Introduction: William Cullen Bryant (1794–1878)

William Cullen Bryant lived and wrote at the cusp of the Romantic era; indeed, he’s credited with giving an American slant to the English Romantic poetry heralded by William Wordsworth (1770 – 1850) and Samuel Taylor Coleridge’s (1772 – 1834) Lyrical Ballads (1799). Like Wordsworth, Bryant appreciated emulated, the neoclassical poetry of Alexander Pope and Samuel Johnson (1709 – 1784). Bryant also responded to the so-called graveyard school of poetry of Thomas Gray (1716 – 1771), poetry that linked emotion with observation of the natural world. From Wordsworth and Coleridge, Bryant awoke to the power of nature itself to teach, guide, and inspire the individual’s developing mind and spirit. His poetry especially reflected his life-long love of nature, especially in his use of scenic nature imagery.

From his childhood on, he was exposed to the wonders of the American landscape; he was born in Cummington, Massachusetts. With his father, Dr. Peter Bryant (1767–1820), who was a naturalist, Bryant took many walking excursions into the surrounding woods and the Berkeshire foothills. His father’s library also provided Bryant with ample reading material (which he read with the help of his uncle, who schooled him in the classics). His father encouraged Bryant’s early literary bent, including having Bryant’s pro-Federalist poem The Embargo; or, Sketches of the Times: A Satire by a Youth of Thirteen (1808) published as a pamphlet.

In 1810, Bryant entered Williams College. There, he continued to write, drafting “Thanatopsis,” which would become his most important poem. After learning that his family could not support his college education, Bryant studied law and was admitted to the bar in 1815. From 1816 to 1825, he practiced law at Great Barrington, married Frances Fairchild, began a family, and still wrote poetry. Upon publishing a revised “Thanatopsis,” (1817), he gained enough critical attention and admiration to turn to writing professionally. In 1821, he published his collected Poems. In 1825, he moved to New York to edit the New-York Review and Atheneum Magazine then later the New York Evening Post, an important national newspaper that he eventually served as editor-in-chief.In New York, Bryant became an important (if not the most important) man of letters, socializing with such well-known writers as James Fenimore Cooper. At the Atheneum, he lectured on poetry; he supported freedom of speech and religion and lectured on the rights of labor unions and the great wrongs of slavery. He eventually helped create the Republican Party, giving his significant support to Abraham Lincoln. And he continued to write poetry, with six new poetry collections appearing between 1832 and 1864.

Besides poetry, he published popular travelogues based on his travels across the United States and in Europe. By the time he died, due to complications from a fall while giving a speech at the unveiling of Giuseppe Mazzini’s statue in New York, Bryant was considered one of the most important and influential writers of that era. He certainly contributed to making the idea of American literature viable both in America and abroad.

Thanatopsis (1817)

To him who in the love of nature holds
Communion with her visible forms, she speaks
A various language; for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty; and she glides
Into his darker musings, with a mild
And healing sympathy that steals away
Their sharpness ere he is aware. When thoughts
Of the last bitter hour come like a blight
Over thy spirit, and sad images
Of the stern agony, and shroud, and pall,
And breathless darkness, and the narrow house,
Make thee to shudder, and grow sick at heart;—
Go forth, under the open sky, and list
To Nature’s teachings, while from all around—
Earth and her waters, and the depths of air—
Comes a still voice. Yet a few days, and thee
The all-beholding sun shall see no more
In all his course; nor yet in the cold ground,
Where thy pale form was laid, with many tears,
Nor in the embrace of ocean, shall exist
Thy image. Earth, that nourished thee, shall claim
Thy growth, to be resolved to earth again,
And, lost each human trace, surrendering up
Thine individual being, shalt thou go
To mix forever with the elements,
To be a brother to the insensible rock
And to the sluggish clod, which the rude swain
Turns with his share, and treads upon. The oak
Shall send his roots abroad, and pierce thy mold.

Yet not to thine eternal resting-place
Shalt thou retire alone, nor couldst thou wish
Couch more magnificent. Thou shalt lie down
With patriarchs of the infant world—with kings,
The powerful of the earth—the wise, the good,
Fair forms, and hoary seers of ages past,
All in one mighty sepulchre. The hills
Rock-ribbed and ancient as the sun,—the vales
Stretching in pensive quietness between;
The venerable woods—rivers that move
In majesty, and the complaining brooks
That make the meadows green; and, poured round all,
Old Ocean’s gray and melancholy waste,—
Are but the solemn decorations all
Of the great tomb of man. The golden sun,
The planets, all the infinite host of heaven,
Are shining on the sad abodes of death
Through the still lapse of ages. All that tread
The globe are but a handful to the tribes
That slumber in its bosom.—Take the wings
Of morning, pierce the Barcan wilderness,
Or lose thyself in the continuous woods
Where rolls the Oregon, and hears no sound,
Save his own dashings—yet the dead are there:
And millions in those solitudes, since first
The flight of years began, have laid them down
In their last sleep—the dead reign there alone.

So shalt thou rest—and what if thou withdraw
In silence from the living, and no friend
Take note of thy departure? All that breathe
Will share thy destiny. The gay will laugh
When thou art gone, the solemn brood of care
Plod on, and each one as before will chase
His favorite phantom; yet all these shall leave
Their mirth and their employments, and shall come
And make their bed with thee. As the long train
Of ages glides away, the sons of men—
The youth in life’s fresh spring, and he who goes
In the full strength of years, matron and maid,
The speechless babe, and the gray-headed man—
Shall one by one be gathered to thy side,
By those, who in their turn, shall follow them.
So live, that when thy summons comes to join
The innumerable caravan, which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.

The following video presents one reading of Thanatopsis, in light of characteristics of American Romantic literature.

The Prairies (1833)

These are the gardens of the Desert, these
The unshorn fields, boundless and beautiful,
For which the speech of England has no name—
The Prairies. I behold them for the first,
And my heart swells, while the dilated sight
Takes in the encircling vastness. Lo! they stretch,
In airy undulations, far away,
As if the ocean, in his gentlest swell,
Stood still, with all his rounded billows fixed,
And motionless forever.—Motionless?—
No—they are all unchained again. The clouds
Sweep over with their shadows, and, beneath,
The surface rolls and fluctuates to the eye;
Dark hollows seem to glide along and chase
The sunny ridges. Breezes of the South!

Who toss the golden and the flame-like flowers,
And pass the prairie-hawk that, poised on high,
Flaps his broad wings, yet moves not—ye have played
Among the palms of Mexico and vines
Of Texas, and have crisped the limpid brooks
That from the fountains of Sonora glide
Into the calm Pacific—have ye fanned
A nobler or a lovelier scene than this?
Man hath no power in all this glorious work:
The hand that built the firmament hath heaved
And smoothed these verdant swells, and sown their slopes
With herbage, planted them with island groves,
And hedged them round with forests. Fitting floor
For this magnificent temple of the sky—
With flowers whose glory and whose multitude
Rival the constellations! The great heavens
Seem to stoop down upon the scene in love,—
A nearer vault, and of a tenderer blue,
Than that which bends above our eastern hills.

As o’er the verdant waste I guide my steed,
Among the high rank grass that sweeps his sides
The hollow beating of his footsteps seems
A sacrilegious sound. I think of those
Upon whose rest he tramples. Are they here—
The dead of other days?—and did the dust
Of these fair solitudes once stir with life
And burn with passion? Let the mighty mounds
That overlook the rivers, or that rise
In the dim forest crowded with old oaks,
Answer. A race, that long has passed away,
Built them;—a disciplined and populous race
Heaped, with long toil, the earth, while yet the Greek
Was hewing the Pentelicus to forms
Of symmetry, and rearing on its rock
The glittering Parthenon. These ample fields
Nourished their harvest, here their herds were fed,
When haply by their stalls the bison lowed,
And bowed his maned shoulder to the yoke.
All day this desert murmured with their toils,
Till twilight blushed, and lovers walked, and wooed
In a forgotten language, and old tunes,
From instruments of unremembered form,
Gave the soft winds a voice. The red man came—
The roaming hunter tribes, warlike and fierce,
And the mound-builders vanished from the earth.
The solitude of centuries untold
Has settled where they dwelt. The prairie-wolf
Hunts in their meadows, and his fresh-dug den
Yawns by my path. The gopher mines the ground
Where stood their swarming cities. All is gone;
All—save the piles of earth that hold their bones,
The platforms where they worshipped unknown gods,
The barriers which they builded from the soil
To keep the foe at bay—till o’er the walls
The wild beleaguerers broke, and, one by one,
The strongholds of the plain were forced, and heaped
With corpses. The brown vultures of the wood
Flocked to those vast uncovered sepulchres,
And sat unscared and silent at their feast.
Haply some solitary fugitive,
Lurking in marsh and forest, till the sense
Of desolation and of fear became
Bitterer than death, yielded himself to die.
Man’s better nature triumphed then. Kind words
Welcomed and soothed him; the rude conquerors
Seated the captive with their chiefs; he chose
A bride among their maidens, and at length
Seemed to forget—yet ne’er forgot—the wife
Of his first love, and her sweet little ones,
Butchered, amid their shrieks, with all his race.

Thus change the forms of being. Thus arise
Races of living things, glorious in strength,
And perish, as the quickening breath of God
Fills them, or is withdrawn. The red man, too,
Has left the blooming wilds he ranged so long,
And, nearer to the Rocky Mountains, sought
A wilder hunting-ground. The beaver builds
No longer by these streams, but far away,
On waters whose blue surface ne’er gave back
The white man’s face—among Missouri’s springs,
And pools whose issues swell the Oregon—
He rears his little Venice. In these plains
The bison feeds no more. Twice twenty leagues
Beyond remotest smoke of hunter’s camp,
Roams the majestic brute, in herds that shake
The earth with thundering steps—yet here I meet
His ancient footprints stamped beside the pool.

Still this great solitude is quick with life.
Myriads of insects, gaudy as the flowers
They flutter over, gentle quadrupeds,
And birds, that scarce have learned the fear of man,
Are here, and sliding reptiles of the ground,
Startlingly beautiful. The graceful deer
Bounds to the wood at my approach. The bee,
A more adventurous colonist than man,
With whom he came across the eastern deep,
Fills the savannas with his murmurings,
And hides his sweets, as in the golden age,
Within the hollow oak. I listen long
To his domestic hum, and think I hear
The sound of that advancing multitude
Which soon shall fill these deserts. From the ground
Comes up the laugh of children, the soft voice
Of maidens, and the sweet and solemn hymn
Of Sabbath worshippers. The low of herds
Blends with the rustling of the heavy grain
Over the dark brown furrows. All at once
A fresher winds sweeps by, and breaks my dream,
And I am in the wilderness alone.