{"id":440,"date":"2015-10-14T16:24:38","date_gmt":"2015-10-14T16:24:38","guid":{"rendered":"https:\/\/courses.candelalearning.com\/zelixart102\/?post_type=chapter&#038;p=440"},"modified":"2015-10-20T15:48:32","modified_gmt":"2015-10-20T15:48:32","slug":"baroque-art-in-italy","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/suny-arthistory2\/chapter\/baroque-art-in-italy\/","title":{"raw":"Baroque Art in Italy","rendered":"Baroque Art in Italy"},"content":{"raw":"Baroque art is the style of the late 1500s and 1600s. The important thing to keep in mind now is that the Baroque style in Italy is the direct result of the Counter-Reformation. The Church needs a powerful style of art to use in the fight against Martin Luther\u2014and that's exactly what the Baroque style is\u2014it is powerful, dramatic, muscular, sometimes frightening, and it really gets to you! Bernini, one of the greatest artists of the Baroque period, worked in Rome, often for the papacy like Michelangelo before him. To get an idea of what a great sculptor he is, and how he can make marble seem like human flesh, look at his sculpure <i>Pluto and Proserpina<\/i>. What about this sculpture is different than anything we've seen before? Look at her hair, how it is flying back behind her as she turns her head, and remains in mid-air.\r\n\r\n[caption id=\"attachment_441\" align=\"aligncenter\" width=\"1000\"]<img class=\"wp-image-441 size-full\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images-archive-read-only\/wp-content\/uploads\/sites\/1122\/2015\/10\/02032356\/pluto_and_prosp.jpg\" alt=\"On the left is a photograph of the full sculpture of Pluto and Proserpina; on the right is a photograph of the details of Pluto\u2019s hand on Proserpina\u2019s thigh. The sculpture depicts Pluto seizing Proserpina in his arms while she tries to escape his grasp, pushing her hand into his face. There is an amazing level of detail and realism in this work. Pluto\u2019s fingers press into Proserpina\u2019s thigh, making the marble appear like flesh.\" width=\"1000\" height=\"800\" \/> Figure 1. Gian Lorenzo Bernini, <em>Pluto and Proserpina<\/em>, marble, 1621\u201322 (Galleria Borghese, Rome)[\/caption]","rendered":"<p>Baroque art is the style of the late 1500s and 1600s. The important thing to keep in mind now is that the Baroque style in Italy is the direct result of the Counter-Reformation. The Church needs a powerful style of art to use in the fight against Martin Luther\u2014and that&#8217;s exactly what the Baroque style is\u2014it is powerful, dramatic, muscular, sometimes frightening, and it really gets to you! Bernini, one of the greatest artists of the Baroque period, worked in Rome, often for the papacy like Michelangelo before him. To get an idea of what a great sculptor he is, and how he can make marble seem like human flesh, look at his sculpure <i>Pluto and Proserpina<\/i>. What about this sculpture is different than anything we&#8217;ve seen before? Look at her hair, how it is flying back behind her as she turns her head, and remains in mid-air.<\/p>\n<div id=\"attachment_441\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-441\" class=\"wp-image-441 size-full\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images-archive-read-only\/wp-content\/uploads\/sites\/1122\/2015\/10\/02032356\/pluto_and_prosp.jpg\" alt=\"On the left is a photograph of the full sculpture of Pluto and Proserpina; on the right is a photograph of the details of Pluto\u2019s hand on Proserpina\u2019s thigh. The sculpture depicts Pluto seizing Proserpina in his arms while she tries to escape his grasp, pushing her hand into his face. There is an amazing level of detail and realism in this work. Pluto\u2019s fingers press into Proserpina\u2019s thigh, making the marble appear like flesh.\" width=\"1000\" height=\"800\" \/><\/p>\n<p id=\"caption-attachment-441\" class=\"wp-caption-text\">Figure 1. Gian Lorenzo Bernini, <em>Pluto and Proserpina<\/em>, marble, 1621\u201322 (Galleria Borghese, Rome)<\/p>\n<\/div>\n\n\t\t\t <section class=\"citations-section\" role=\"contentinfo\">\n\t\t\t <h3>Candela Citations<\/h3>\n\t\t\t\t\t <div>\n\t\t\t\t\t\t <div id=\"citation-list-440\">\n\t\t\t\t\t\t\t <div class=\"licensing\"><div class=\"license-attribution-dropdown-subheading\">CC licensed content, Shared previously<\/div><ul class=\"citation-list\"><li>Baroque Art in Italy. <strong>Provided by<\/strong>: Khan Academy. <strong>Located at<\/strong>: <a target=\"_blank\" href=\"https:\/\/web.archive.org\/web\/20140215025925\/http:\/\/smarthistory.khanacademy.org\/baroque-italy.html\">https:\/\/web.archive.org\/web\/20140215025925\/http:\/\/smarthistory.khanacademy.org\/baroque-italy.html<\/a>. <strong>License<\/strong>: <em><a target=\"_blank\" rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-nc-sa\/4.0\/\">CC BY-NC-SA: Attribution-NonCommercial-ShareAlike<\/a><\/em><\/li><li>Rape of Prosepina September 2015. <strong>Authored by<\/strong>: Alvesgaspar. <strong>Located at<\/strong>: <a target=\"_blank\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Rape_of_Prosepina_September_2015-3a.jpg\">https:\/\/commons.wikimedia.org\/wiki\/File:Rape_of_Prosepina_September_2015-3a.jpg<\/a>. <strong>License<\/strong>: <em><a target=\"_blank\" rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA: Attribution-ShareAlike<\/a><\/em><\/li><li>Rape of Prosepina. <strong>Authored by<\/strong>: Alvesgaspar. <strong>Located at<\/strong>: <a target=\"_blank\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Rape_of_Prosepina_September_2015-2b.jpg\">https:\/\/commons.wikimedia.org\/wiki\/File:Rape_of_Prosepina_September_2015-2b.jpg<\/a>. <strong>License<\/strong>: <em><a target=\"_blank\" rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA: Attribution-ShareAlike<\/a><\/em><\/li><\/ul><\/div>\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t <\/div>\n\t\t\t <\/section>","protected":false},"author":78,"menu_order":4,"template":"","meta":{"_candela_citation":"[{\"type\":\"cc\",\"description\":\"Baroque Art in Italy\",\"author\":\"\",\"organization\":\"Khan Academy\",\"url\":\"https:\/\/web.archive.org\/web\/20140215025925\/http:\/\/smarthistory.khanacademy.org\/baroque-italy.html\",\"project\":\"\",\"license\":\"cc-by-nc-sa\",\"license_terms\":\"\"},{\"type\":\"cc\",\"description\":\"Rape of Prosepina September 2015\",\"author\":\"Alvesgaspar\",\"organization\":\"\",\"url\":\"https:\/\/commons.wikimedia.org\/wiki\/File:Rape_of_Prosepina_September_2015-3a.jpg\",\"project\":\"\",\"license\":\"cc-by-sa\",\"license_terms\":\"\"},{\"type\":\"cc\",\"description\":\"Rape of Prosepina\",\"author\":\"Alvesgaspar\",\"organization\":\"\",\"url\":\"https:\/\/commons.wikimedia.org\/wiki\/File:Rape_of_Prosepina_September_2015-2b.jpg\",\"project\":\"\",\"license\":\"cc-by-sa\",\"license_terms\":\"\"}]","CANDELA_OUTCOMES_GUID":"","pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-440","chapter","type-chapter","status-publish","hentry"],"part":401,"_links":{"self":[{"href":"https:\/\/courses.lumenlearning.com\/suny-arthistory2\/wp-json\/pressbooks\/v2\/chapters\/440","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.lumenlearning.com\/suny-arthistory2\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/courses.lumenlearning.com\/suny-arthistory2\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-arthistory2\/wp-json\/wp\/v2\/users\/78"}],"version-history":[{"count":4,"href":"https:\/\/courses.lumenlearning.com\/suny-arthistory2\/wp-json\/pressbooks\/v2\/chapters\/440\/revisions"}],"predecessor-version":[{"id":1274,"href":"https:\/\/courses.lumenlearning.com\/suny-arthistory2\/wp-json\/pressbooks\/v2\/chapters\/440\/revisions\/1274"}],"part":[{"href":"https:\/\/courses.lumenlearning.com\/suny-arthistory2\/wp-json\/pressbooks\/v2\/parts\/401"}],"metadata":[{"href":"https:\/\/courses.lumenlearning.com\/suny-arthistory2\/wp-json\/pressbooks\/v2\/chapters\/440\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/courses.lumenlearning.com\/suny-arthistory2\/wp-json\/wp\/v2\/media?parent=440"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-arthistory2\/wp-json\/pressbooks\/v2\/chapter-type?post=440"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-arthistory2\/wp-json\/wp\/v2\/contributor?post=440"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-arthistory2\/wp-json\/wp\/v2\/license?post=440"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}