{"id":767,"date":"2016-10-06T14:07:33","date_gmt":"2016-10-06T14:07:33","guid":{"rendered":"https:\/\/courses.lumenlearning.com\/englishlitvictorianmodern\/?post_type=chapter&#038;p=767"},"modified":"2016-10-11T17:42:18","modified_gmt":"2016-10-11T17:42:18","slug":"study-questions-activities-and-resources-19","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/chapter\/study-questions-activities-and-resources-19\/","title":{"raw":"Study Questions, Activities, and Resources: D. H. Lawrence","rendered":"Study Questions, Activities, and Resources: D. H. Lawrence"},"content":{"raw":"<div class=\"bcc-box bcc-info\">\r\n<h3>Study Questions and Activities<\/h3>\r\n<h2>The Horse Dealer\u2019s Daughter<\/h2>\r\n<ol>\r\n \t<li>If you were writing a screenplay of this story, what would your three basic scenes be?<\/li>\r\n \t<li>Describe the images in each scene. Is there any change in the imagery as the scenes change?<\/li>\r\n \t<li>What do the water and mud symbolize?<\/li>\r\n \t<li>How is Joe characterized?<\/li>\r\n \t<li>In what way is Mabel like a bulldog?<\/li>\r\n \t<li>What does Mabel\u2019s dead mother suggest?<\/li>\r\n \t<li>Why does Mabel attempt suicide?<\/li>\r\n \t<li>How does Fergusson change by the end of the story?<\/li>\r\n \t<li>What are some key differences in the description of the Pervin house in the first and last scenes?<\/li>\r\n \t<li>How is the theme of the story developed by images and symbols?<\/li>\r\n<\/ol>\r\n<h2>The Rocking-Horse Winner<\/h2>\r\n<ol>\r\n \t<li>How is the story like a fable or fairy tale?<\/li>\r\n \t<li>What do the voices of the house tell Paul? What do these voices represent psychologically?<\/li>\r\n \t<li>What, besides a lack of money, dissatisfies Paul\u2019s mother?<\/li>\r\n \t<li>Why doesn\u2019t Paul want his mother to know that he is lucky?<\/li>\r\n \t<li>Is Bassett genuinely concerned about Paul's welfare?<\/li>\r\n \t<li>What do the many references to religion mean?<\/li>\r\n \t<li>What does the rocking-horse symbolize?<\/li>\r\n \t<li>How does the story use the quest myth or archetype?<\/li>\r\n \t<li>Some critics have seen Lawrence\u2019s friend Lady Cynthia Asquith (1887-1960) as the model for Paul\u2019s mother. Argue for or against this position. Start with the entry in Wikipedia or Oxford\u2019s <em>Dictionary of National Biography <\/em>(DNB).<\/li>\r\n<\/ol>\r\n<\/div>\r\n<div class=\"textbox shaded\">\r\n<h2>Resources<\/h2>\r\nFilm Adaptation <em>Rocking Horse Winner<\/em> Dir. Peter Medak (1976) 30 min. <a href=\"https:\/\/archive.org\/details\/RockingHorseWinner76\">https:\/\/archive.org\/details\/RockingHorseWinner76<\/a>\r\n\r\n<a href=\"http:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-rocking-horse.png\"><img class=\"alignnone size-full wp-image-1741\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/880\/2016\/10\/06140323\/qrcode-rocking-horse.png\" alt=\"qrcode-rocking-horse\" width=\"200\" height=\"200\" \/><\/a>\r\n\r\n<\/div>\r\n<h2>Attributions<\/h2>\r\n<strong><a name=\"Figure1\"><\/a><a href=\"http:\/\/opentextbc.ca\/englishliterature\/part\/d-h-lawrence-1885-1930#Figure1\">Figure 1:<\/a>\r\n<\/strong>Passport photograph of the British author D. H. Lawrence by Beinecke Rare Book &amp; Manuscript Library, Yale University (<a href=\"http:\/\/commons.wikimedia.org\/wiki\/File:D_H_Lawrence_passport_photograph.jpg\">http:\/\/commons.wikimedia.org\/wiki\/File:D_H_Lawrence_passport_photograph.jpg<\/a>) is in the\u00a0Public Domain.","rendered":"<div class=\"bcc-box bcc-info\">\n<h3>Study Questions and Activities<\/h3>\n<h2>The Horse Dealer\u2019s Daughter<\/h2>\n<ol>\n<li>If you were writing a screenplay of this story, what would your three basic scenes be?<\/li>\n<li>Describe the images in each scene. Is there any change in the imagery as the scenes change?<\/li>\n<li>What do the water and mud symbolize?<\/li>\n<li>How is Joe characterized?<\/li>\n<li>In what way is Mabel like a bulldog?<\/li>\n<li>What does Mabel\u2019s dead mother suggest?<\/li>\n<li>Why does Mabel attempt suicide?<\/li>\n<li>How does Fergusson change by the end of the story?<\/li>\n<li>What are some key differences in the description of the Pervin house in the first and last scenes?<\/li>\n<li>How is the theme of the story developed by images and symbols?<\/li>\n<\/ol>\n<h2>The Rocking-Horse Winner<\/h2>\n<ol>\n<li>How is the story like a fable or fairy tale?<\/li>\n<li>What do the voices of the house tell Paul? What do these voices represent psychologically?<\/li>\n<li>What, besides a lack of money, dissatisfies Paul\u2019s mother?<\/li>\n<li>Why doesn\u2019t Paul want his mother to know that he is lucky?<\/li>\n<li>Is Bassett genuinely concerned about Paul&#8217;s welfare?<\/li>\n<li>What do the many references to religion mean?<\/li>\n<li>What does the rocking-horse symbolize?<\/li>\n<li>How does the story use the quest myth or archetype?<\/li>\n<li>Some critics have seen Lawrence\u2019s friend Lady Cynthia Asquith (1887-1960) as the model for Paul\u2019s mother. Argue for or against this position. Start with the entry in Wikipedia or Oxford\u2019s <em>Dictionary of National Biography <\/em>(DNB).<\/li>\n<\/ol>\n<\/div>\n<div class=\"textbox shaded\">\n<h2>Resources<\/h2>\n<p>Film Adaptation <em>Rocking Horse Winner<\/em> Dir. Peter Medak (1976) 30 min. <a href=\"https:\/\/archive.org\/details\/RockingHorseWinner76\">https:\/\/archive.org\/details\/RockingHorseWinner76<\/a><\/p>\n<p><a href=\"http:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-rocking-horse.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1741\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/880\/2016\/10\/06140323\/qrcode-rocking-horse.png\" alt=\"qrcode-rocking-horse\" width=\"200\" height=\"200\" \/><\/a><\/p>\n<\/div>\n<h2>Attributions<\/h2>\n<p><strong><a name=\"Figure1\" id=\"Figure1\"><\/a><a href=\"http:\/\/opentextbc.ca\/englishliterature\/part\/d-h-lawrence-1885-1930#Figure1\">Figure 1:<\/a><br \/>\n<\/strong>Passport photograph of the British author D. H. Lawrence by Beinecke Rare Book &amp; Manuscript Library, Yale University (<a href=\"http:\/\/commons.wikimedia.org\/wiki\/File:D_H_Lawrence_passport_photograph.jpg\">http:\/\/commons.wikimedia.org\/wiki\/File:D_H_Lawrence_passport_photograph.jpg<\/a>) is in the\u00a0Public Domain.<\/p>\n\n\t\t\t <section class=\"citations-section\" role=\"contentinfo\">\n\t\t\t <h3>Candela Citations<\/h3>\n\t\t\t\t\t <div>\n\t\t\t\t\t\t <div id=\"citation-list-767\">\n\t\t\t\t\t\t\t <div class=\"licensing\"><div class=\"license-attribution-dropdown-subheading\">CC licensed content, Shared previously<\/div><ul class=\"citation-list\"><li>British Literature: Victorians and Moderns. <strong>Authored by<\/strong>: James Sexton. <strong>Located at<\/strong>: <a target=\"_blank\" href=\"https:\/\/opentextbc.ca\/englishliterature\">https:\/\/opentextbc.ca\/englishliterature<\/a>. <strong>Project<\/strong>: BCcampus Open Textbook Project. <strong>License<\/strong>: <em><a target=\"_blank\" rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\">CC BY: Attribution<\/a><\/em><\/li><\/ul><\/div>\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t <\/div>\n\t\t\t <\/section>","protected":false},"author":19,"menu_order":4,"template":"","meta":{"_candela_citation":"[{\"type\":\"cc\",\"description\":\"British Literature: Victorians and Moderns\",\"author\":\"James Sexton\",\"organization\":\"\",\"url\":\"https:\/\/opentextbc.ca\/englishliterature\",\"project\":\"BCcampus Open Textbook Project\",\"license\":\"cc-by\",\"license_terms\":\"\"}]","CANDELA_OUTCOMES_GUID":"","pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-767","chapter","type-chapter","status-publish","hentry"],"part":761,"_links":{"self":[{"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/chapters\/767","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/wp\/v2\/users\/19"}],"version-history":[{"count":2,"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/chapters\/767\/revisions"}],"predecessor-version":[{"id":1164,"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/chapters\/767\/revisions\/1164"}],"part":[{"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/parts\/761"}],"metadata":[{"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/chapters\/767\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/wp\/v2\/media?parent=767"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/pressbooks\/v2\/chapter-type?post=767"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/wp\/v2\/contributor?post=767"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-englishlitvictorianmodern\/wp-json\/wp\/v2\/license?post=767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}