Paul Laurence Dunbar Poems

https://www.poetryfoundation.org/poets/paul-laurence-dunbar

What other poets in this collection connect with the Paul Laurence Dunbar poems?  Stylistically or thematically, what are the connections you see?

The Corn-Stalk Fiddle

When the corn’s all cut and the bright stalks shine
   Like the burnished spears of a field of gold;
When the field-mice rich on the nubbins dine,
   And the frost comes white and the wind blows cold;
Then its heigho fellows and hi-diddle-diddle,
For the time is ripe for the corn-stalk fiddle.
And you take a stalk that is straight and long,
   With an expert eye to its worthy points,
And you think of the bubbling strains of song
   That are bound between its pithy joints—
Then you cut out strings, with a bridge in the middle,
With a corn-stalk bow for a corn-stalk fiddle.
Then the strains that grow as you draw the bow
   O’er the yielding strings with a practiced hand!
And the music’s flow never loud but low
   Is the concert note of a fairy band.
Oh, your dainty songs are a misty riddle
To the simple sweets of the corn-stalk fiddle.
When the eve comes on and our work is done
   And the sun drops down with a tender glance,
With their hearts all prime for the harmless fun,
   Come the neighbor girls for the evening’s dance,
And they wait for the well-known twist and twiddle,
More time than tune—from the corn-stalk fiddle.
Then brother Jabez takes the bow,
   While Ned stands off with Susan Bland,
Then Henry stops by Milly Snow
   And John takes Nellie Jones’s hand,
While I pair off with Mandy Biddle,
And scrape, scrape, scrape goes the corn-stalk fiddle.
“Salute your partners,” comes the call,
   “All join hands and circle round,”
“Grand train back,” and “Balance all,”
   Footsteps lightly spurn the ground,
“Take your lady and balance down the middle”
To the merry strains of the corn-stalk fiddle.
So the night goes on and the dance is o’er,
   And the merry girls are homeward gone,
But I see it all in my sleep once more,
   And I dream till the very break of dawn
Of an impish dance on a red-hot griddle
To the screech and scrape of a corn-stalk fiddle.

The Haunted Oak

Pray why are you so bare, so bare,
   Oh, bough of the old oak-tree;
And why, when I go through the shade you throw,
   Runs a shudder over me?
My leaves were green as the best, I trow,
   And sap ran free in my veins,
But I saw in the moonlight dim and weird
   A guiltless victim’s pains.
I bent me down to hear his sigh;
   I shook with his gurgling moan,
And I trembled sore when they rode away,
   And left him here alone.
They’d charged him with the old, old crime,
   And set him fast in jail:
Oh, why does the dog howl all night long,
   And why does the night wind wail?
He prayed his prayer and he swore his oath,
   And he raised his hand to the sky;
But the beat of hoofs smote on his ear,
   And the steady tread drew nigh.
Who is it rides by night, by night,
   Over the moonlit road?
And what is the spur that keeps the pace,
   What is the galling goad?
And now they beat at the prison door,
   “Ho, keeper, do not stay!
We are friends of him whom you hold within,
   And we fain would take him away
“From those who ride fast on our heels
   With mind to do him wrong;
They have no care for his innocence,
   And the rope they bear is long.”
They have fooled the jailer with lying words,
   They have fooled the man with lies;
The bolts unbar, the locks are drawn,
   And the great door open flies.
Now they have taken him from the jail,
   And hard and fast they ride,
And the leader laughs low down in his throat,
   As they halt my trunk beside.
Oh, the judge, he wore a mask of black,
   And the doctor one of white,
And the minister, with his oldest son,
   Was curiously bedight.
Oh, foolish man, why weep you now?
   ‘Tis but a little space,
And the time will come when these shall dread
   The mem’ry of your face.
I feel the rope against my bark,
   And the weight of him in my grain,
I feel in the throe of his final woe
   The touch of my own last pain.
And never more shall leaves come forth
   On the bough that bears the ban;
I am burned with dread, I am dried and dead,
   From the curse of a guiltless man.
And ever the judge rides by, rides by,
   And goes to hunt the deer,
And ever another rides his soul
   In the guise of a mortal fear.
And ever the man he rides me hard,
   And never a night stays he;
For I feel his curse as a haunted bough,
   On the trunk of a haunted tree.
The remaining poems derive from an OER resource, African-American Literature 1619-1926, from M.O.S.T. Commons.  The entire book is available there and could be a useful resource as we look at historical lecture material, context, and early
influences upon African-American art.  See more at: https://most.oercommons.org/courseware/lesson/227/overview

         We Wear the Mask

We wear the mask that grins and lies,

It hides our cheeks and shades our eyes,-

This debt we pay to human guile;

With torn and bleeding hearts we smile,

And mouth with myriad subtleties.

 

Why should the world be overwise,

In counting all our tears and sighs?

Nay, let them only see us, while

We wear the mask!

 

We smile, but, O great Christ, our cries

To thee from tortured sould arise.

We sing, but oh, the clay is vile

Beneath our feet, and long the mile;

But let the world dream otherwise,

We wear the mask!

 

 

Sympathy

I know what the caged bird feels, alas!

When the sun is bright on the upland slopes;

When the wind stirs soft through the springing grass,

And the river flows like a stream of glass;

I know what the caged bird feels!

 

I know why the caged bird beats his wing

Till its blood is red on the cruel bars;

For he must fly back to his perch and cling

When he fain would be on the bough a-swing;

And a pain still throbs in the old, old scars

And they pulse again with a keener sting-

I know why he beats his wing!

 

I know why the caged bird sings, ah me,

When his wing is bruised and his bosom sore,-

When he beats his bars, and he would be free;

It is not a carol of joy or glee,

But a prayer that he sends from his heart’s deep core,

But a plea, that upward to Heaven he flings-

I know why the caged bird sings!