{"id":669,"date":"2016-10-06T14:06:34","date_gmt":"2016-10-06T14:06:34","guid":{"rendered":"https:\/\/courses.lumenlearning.com\/englishlitvictorianmodern\/?post_type=chapter&#038;p=669"},"modified":"2016-10-06T14:06:34","modified_gmt":"2016-10-06T14:06:34","slug":"byzantium","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/chapter\/byzantium\/","title":{"raw":"Byzantium","rendered":"Byzantium"},"content":{"raw":"<p>[footnote]In \u201cSailing to Byzantium,\u201d written four\u00a0years earlier in 1926, Yeats expresses his desire to be reincarnated as a work of art, a golden bird, living in sixth-century Byzantium (now Istanbul), his ideal city.\u00a0 In this poem, he imagines he has achieved his dream, and he watches as other souls are purified.[\/footnote]\n\nThe unpurged images of day recede;\nThe Emperor's drunken soldiery are abed;\nNight resonance recedes, night walkers' song\nAfter great cathedral gong;\nA starlit or a moonlit dome[footnote]Of the sprawling Greek Orthodox basilica, St. Sophia (now a museum).[\/footnote]\u00a0disdains\nAll that man is,\nAll mere complexities,\nThe fury and the mire of human veins.\n\nBefore me floats an image, man or shade,\nShade more than man, more image than a shade;\nFor Hades' bobbin bound in mummy-cloth\nMay unwind the winding path;[footnote]After death, when the soul is in Hades (the underworld), the bobbin or spool or gyre of life may unwind, in preparation to enter the realm of pure spirit.[\/footnote]\nA mouth that has no moisture and no breath\nBreathless mouths may summon;\nI hail the superhuman;\nI call it death-in-life and life-in-death.\n\nMiracle, bird or golden handiwork,\nMore miracle than bird or handiwork,\nPlanted on the star-lit golden bough,\nCan like the cocks of Hades crow,[footnote]To announce a reincarnation.[\/footnote]\nOr, by the moon embittered, scorn aloud\nIn glory of changeless metal\nCommon bird or petal\nAnd all complexities of mire or blood.\n\nAt midnight on the Emperor's pavement flit\nFlames that no faggot[footnote]A bundle of sticks tied together, used to fuel fire.[\/footnote]\u00a0feeds, nor steel has lit,\nNor storm disturbs, flames begotten of flame,\nWhere blood-begotten spirits come\nAnd all complexities of fury leave,\nDying into a dance,\nAn agony of trance,\nAn agony of flame that cannot singe a sleeve.[footnote]Here Yeats describes the ritual process whereby the mortal soul is purified to render it immortal.[\/footnote]\n\nAstraddle on the dolphin's mire and blood,\nSpirit after Spirit! The smithies break the flood.\nThe golden smithies of the Emperor![footnote]Overwhelmed by the number of sprits who come on the backs of dolphins, which in Greek mythology carried souls to the Isles of the Blessed, the goldsmiths call a halt to the purification process, unable to accommodate any more, for now.[\/footnote]\nMarbles of the dancing floor\nBreak bitter furies of complexity,\nThose images that yet\nFresh images beget,\nThat dolphin-torn, that gong-tormented[footnote]From the ringing of the gong, the funeral bell.[\/footnote]\u00a0sea.\n\n<b>\u2014<\/b>\u00a01933<\/p>","rendered":"<p><a class=\"footnote\" title=\"In \u201cSailing to Byzantium,\u201d written four\u00a0years earlier in 1926, Yeats expresses his desire to be reincarnated as a work of art, a golden bird, living in sixth-century Byzantium (now Istanbul), his ideal city.\u00a0 In this poem, he imagines he has achieved his dream, and he watches as other souls are purified.\" id=\"return-footnote-669-1\" href=\"#footnote-669-1\" aria-label=\"Footnote 1\"><sup class=\"footnote\">[1]<\/sup><\/a><\/p>\n<p>The unpurged images of day recede;<br \/>\nThe Emperor&#8217;s drunken soldiery are abed;<br \/>\nNight resonance recedes, night walkers&#8217; song<br \/>\nAfter great cathedral gong;<br \/>\nA starlit or a moonlit dome<a class=\"footnote\" title=\"Of the sprawling Greek Orthodox basilica, St. Sophia (now a museum).\" id=\"return-footnote-669-2\" href=\"#footnote-669-2\" aria-label=\"Footnote 2\"><sup class=\"footnote\">[2]<\/sup><\/a>\u00a0disdains<br \/>\nAll that man is,<br \/>\nAll mere complexities,<br \/>\nThe fury and the mire of human veins.<\/p>\n<p>Before me floats an image, man or shade,<br \/>\nShade more than man, more image than a shade;<br \/>\nFor Hades&#8217; bobbin bound in mummy-cloth<br \/>\nMay unwind the winding path;<a class=\"footnote\" title=\"After death, when the soul is in Hades (the underworld), the bobbin or spool or gyre of life may unwind, in preparation to enter the realm of pure spirit.\" id=\"return-footnote-669-3\" href=\"#footnote-669-3\" aria-label=\"Footnote 3\"><sup class=\"footnote\">[3]<\/sup><\/a><br \/>\nA mouth that has no moisture and no breath<br \/>\nBreathless mouths may summon;<br \/>\nI hail the superhuman;<br \/>\nI call it death-in-life and life-in-death.<\/p>\n<p>Miracle, bird or golden handiwork,<br \/>\nMore miracle than bird or handiwork,<br \/>\nPlanted on the star-lit golden bough,<br \/>\nCan like the cocks of Hades crow,<a class=\"footnote\" title=\"To announce a reincarnation.\" id=\"return-footnote-669-4\" href=\"#footnote-669-4\" aria-label=\"Footnote 4\"><sup class=\"footnote\">[4]<\/sup><\/a><br \/>\nOr, by the moon embittered, scorn aloud<br \/>\nIn glory of changeless metal<br \/>\nCommon bird or petal<br \/>\nAnd all complexities of mire or blood.<\/p>\n<p>At midnight on the Emperor&#8217;s pavement flit<br \/>\nFlames that no faggot<a class=\"footnote\" title=\"A bundle of sticks tied together, used to fuel fire.\" id=\"return-footnote-669-5\" href=\"#footnote-669-5\" aria-label=\"Footnote 5\"><sup class=\"footnote\">[5]<\/sup><\/a>\u00a0feeds, nor steel has lit,<br \/>\nNor storm disturbs, flames begotten of flame,<br \/>\nWhere blood-begotten spirits come<br \/>\nAnd all complexities of fury leave,<br \/>\nDying into a dance,<br \/>\nAn agony of trance,<br \/>\nAn agony of flame that cannot singe a sleeve.<a class=\"footnote\" title=\"Here Yeats describes the ritual process whereby the mortal soul is purified to render it immortal.\" id=\"return-footnote-669-6\" href=\"#footnote-669-6\" aria-label=\"Footnote 6\"><sup class=\"footnote\">[6]<\/sup><\/a><\/p>\n<p>Astraddle on the dolphin&#8217;s mire and blood,<br \/>\nSpirit after Spirit! The smithies break the flood.<br \/>\nThe golden smithies of the Emperor!<a class=\"footnote\" title=\"Overwhelmed by the number of sprits who come on the backs of dolphins, which in Greek mythology carried souls to the Isles of the Blessed, the goldsmiths call a halt to the purification process, unable to accommodate any more, for now.\" id=\"return-footnote-669-7\" href=\"#footnote-669-7\" aria-label=\"Footnote 7\"><sup class=\"footnote\">[7]<\/sup><\/a><br \/>\nMarbles of the dancing floor<br \/>\nBreak bitter furies of complexity,<br \/>\nThose images that yet<br \/>\nFresh images beget,<br \/>\nThat dolphin-torn, that gong-tormented<a class=\"footnote\" title=\"From the ringing of the gong, the funeral bell.\" id=\"return-footnote-669-8\" href=\"#footnote-669-8\" aria-label=\"Footnote 8\"><sup class=\"footnote\">[8]<\/sup><\/a>\u00a0sea.<\/p>\n<p><b>\u2014<\/b>\u00a01933<\/p>\n\n\t\t\t <section class=\"citations-section\" role=\"contentinfo\">\n\t\t\t <h3>Candela Citations<\/h3>\n\t\t\t\t\t <div>\n\t\t\t\t\t\t <div id=\"citation-list-669\">\n\t\t\t\t\t\t\t <div class=\"licensing\"><div class=\"license-attribution-dropdown-subheading\">CC licensed content, Shared previously<\/div><ul class=\"citation-list\"><li>British Literature: Victorians and Moderns. <strong>Authored by<\/strong>: James Sexton. <strong>Located at<\/strong>: <a target=\"_blank\" href=\"https:\/\/opentextbc.ca\/englishliterature\">https:\/\/opentextbc.ca\/englishliterature<\/a>. <strong>Project<\/strong>: BCcampus Open Textbook Project. <strong>License<\/strong>: <em><a target=\"_blank\" rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\">CC BY: Attribution<\/a><\/em><\/li><\/ul><\/div>\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t <\/div>\n\t\t\t <\/section><hr class=\"before-footnotes clear\" \/><div class=\"footnotes\"><ol><li id=\"footnote-669-1\">In \u201cSailing to Byzantium,\u201d written four\u00a0years earlier in 1926, Yeats expresses his desire to be reincarnated as a work of art, a golden bird, living in sixth-century Byzantium (now Istanbul), his ideal city.\u00a0 In this poem, he imagines he has achieved his dream, and he watches as other souls are purified. <a href=\"#return-footnote-669-1\" class=\"return-footnote\" aria-label=\"Return to footnote 1\">&crarr;<\/a><\/li><li id=\"footnote-669-2\">Of the sprawling Greek Orthodox basilica, St. Sophia (now a museum). <a href=\"#return-footnote-669-2\" class=\"return-footnote\" aria-label=\"Return to footnote 2\">&crarr;<\/a><\/li><li id=\"footnote-669-3\">After death, when the soul is in Hades (the underworld), the bobbin or spool or gyre of life may unwind, in preparation to enter the realm of pure spirit. <a href=\"#return-footnote-669-3\" class=\"return-footnote\" aria-label=\"Return to footnote 3\">&crarr;<\/a><\/li><li id=\"footnote-669-4\">To announce a reincarnation. <a href=\"#return-footnote-669-4\" class=\"return-footnote\" aria-label=\"Return to footnote 4\">&crarr;<\/a><\/li><li id=\"footnote-669-5\">A bundle of sticks tied together, used to fuel fire. <a href=\"#return-footnote-669-5\" class=\"return-footnote\" aria-label=\"Return to footnote 5\">&crarr;<\/a><\/li><li id=\"footnote-669-6\">Here Yeats describes the ritual process whereby the mortal soul is purified to render it immortal. <a href=\"#return-footnote-669-6\" class=\"return-footnote\" aria-label=\"Return to footnote 6\">&crarr;<\/a><\/li><li id=\"footnote-669-7\">Overwhelmed by the number of sprits who come on the backs of dolphins, which in Greek mythology carried souls to the Isles of the Blessed, the goldsmiths call a halt to the purification process, unable to accommodate any more, for now. <a href=\"#return-footnote-669-7\" class=\"return-footnote\" aria-label=\"Return to footnote 7\">&crarr;<\/a><\/li><li id=\"footnote-669-8\">From the ringing of the gong, the funeral bell. <a href=\"#return-footnote-669-8\" class=\"return-footnote\" aria-label=\"Return to footnote 8\">&crarr;<\/a><\/li><\/ol><\/div>","protected":false},"author":19,"menu_order":11,"template":"","meta":{"_candela_citation":"[{\"type\":\"cc\",\"description\":\"British Literature: Victorians and Moderns\",\"author\":\"James Sexton\",\"organization\":\"\",\"url\":\"https:\/\/opentextbc.ca\/englishliterature\",\"project\":\"BCcampus Open Textbook Project\",\"license\":\"cc-by\",\"license_terms\":\"\"}]","CANDELA_OUTCOMES_GUID":"","pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":["william-butler-yeats"],"pb_section_license":"public-domain"},"chapter-type":[],"contributor":[64],"license":[78],"class_list":["post-669","chapter","type-chapter","status-publish","hentry","contributor-william-butler-yeats","license-public-domain"],"part":657,"_links":{"self":[{"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/chapters\/669","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/wp\/v2\/users\/19"}],"version-history":[{"count":1,"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/chapters\/669\/revisions"}],"predecessor-version":[{"id":947,"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/chapters\/669\/revisions\/947"}],"part":[{"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/parts\/657"}],"metadata":[{"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/chapters\/669\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/wp\/v2\/media?parent=669"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/chapter-type?post=669"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/wp\/v2\/contributor?post=669"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/wp\/v2\/license?post=669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}