{"id":1006,"date":"2015-10-16T18:18:59","date_gmt":"2015-10-16T18:18:59","guid":{"rendered":"https:\/\/courses.candelalearning.com\/zelixart102\/?post_type=chapter&#038;p=1006"},"modified":"2015-10-29T20:07:33","modified_gmt":"2015-10-29T20:07:33","slug":"malevich","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/suny-arthistory2\/chapter\/malevich\/","title":{"raw":"Malevich","rendered":"Malevich"},"content":{"raw":"Sal Khan, Steven Zucker, and Beth Harris discuss art and its\u00a0context using Monet's <em>Cliff Walk at Pourville<\/em>\u00a0and Malevich's <em>Suprematist Composition: White on White<\/em> to illustrate their points.\r\n\r\nhttps:\/\/youtu.be\/2aUFB9hQncQ\r\n<h2>Works Discussed<\/h2>\r\nClaude Monet,\u00a0<em>Cliff Walk at Pourville<\/em>, 1882, oil on canvas, 66.5 cm \u00d7 82.3 cm (26 1\u20448 in \u00d7 32 7\u204416 in), (Art Institute of Chicago).\r\n\r\nKazmir Malevich, <em>Suprematist Composition: White on White<\/em>, 1918, oil on canvas, 79.4 cm \u00d7 79.4 cm (31 1\/4 in \u00d7 31 1\/4 in), (Museum of Modern Art, New York City).","rendered":"<p>Sal Khan, Steven Zucker, and Beth Harris discuss art and its\u00a0context using Monet&#8217;s <em>Cliff Walk at Pourville<\/em>\u00a0and Malevich&#8217;s <em>Suprematist Composition: White on White<\/em> to illustrate their points.<\/p>\n<p><iframe loading=\"lazy\" id=\"oembed-1\" title=\"Art and context: Monet&#39;s Cliff Walk at Pourville and Malevich&#39;s White on White\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/2aUFB9hQncQ?feature=oembed&#38;rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2>Works Discussed<\/h2>\n<p>Claude Monet,\u00a0<em>Cliff Walk at Pourville<\/em>, 1882, oil on canvas, 66.5 cm \u00d7 82.3 cm (26 1\u20448 in \u00d7 32 7\u204416 in), (Art Institute of Chicago).<\/p>\n<p>Kazmir Malevich, <em>Suprematist Composition: White on White<\/em>, 1918, oil on canvas, 79.4 cm \u00d7 79.4 cm (31 1\/4 in \u00d7 31 1\/4 in), (Museum of Modern Art, New York City).<\/p>\n\n\t\t\t <section class=\"citations-section\" role=\"contentinfo\">\n\t\t\t <h3>Candela Citations<\/h3>\n\t\t\t\t\t <div>\n\t\t\t\t\t\t <div id=\"citation-list-1006\">\n\t\t\t\t\t\t\t <div class=\"licensing\"><div class=\"license-attribution-dropdown-subheading\">CC licensed content, Shared previously<\/div><ul class=\"citation-list\"><li>Art and context: Monet, Cliff Walk at Pourville, and Malevich, White on White. <strong>Authored by<\/strong>: Sal Khan, Steven Zucker, and Beth Harris. <strong>Provided by<\/strong>: Khan Academy. <strong>Located at<\/strong>: <a target=\"_blank\" href=\"https:\/\/www.khanacademy.org\/humanities\/art-1010\/beginners-guide-20-21\/v\/art-context\">https:\/\/www.khanacademy.org\/humanities\/art-1010\/beginners-guide-20-21\/v\/art-context<\/a>. <strong>License<\/strong>: <em><a target=\"_blank\" rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-nc-sa\/4.0\/\">CC BY-NC-SA: Attribution-NonCommercial-ShareAlike<\/a><\/em><\/li><\/ul><\/div>\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t <\/div>\n\t\t\t <\/section>","protected":false},"author":78,"menu_order":28,"template":"","meta":{"_candela_citation":"[{\"type\":\"cc\",\"description\":\"Art and context: Monet, Cliff Walk at Pourville, and Malevich, White on White\",\"author\":\"Sal Khan, Steven Zucker, and Beth Harris\",\"organization\":\"Khan 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