Terms

Overview

Christine de Pizan (1364–1430) was an Italian-French late medieval author. She served as a court writer for several dukes (Louis of Orleans, Philip the Bold of Burgundy, and John the Fearless of Burgundy) and the French royal court during the reign of Charles VI. She wrote both poetry and prose works such as biographies and books containing practical advice for women. She completed forty-one works during her thirty-year career from 1399 to 1429. She married in 1380 at the age of fifteen, and was widowed ten years later. Much of the impetus for her writing came from her need to earn a living to support her mother, a niece, and her two surviving children. She spent most of her childhood and all of her adult life in Paris and then the abbey at Poissy, and wrote entirely in her adopted language, Middle French.

In recent decades, Christine de Pizan’s work has been returned to prominence by the efforts of scholars such as Charity Cannon Willard, Earl Jeffrey Richards, and Simone de Beauvoir. Certain scholars have argued that she should be seen as an early feminist who efficiently used language to convey that women could play an important role within society.



Life

Christine de Pizan was born in 1364 in Venice, Italy. Following her birth, her father, Thomas de Pizan, accepted an appointment to the court of Charles V of France, as the king’s astrologer, alchemist, and physician. In this atmosphere, Christine was able to pursue her intellectual interests. She successfully educated herself by immersing herself in languages, in the rediscovered classics and Humanism of the early Renaissance, and in Charles V’s royal archive, which housed a vast number of manuscripts. But she did not assert her intellectual abilities, or establish her authority as a writer, until she was widowed at the age of 25.

In order to support herself and her family, Christine turned to writing. By 1393, she was writing love ballads, which caught the attention of wealthy patrons within the court. These patrons were intrigued by the novelty of a female writer and had her compose texts about their romantic exploits. Her output during this period was prolific. Between 1393 and 1412 she composed over 300 ballads, and many more shorter poems.

Christine’s participation in a literary debate, in 1401–1402, allowed her to move beyond the courtly circles, and ultimately to establish her status as a writer concerned with the position of women in society. During these years, she involved herself in a renowned literary controversy, the “Querelle du Roman de la Rose.” She helped to instigate this debate by beginning to question the literary merits of Jean de Meun’s The The Romance of the Rose. Written in the 13th century, The Romance of the Rose satirizes the conventions of courtly love while critically depicting women as nothing more than seducers. Christine specifically objected to the use of vulgar terms in Jean de Meun’s allegorical poem. She argued that these terms denigrated the proper and natural function of sexuality, and that such language was inappropriate for female characters such as Madam Reason. According to her, noble women did not use such language. Her critique primarily stemmed from her belief that Jean de Meun was purposely slandering women through the debated text.

The debate itself was extensive, and at its end the principal issue was no longer Jean de Meun’s literary capabilities; it had shifted to the unjust slander of women within literary texts. This dispute helped to establish Christine’s reputation as a female intellectual who could assert herself effectively and defend her claims in the male-dominated literary realm. She continued to counter abusive literary treatments of women.

Writing

Christine produced a large amount of vernacular works in both prose and verse. Her works include political treatises, mirrors for princes, epistles, and poetry.

Her early courtly poetry is marked by her knowledge of aristocratic custom and fashion of the day, particularly involving women and the practice of chivalry. Her early and later allegorical and didactic treatises reflect both autobiographical information about her life and views and also her own individualized and Humanist approach to the scholastic learned tradition of mythology, legend, and history she inherited from clerical scholars, and to the genres and courtly or scholastic subjects of contemporary French and Italian poets she admired. Supported and encouraged by important royal French and English patrons, she influenced 15th century English poetry.

By 1405, Christine had completed her most famous literary works, The Book of the City of Ladies and The Treasure of the City of Ladies. The first of these shows the importance of women’s past contributions to society, and the second strives to teach women of all estates how to cultivate useful qualities. In The Treasure of the City of Ladies, she highlights the persuasive effect of women’s speech and actions in everyday life. In this particular text, Christine argues that women must recognize and promote their ability to make peace between people. This ability will allow women to mediate between husband and subjects. She also argues that slanderous speech erodes one’s honor and threatens the sisterly bond among women. Christine then argues that “skill in discourse should be a part of every woman’s moral repertoire.” She believed that a woman’s influence is realized when her speech accords value to chastity, virtue, and restraint. She argued that rhetoric is a powerful tool that women could employ to settle differences and to assert themselves. Additionally, The Treasure of the City of Ladies provides glimpses into women’s lives in 1400, from the great lady in the castle down to the merchant’s wife, the servant, and the peasant. She offers advice to governesses, widows, and even prostitutes.




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