{"id":26,"date":"2021-05-20T15:21:40","date_gmt":"2021-05-20T15:21:40","guid":{"rendered":"https:\/\/courses.lumenlearning.com\/suny-empire-amliterature-1865-present\/?post_type=part&#038;p=26"},"modified":"2021-07-12T16:53:48","modified_gmt":"2021-07-12T16:53:48","slug":"reading-american-literature","status":"publish","type":"part","link":"https:\/\/courses.lumenlearning.com\/suny-empire-amliterature-1865-present\/part\/reading-american-literature\/","title":{"raw":"Reading American Literature","rendered":"Reading American Literature"},"content":{"raw":"[caption id=\"attachment_550\" align=\"alignright\" width=\"300\"]<img class=\"wp-image-550 size-medium\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/5663\/2021\/05\/12165243\/13-300x200.jpg\" alt=\"man reading book\" width=\"300\" height=\"200\" \/> <sup>Image by StockSnap from Pixabay, https:\/\/pixabay.com\/photos\/guy-man-reading-book-business-2557251\/<\/sup>[\/caption]\r\n\r\nIf you\u2019ve never read older texts before, know that reading some 19th and early 20th century American literature may be a different experience for you.\r\n\r\nFirst, please understand that these texts were written at a time when different cultural and social values were accepted. Because you're reading texts from authors whose orientation was to be authentic, there will be language used at the time period that is totally inappropriate by today\u2019s standards. However, it\u2019s important to read original, unedited versions of these texts, because language itself helps you understand the world views and cultural contexts in which these texts were created. (And know that \u201cunderstand\u201d does <em>not<\/em> mean \u201ccondone.\u201d)\r\n\r\nSecond, please know that \u201cAmerican\u201d means all groups and ideas.\u00a0 The readings you'll be doing represent the experience of many writers, including African Americans, Native Americans, Asian Americans, and more. They represent different regional experiences and literary philosophies, such as the Harlem Renaissance, Modernism, Beat Poetry, and more. America has always been a heterogeneous society; the literature included in this course represents this multiplicity of groups and ideas.\r\n\r\nThird, there is so much more to American literature 1865-Present than what you will read in one college course. If a literary time period or particular author interests you, know that there are many additional pieces of literature in your text and online. You\u2019re encouraged to read more widely and pursue your interests.\r\n\r\nThe video below contains useful information about the \u201cwhy\u201d and \u201chow\u201d of reading American literature.\r\n\r\n[embed]https:\/\/www.youtube.com\/watch?v=pzbug5gtVIw[\/embed]\r\n\r\n<sup>Video by Lance Eaton. Introduction \u2013 What Is American Literature? YouTube, <\/sup><a href=\"https:\/\/www.youtube.com\/watch?v=pzbug5gtVIw\" target=\"_blank\" rel=\"noopener\"><sup>https:\/\/www.youtube.com\/watch?v=pzbug5gtVIw<\/sup><\/a>\r\n<h2>Strategies for Reading American Literature 1865-Present<\/h2>\r\nAs you read, you may find the following strategies helpful in understanding the texts and gaining a greater appreciation for both the texts and their contexts.\r\n<ul>\r\n \t<li><b>Read slowly and carefully.<\/b> Don\u2019t try to rush through the readings. Schedule adequate time to read without pressure, and to reread when necessary. Remember, having to read a piece more than once is not bad \u2013 it just takes a bit more time.<\/li>\r\n \t<li><b>Read out loud.<\/b> Sometimes older works, written using longer sentences or different words than we are used to, are easier to follow if you read out loud, saying and hearing the sentences. This practice also helps you to appreciate the emphasis, cadence, and poetry of the lines.<\/li>\r\n \t<li><b>Supplement your reading.<\/b> Sometimes reading a book about the period, seeing a movie set during the same time, or reading secondary works about the text can help you find new ways to appreciate and understand the work.<\/li>\r\n \t<li><b>Consider the context.<\/b> Think about the historical events happening at the time the text was written. Also consider the writing situation \u2013 the writer, the purpose for writing, the intended reader \u2013 and speculate on the public\u2019s response to the writing at the time.<\/li>\r\n \t<li><b>Look up words as needed. <\/b>You can often define unfamiliar words by the sentence context, but if you can\u2019t and you feel that the unfamiliar word is important, look up the word. If this process breaks up the flow of your reading, go back and read through the work a second time, without the dictionary interruptions.<\/li>\r\n \t<li><b>Don\u2019t be fearful of unfamiliar works. <\/b>Students sometimes feel baffled by writing that can\u2019t be categorized in terms of their prior reading experience. Realize that writing comes in all forms and styles and enjoy the experience of engaging with new and different expressive styles.<\/li>\r\n \t<li><strong>Don\u2019t worry if you don\u2019t understand everything you read. <\/strong>Some of this reading may be difficult, but don\u2019t give up. Simply write down the elements or ideas with which you felt uncomfortable, then go back into the text and reread. Try to understand as much as possible, but know that it\u2019s o.k. to have some questions and uncertainty. Experts have questions \u2013 and questions often lead to more productive reading and understanding.<\/li>\r\n \t<li><b>Enjoy your reading! <\/b>You probably like to read already \u2013 so enjoy these readings from various time periods. These texts can help you understand American literary history, this country\u2019s development from the 19th century, and our contemporary relationship to society, nature, art, religion, each other, and ourselves.<\/li>\r\n<\/ul>\r\n<div id=\"post-771\" class=\"miscellaneous post-771 back-matter type-back-matter status-publish hentry\">\r\n<div class=\"entry-content\">\r\n<h2>Resources for Reading Literary Texts<\/h2>\r\nThese resources provide some additional reading strategies.\r\n<ul>\r\n \t<li><a href=\"http:\/\/www.hunter.cuny.edu\/rwc\/handouts\/the-writing-process-1\/invention\/Guidelines-for-Critical-Reading\" target=\"_blank\" rel=\"noopener\">Guidelines for Critical Reading<\/a>, Hunter College<\/li>\r\n \t<li><a href=\"http:\/\/writing.umn.edu\/sws\/quickhelp\/process\/reading.html\" target=\"_blank\" rel=\"noopener\">Critical Reading Strategies<\/a>, University of Minnesota<\/li>\r\n \t<li><a href=\"https:\/\/www.youtube.com\/watch?v=Hw7GiLumXvo\" target=\"_blank\" rel=\"noopener\">Critically Engaging with Literature<\/a> (video 7:51)<\/li>\r\n \t<li><a href=\"https:\/\/www.ndsu.edu\/pubweb\/~cinichol\/271\/CRITICAL%20READING%20A%20GUIDE%20John%20Lye%20Brock%20Univ.htm\" target=\"_blank\" rel=\"noopener\">Critical Reading: A Guide<\/a>, John Lye, Brock University<\/li>\r\n \t<li><a href=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/5583\/2021\/03\/06211439\/Reading-Fiction.docx\">Reading Fiction<\/a>, Cate McAllister, Empire State College<\/li>\r\n \t<li><a href=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/5663\/2021\/05\/27142121\/Fiction-and-Poetry.docx\">Fiction and Poetry<\/a>, Cate McAllister, Empire State College<\/li>\r\n \t<li><a href=\"https:\/\/writing.wisc.edu\/handbook\/assignments\/readingpoetry\/\">How to Read a Poem<\/a>, University of Wisconsin - Madison Writing Center<\/li>\r\n \t<li><a href=\"https:\/\/www.youtube.com\/watch?v=4DEQ8OSe-bw\" target=\"_blank\" rel=\"noopener\">Explicating Poetry: A Case Study on Millet's \"I shall forget you presently, my dear\"<\/a> (video 9:03; deals with both reading, analyzing, and writing about poetry)<\/li>\r\n \t<li><a href=\"https:\/\/poets.org\/text\/how-read-poem-0\">How to Read a Poem<\/a>, Academy of American Poets<\/li>\r\n \t<li><a href=\"https:\/\/www.youtube.com\/watch?v=zFNnbxCZPBU\">The Elements of a Poem<\/a>, Kahn Academy (video 5:05)<\/li>\r\n \t<li><a href=\"https:\/\/courses.lumenlearning.com\/atd-fscj-literatureforhumanities\/\">Literature for the Humanities<\/a>, an open-source short course that covers Fiction, Poetry, Drama<\/li>\r\n \t<li><a href=\"https:\/\/www.youtube.com\/watch?v=ZH9e8pbg4gM\" target=\"_blank\" rel=\"noopener\">How to Read a Play<\/a> (video 5:38; offers very useful questions\/items to consider while reading)<\/li>\r\n \t<li><a href=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/5663\/2021\/05\/25170733\/Reading-Drama.docx\">Reading Drama<\/a>, Cate McAllister, Empire State College<\/li>\r\n \t<li><a href=\"https:\/\/human.libretexts.org\/Bookshelves\/Theater_and_Film\/Book%3A_Theatrical_Worlds_(Mitchell)\/01%3A_Mapping_Reality_-_An_Introduction_to_Theatre\/1.08%3A_How_to_Read_a_Play\" target=\"_blank\" rel=\"noopener\">How to Read a Play<\/a>, page in the open text Theatrical Worlds, Charles Mitchell<\/li>\r\n<\/ul>\r\n&nbsp;\r\n\r\n<\/div>\r\n<\/div>","rendered":"<div id=\"attachment_550\" style=\"width: 310px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-550\" class=\"wp-image-550 size-medium\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/5663\/2021\/05\/12165243\/13-300x200.jpg\" alt=\"man reading book\" width=\"300\" height=\"200\" \/><\/p>\n<p id=\"caption-attachment-550\" class=\"wp-caption-text\"><sup>Image by StockSnap from Pixabay, https:\/\/pixabay.com\/photos\/guy-man-reading-book-business-2557251\/<\/sup><\/p>\n<\/div>\n<p>If you\u2019ve never read older texts before, know that reading some 19th and early 20th century American literature may be a different experience for you.<\/p>\n<p>First, please understand that these texts were written at a time when different cultural and social values were accepted. Because you&#8217;re reading texts from authors whose orientation was to be authentic, there will be language used at the time period that is totally inappropriate by today\u2019s standards. However, it\u2019s important to read original, unedited versions of these texts, because language itself helps you understand the world views and cultural contexts in which these texts were created. (And know that \u201cunderstand\u201d does <em>not<\/em> mean \u201ccondone.\u201d)<\/p>\n<p>Second, please know that \u201cAmerican\u201d means all groups and ideas.\u00a0 The readings you&#8217;ll be doing represent the experience of many writers, including African Americans, Native Americans, Asian Americans, and more. They represent different regional experiences and literary philosophies, such as the Harlem Renaissance, Modernism, Beat Poetry, and more. America has always been a heterogeneous society; the literature included in this course represents this multiplicity of groups and ideas.<\/p>\n<p>Third, there is so much more to American literature 1865-Present than what you will read in one college course. If a literary time period or particular author interests you, know that there are many additional pieces of literature in your text and online. You\u2019re encouraged to read more widely and pursue your interests.<\/p>\n<p>The video below contains useful information about the \u201cwhy\u201d and \u201chow\u201d of reading American literature.<\/p>\n<p><iframe loading=\"lazy\" id=\"oembed-1\" title=\"Introduction - What Is American Literature?\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/pzbug5gtVIw?feature=oembed&#38;rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><sup>Video by Lance Eaton. Introduction \u2013 What Is American Literature? YouTube, <\/sup><a href=\"https:\/\/www.youtube.com\/watch?v=pzbug5gtVIw\" target=\"_blank\" rel=\"noopener\"><sup>https:\/\/www.youtube.com\/watch?v=pzbug5gtVIw<\/sup><\/a><\/p>\n<h2>Strategies for Reading American Literature 1865-Present<\/h2>\n<p>As you read, you may find the following strategies helpful in understanding the texts and gaining a greater appreciation for both the texts and their contexts.<\/p>\n<ul>\n<li><b>Read slowly and carefully.<\/b> Don\u2019t try to rush through the readings. Schedule adequate time to read without pressure, and to reread when necessary. Remember, having to read a piece more than once is not bad \u2013 it just takes a bit more time.<\/li>\n<li><b>Read out loud.<\/b> Sometimes older works, written using longer sentences or different words than we are used to, are easier to follow if you read out loud, saying and hearing the sentences. This practice also helps you to appreciate the emphasis, cadence, and poetry of the lines.<\/li>\n<li><b>Supplement your reading.<\/b> Sometimes reading a book about the period, seeing a movie set during the same time, or reading secondary works about the text can help you find new ways to appreciate and understand the work.<\/li>\n<li><b>Consider the context.<\/b> Think about the historical events happening at the time the text was written. Also consider the writing situation \u2013 the writer, the purpose for writing, the intended reader \u2013 and speculate on the public\u2019s response to the writing at the time.<\/li>\n<li><b>Look up words as needed. <\/b>You can often define unfamiliar words by the sentence context, but if you can\u2019t and you feel that the unfamiliar word is important, look up the word. If this process breaks up the flow of your reading, go back and read through the work a second time, without the dictionary interruptions.<\/li>\n<li><b>Don\u2019t be fearful of unfamiliar works. <\/b>Students sometimes feel baffled by writing that can\u2019t be categorized in terms of their prior reading experience. Realize that writing comes in all forms and styles and enjoy the experience of engaging with new and different expressive styles.<\/li>\n<li><strong>Don\u2019t worry if you don\u2019t understand everything you read. <\/strong>Some of this reading may be difficult, but don\u2019t give up. Simply write down the elements or ideas with which you felt uncomfortable, then go back into the text and reread. Try to understand as much as possible, but know that it\u2019s o.k. to have some questions and uncertainty. Experts have questions \u2013 and questions often lead to more productive reading and understanding.<\/li>\n<li><b>Enjoy your reading! <\/b>You probably like to read already \u2013 so enjoy these readings from various time periods. These texts can help you understand American literary history, this country\u2019s development from the 19th century, and our contemporary relationship to society, nature, art, religion, each other, and ourselves.<\/li>\n<\/ul>\n<div id=\"post-771\" class=\"miscellaneous post-771 back-matter type-back-matter status-publish hentry\">\n<div class=\"entry-content\">\n<h2>Resources for Reading Literary Texts<\/h2>\n<p>These resources provide some additional reading strategies.<\/p>\n<ul>\n<li><a href=\"http:\/\/www.hunter.cuny.edu\/rwc\/handouts\/the-writing-process-1\/invention\/Guidelines-for-Critical-Reading\" target=\"_blank\" rel=\"noopener\">Guidelines for Critical Reading<\/a>, Hunter College<\/li>\n<li><a href=\"http:\/\/writing.umn.edu\/sws\/quickhelp\/process\/reading.html\" target=\"_blank\" rel=\"noopener\">Critical Reading Strategies<\/a>, University of Minnesota<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=Hw7GiLumXvo\" target=\"_blank\" rel=\"noopener\">Critically Engaging with Literature<\/a> (video 7:51)<\/li>\n<li><a href=\"https:\/\/www.ndsu.edu\/pubweb\/~cinichol\/271\/CRITICAL%20READING%20A%20GUIDE%20John%20Lye%20Brock%20Univ.htm\" target=\"_blank\" rel=\"noopener\">Critical Reading: A Guide<\/a>, John Lye, Brock University<\/li>\n<li><a href=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/5583\/2021\/03\/06211439\/Reading-Fiction.docx\">Reading Fiction<\/a>, Cate McAllister, Empire State College<\/li>\n<li><a href=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/5663\/2021\/05\/27142121\/Fiction-and-Poetry.docx\">Fiction and Poetry<\/a>, Cate McAllister, Empire State College<\/li>\n<li><a href=\"https:\/\/writing.wisc.edu\/handbook\/assignments\/readingpoetry\/\">How to Read a Poem<\/a>, University of Wisconsin &#8211; Madison Writing Center<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=4DEQ8OSe-bw\" target=\"_blank\" rel=\"noopener\">Explicating Poetry: A Case Study on Millet&#8217;s &#8220;I shall forget you presently, my dear&#8221;<\/a> (video 9:03; deals with both reading, analyzing, and writing about poetry)<\/li>\n<li><a href=\"https:\/\/poets.org\/text\/how-read-poem-0\">How to Read a Poem<\/a>, Academy of American Poets<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=zFNnbxCZPBU\">The Elements of a Poem<\/a>, Kahn Academy (video 5:05)<\/li>\n<li><a href=\"https:\/\/courses.lumenlearning.com\/atd-fscj-literatureforhumanities\/\">Literature for the Humanities<\/a>, an open-source short course that covers Fiction, Poetry, Drama<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=ZH9e8pbg4gM\" target=\"_blank\" rel=\"noopener\">How to Read a Play<\/a> (video 5:38; offers very useful questions\/items to consider while reading)<\/li>\n<li><a href=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/5663\/2021\/05\/25170733\/Reading-Drama.docx\">Reading Drama<\/a>, Cate McAllister, Empire State College<\/li>\n<li><a href=\"https:\/\/human.libretexts.org\/Bookshelves\/Theater_and_Film\/Book%3A_Theatrical_Worlds_(Mitchell)\/01%3A_Mapping_Reality_-_An_Introduction_to_Theatre\/1.08%3A_How_to_Read_a_Play\" target=\"_blank\" rel=\"noopener\">How to Read a Play<\/a>, page in the open text Theatrical Worlds, Charles Mitchell<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n","protected":false},"parent":0,"menu_order":7,"template":"","meta":{"pb_part_invisible":false,"pb_part_invisible_string":""},"contributor":[],"license":[],"class_list":["post-26","part","type-part","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/courses.lumenlearning.com\/suny-empire-amliterature-1865-present\/wp-json\/pressbooks\/v2\/parts\/26","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.lumenlearning.com\/suny-empire-amliterature-1865-present\/wp-json\/pressbooks\/v2\/parts"}],"about":[{"href":"https:\/\/courses.lumenlearning.com\/suny-empire-amliterature-1865-present\/wp-json\/wp\/v2\/types\/part"}],"version-history":[{"count":14,"href":"https:\/\/courses.lumenlearning.com\/suny-empire-amliterature-1865-present\/wp-json\/pressbooks\/v2\/parts\/26\/revisions"}],"predecessor-version":[{"id":551,"href":"https:\/\/courses.lumenlearning.com\/suny-empire-amliterature-1865-present\/wp-json\/pressbooks\/v2\/parts\/26\/revisions\/551"}],"wp:attachment":[{"href":"https:\/\/courses.lumenlearning.com\/suny-empire-amliterature-1865-present\/wp-json\/wp\/v2\/media?parent=26"}],"wp:term":[{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-empire-amliterature-1865-present\/wp-json\/wp\/v2\/contributor?post=26"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-empire-amliterature-1865-present\/wp-json\/wp\/v2\/license?post=26"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}