{"id":627,"date":"2016-10-06T14:06:02","date_gmt":"2016-10-06T14:06:02","guid":{"rendered":"https:\/\/courses.lumenlearning.com\/englishlitvictorianmodern\/?post_type=chapter&#038;p=627"},"modified":"2016-10-10T23:11:59","modified_gmt":"2016-10-10T23:11:59","slug":"biography-9","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/chapter\/biography-9\/","title":{"raw":"Biography: Thomas Hardy","rendered":"Biography: Thomas Hardy"},"content":{"raw":"<img class=\"alignleft size-full wp-image-626\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/880\/2016\/10\/06140217\/Thomashardy_restored-206x300.jpg\" alt=\"Thomashardy_restored-206x300\" width=\"206\" height=\"300\" \/>Thomas Hardy, the son of a stonemason, was born in Dorset, England, on June 2, 1840. He trained as an architect and worked in London and Dorset for 10\u00a0years. Hardy began his writing career as a novelist, publishing <i>Desperate Remedies<\/i> in 1871, and was soon successful enough to leave the field of architecture for writing. His novels <i>Tess of the D\u2019Urbervilles<\/i> (1891) and <i>Jude the Obscure<\/i> (1895), which are considered literary classics today, received negative reviews upon publication, and Hardy was criticized for being too pessimistic and preoccupied with sex. He left fiction writing for poetry and published eight collections, including <i>Wessex Poems<\/i> (1898) and <i>Satires of Circumstance<\/i> (1912).\r\n\r\nHardy\u2019s poetry explores a fatalist outlook against the dark, rugged landscape of his native Dorset. He rejected the Victorian belief of\u00a0a benevolent God, and much of his poetry reads as a sardonic lament on the bleakness of the human condition. A traditionalist in technique, he nevertheless forged a highly original style, combining rough-hewn rhythms and colloquial diction with an extraordinary variety of meters and stanzaic forms. He was a significant influence on later poets (including Robert Frost, W. H. Auden, Dylan Thomas, and Philip Larkin), and that\u00a0influence increased during the course of the 20th century, offering an alternative\u2014more down-to-earth, less rhetorical\u2014to the more mystical and aristocratic precedent of Yeats. Thomas Hardy died on January 11, 1928.\r\n\r\nReprinted with the permission of the Academy of American Poets, 75 Maiden Lane, Suite 901, New York, NY. <a href=\"www.poets.org.\" target=\"_blank\">www.poets.org.<\/a>","rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-626\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/880\/2016\/10\/06140217\/Thomashardy_restored-206x300.jpg\" alt=\"Thomashardy_restored-206x300\" width=\"206\" height=\"300\" \/>Thomas Hardy, the son of a stonemason, was born in Dorset, England, on June 2, 1840. He trained as an architect and worked in London and Dorset for 10\u00a0years. Hardy began his writing career as a novelist, publishing <i>Desperate Remedies<\/i> in 1871, and was soon successful enough to leave the field of architecture for writing. His novels <i>Tess of the D\u2019Urbervilles<\/i> (1891) and <i>Jude the Obscure<\/i> (1895), which are considered literary classics today, received negative reviews upon publication, and Hardy was criticized for being too pessimistic and preoccupied with sex. He left fiction writing for poetry and published eight collections, including <i>Wessex Poems<\/i> (1898) and <i>Satires of Circumstance<\/i> (1912).<\/p>\n<p>Hardy\u2019s poetry explores a fatalist outlook against the dark, rugged landscape of his native Dorset. He rejected the Victorian belief of\u00a0a benevolent God, and much of his poetry reads as a sardonic lament on the bleakness of the human condition. A traditionalist in technique, he nevertheless forged a highly original style, combining rough-hewn rhythms and colloquial diction with an extraordinary variety of meters and stanzaic forms. He was a significant influence on later poets (including Robert Frost, W. H. Auden, Dylan Thomas, and Philip Larkin), and that\u00a0influence increased during the course of the 20th century, offering an alternative\u2014more down-to-earth, less rhetorical\u2014to the more mystical and aristocratic precedent of Yeats. Thomas Hardy died on January 11, 1928.<\/p>\n<p>Reprinted with the permission of the Academy of American Poets, 75 Maiden Lane, Suite 901, New York, NY. <a href=\"www.poets.org.\" target=\"_blank\">www.poets.org.<\/a><\/p>\n\n\t\t\t <section class=\"citations-section\" role=\"contentinfo\">\n\t\t\t <h3>Candela Citations<\/h3>\n\t\t\t\t\t <div>\n\t\t\t\t\t\t <div id=\"citation-list-627\">\n\t\t\t\t\t\t\t <div class=\"licensing\"><div class=\"license-attribution-dropdown-subheading\">CC licensed content, Shared previously<\/div><ul class=\"citation-list\"><li>British Literature: Victorians and Moderns. <strong>Authored by<\/strong>: James Sexton. <strong>Located at<\/strong>: <a target=\"_blank\" href=\"https:\/\/opentextbc.ca\/englishliterature\">https:\/\/opentextbc.ca\/englishliterature<\/a>. <strong>Project<\/strong>: BCcampus Open Textbook Project. <strong>License<\/strong>: <em><a target=\"_blank\" rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\">CC BY: Attribution<\/a><\/em><\/li><\/ul><div class=\"license-attribution-dropdown-subheading\">Public domain content<\/div><ul class=\"citation-list\"><li>Image of Thomas Hardy. <strong>Authored by<\/strong>: Bain News Service. <strong>Located at<\/strong>: <a target=\"_blank\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Thomashardy_restored.jpg\">https:\/\/en.wikipedia.org\/wiki\/File:Thomashardy_restored.jpg<\/a>. <strong>License<\/strong>: <em><a target=\"_blank\" rel=\"license\" href=\"https:\/\/creativecommons.org\/about\/pdm\">Public Domain: No Known Copyright<\/a><\/em><\/li><\/ul><\/div>\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t <\/div>\n\t\t\t <\/section>","protected":false},"author":19,"menu_order":1,"template":"","meta":{"_candela_citation":"[{\"type\":\"cc\",\"description\":\"British Literature: Victorians and Moderns\",\"author\":\"James Sexton\",\"organization\":\"\",\"url\":\"https:\/\/opentextbc.ca\/englishliterature\",\"project\":\"BCcampus Open Textbook Project\",\"license\":\"cc-by\",\"license_terms\":\"\"},{\"type\":\"pd\",\"description\":\"Image of Thomas Hardy\",\"author\":\"Bain News Service\",\"organization\":\"\",\"url\":\"https:\/\/en.wikipedia.org\/wiki\/File:Thomashardy_restored.jpg\",\"project\":\"\",\"license\":\"pd\",\"license_terms\":\"\"}]","CANDELA_OUTCOMES_GUID":"","pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-627","chapter","type-chapter","status-publish","hentry"],"part":625,"_links":{"self":[{"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/chapters\/627","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/wp\/v2\/users\/19"}],"version-history":[{"count":4,"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/chapters\/627\/revisions"}],"predecessor-version":[{"id":1107,"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/chapters\/627\/revisions\/1107"}],"part":[{"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/parts\/625"}],"metadata":[{"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/chapters\/627\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/wp\/v2\/media?parent=627"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/chapter-type?post=627"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/wp\/v2\/contributor?post=627"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/wp\/v2\/license?post=627"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}