{"id":911,"date":"2020-12-06T21:03:06","date_gmt":"2020-12-06T21:03:06","guid":{"rendered":"https:\/\/courses.lumenlearning.com\/suny-jefferson-africanamericanlit\/?post_type=chapter&#038;p=911"},"modified":"2021-04-13T23:36:37","modified_gmt":"2021-04-13T23:36:37","slug":"zora-neale-hurston-what-white-publishers-wont-print","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/suny-jefferson-africanamericanlit\/chapter\/zora-neale-hurston-what-white-publishers-wont-print\/","title":{"raw":"Zora Neale Hurston, What White Publishers Won't Print","rendered":"Zora Neale Hurston, What White Publishers Won&#8217;t Print"},"content":{"raw":"<a href=\"https:\/\/pages.ucsd.edu\/~bgoldfarb\/cogn150s12\/reading\/Hurston-What-White-Publishers-Wont-Print.pdf\">https:\/\/pages.ucsd.edu\/~bgoldfarb\/cogn150s12\/reading\/Hurston-What-White-Publishers-Wont-Print.pdf<\/a>\r\n\r\nThough Hurston is mostly known for her fiction, her anthropological looks at herself and her culture are amazingly powerful in nonfiction form.\r\n\r\nHow does Hurston play with \"then versus now\" to show how things have not changed all that much from the time of slavery?\r\nWhat satirical points does Hurston make about the use of prodigies specimens and extraordinary examples? How is this a trap for the African-American artist? (Remember our coverage of these issues with Phillis Wheatley.)","rendered":"<p><a href=\"https:\/\/pages.ucsd.edu\/~bgoldfarb\/cogn150s12\/reading\/Hurston-What-White-Publishers-Wont-Print.pdf\">https:\/\/pages.ucsd.edu\/~bgoldfarb\/cogn150s12\/reading\/Hurston-What-White-Publishers-Wont-Print.pdf<\/a><\/p>\n<p>Though Hurston is mostly known for her fiction, her anthropological looks at herself and her culture are amazingly powerful in nonfiction form.<\/p>\n<p>How does Hurston play with &#8220;then versus now&#8221; to show how things have not changed all that much from the time of slavery?<br \/>\nWhat satirical points does Hurston make about the use of prodigies specimens and extraordinary examples? How is this a trap for the African-American artist? (Remember our coverage of these issues with Phillis Wheatley.)<\/p>\n\n\t\t\t <section class=\"citations-section\" role=\"contentinfo\">\n\t\t\t <h3>Candela Citations<\/h3>\n\t\t\t\t\t <div>\n\t\t\t\t\t\t <div id=\"citation-list-911\">\n\t\t\t\t\t\t\t <div class=\"licensing\"><div class=\"license-attribution-dropdown-subheading\">All rights reserved content<\/div><ul class=\"citation-list\"><li>Zora Neale Hurston, What White Publishers Won&#039;t Print. <strong>Authored by<\/strong>: Zora Neale Hurston. <strong>Provided by<\/strong>: UCSB. <strong>Located at<\/strong>: <a target=\"_blank\" href=\"https:\/\/pages.ucsd.edu\/~bgoldfarb\/cogn150s12\/reading\/Hurston-What-White-Publishers-Wont-Print.pdf\">https:\/\/pages.ucsd.edu\/~bgoldfarb\/cogn150s12\/reading\/Hurston-What-White-Publishers-Wont-Print.pdf<\/a>. <strong>Project<\/strong>: Reading African American Literature. <strong>License<\/strong>: <em>All Rights Reserved<\/em>. <strong>License Terms<\/strong>: CC-BY-SA<\/li><\/ul><\/div>\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t <\/div>\n\t\t\t <\/section>","protected":false},"author":53936,"menu_order":3,"template":"","meta":{"_candela_citation":"[{\"type\":\"copyrighted_video\",\"description\":\"Zora Neale Hurston, What White Publishers Won\\'t Print\",\"author\":\"Zora Neale Hurston\",\"organization\":\"UCSB\",\"url\":\"https:\/\/pages.ucsd.edu\/~bgoldfarb\/cogn150s12\/reading\/Hurston-What-White-Publishers-Wont-Print.pdf\",\"project\":\"Reading African American Literature\",\"license\":\"arr\",\"license_terms\":\"CC-BY-SA\"}]","CANDELA_OUTCOMES_GUID":"","pb_show_title":"on","pb_short_title":"Zora Neale Hurston, What White Publishers Won't Print","pb_subtitle":"","pb_authors":[],"pb_section_license":"all-rights-reserved"},"chapter-type":[],"contributor":[],"license":[61],"class_list":["post-911","chapter","type-chapter","status-publish","hentry","license-all-rights-reserved"],"part":907,"_links":{"self":[{"href":"https:\/\/courses.lumenlearning.com\/suny-jefferson-africanamericanlit\/wp-json\/pressbooks\/v2\/chapters\/911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.lumenlearning.com\/suny-jefferson-africanamericanlit\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/courses.lumenlearning.com\/suny-jefferson-africanamericanlit\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-jefferson-africanamericanlit\/wp-json\/wp\/v2\/users\/53936"}],"version-history":[{"count":1,"href":"https:\/\/courses.lumenlearning.com\/suny-jefferson-africanamericanlit\/wp-json\/pressbooks\/v2\/chapters\/911\/revisions"}],"predecessor-version":[{"id":912,"href":"https:\/\/courses.lumenlearning.com\/suny-jefferson-africanamericanlit\/wp-json\/pressbooks\/v2\/chapters\/911\/revisions\/912"}],"part":[{"href":"https:\/\/courses.lumenlearning.com\/suny-jefferson-africanamericanlit\/wp-json\/pressbooks\/v2\/parts\/907"}],"metadata":[{"href":"https:\/\/courses.lumenlearning.com\/suny-jefferson-africanamericanlit\/wp-json\/pressbooks\/v2\/chapters\/911\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/courses.lumenlearning.com\/suny-jefferson-africanamericanlit\/wp-json\/wp\/v2\/media?parent=911"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-jefferson-africanamericanlit\/wp-json\/pressbooks\/v2\/chapter-type?post=911"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-jefferson-africanamericanlit\/wp-json\/wp\/v2\/contributor?post=911"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-jefferson-africanamericanlit\/wp-json\/wp\/v2\/license?post=911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}