoursereview-ushistory2-1\/chapter\/conclusion-29\/","title":{"raw":"Conclusion","rendered":"Conclusion"},"content":{"raw":"Though American politics moved right after Lyndon Johnson\u2019s resignation, Nixon\u2019s 1968 election had marked no conservative counterrevolution. American politics and society remained in flux throughout the 1970s. American politicians on the right and the left pursued relatively moderate courses compared to those in the preceding and succeeding decades. But a groundswell of anxieties and angers brewed beneath the surface. The world\u2019s greatest military power had floundered in Vietnam and an American president stood flustered by Middle Eastern revolutionaries. The cultural clashes from the 60s persisted and accelerated. While cities burned, a more liberal sexuality permeated American culture. The economy crashed, leaving America\u2019s cities prone before poverty and crime and its working class gutted by deindustrialization and globalization. American weakness was everywhere. And so, by 1980, many Americans\u2014especially white middle- and upper-class Americans\u2014felt a nostalgic desire for simpler times and simpler answers to the frustratingly complex geopolitical, social, and economic problems crippling the nation. The appeal of Carter\u2019s soft drawl and Christian humility had signaled this yearning, but his utter failure to stop the unraveling opened the way for a new movement, with new personalities and a new conservatism, which promised to undo the damage and restore the United States to its nostalgic image of itself.\r\n\r\nThis chapter was edited by Edwin Breeden, with content contributions by Seth Anziska, Jeremiah Bauer, Edwin Breeden, Kyle Burke, Alexandra Evans, Sean Fear, Anne Grey Fischer, Destin Jenkins, Matthew Kahn, Suzanne Kahn, Brooke Lamperd, Katherine McGarr, Matthew Pressman, Adam Parsons, Emily Prifogle, John Rosenberg, Brandy Thomas Wells, and Naomi R. Williams.<\/em>","rendered":"

Though American politics moved right after Lyndon Johnson\u2019s resignation, Nixon\u2019s 1968 election had marked no conservative counterrevolution. American politics and society remained in flux throughout the 1970s. American politicians on the right and the left pursued relatively moderate courses compared to those in the preceding and succeeding decades. But a groundswell of anxieties and angers brewed beneath the surface. The world\u2019s greatest military power had floundered in Vietnam and an American president stood flustered by Middle Eastern revolutionaries. The cultural clashes from the 60s persisted and accelerated. While cities burned, a more liberal sexuality permeated American culture. The economy crashed, leaving America\u2019s cities prone before poverty and crime and its working class gutted by deindustrialization and globalization. American weakness was everywhere. And so, by 1980, many Americans\u2014especially white middle- and upper-class Americans\u2014felt a nostalgic desire for simpler times and simpler answers to the frustratingly complex geopolitical, social, and economic problems crippling the nation. The appeal of Carter\u2019s soft drawl and Christian humility had signaled this yearning, but his utter failure to stop the unraveling opened the way for a new movement, with new personalities and a new conservatism, which promised to undo the damage and restore the United States to its nostalgic image of itself.<\/p>\n

This chapter was edited by Edwin Breeden, with content contributions by Seth Anziska, Jeremiah Bauer, Edwin Breeden, Kyle Burke, Alexandra Evans, Sean Fear, Anne Grey Fischer, Destin Jenkins, Matthew Kahn, Suzanne Kahn, Brooke Lamperd, Katherine McGarr, Matthew Pressman, Adam Parsons, Emily Prifogle, John Rosenberg, Brandy Thomas Wells, and Naomi R. Williams.<\/em><\/p>\n\n\t\t\t

\n\t\t\t

Candela Citations<\/h3>\n\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
CC licensed content, Shared previously<\/div>