{"id":689,"date":"2017-10-24T22:36:50","date_gmt":"2017-10-24T22:36:50","guid":{"rendered":"https:\/\/courses.lumenlearning.com\/suny-jeffersoncc-americanlit1\/?post_type=chapter&#038;p=689"},"modified":"2018-04-11T15:52:41","modified_gmt":"2018-04-11T15:52:41","slug":"edward-taylor-poems-and-obstacle-course","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/suny-jeffersoncc-americanlit1\/chapter\/edward-taylor-poems-and-obstacle-course\/","title":{"raw":"Edward Taylor Poems and Obstacle Course","rendered":"Edward Taylor Poems and Obstacle Course"},"content":{"raw":"Read all the Edward Taylor poems on this <a href=\"https:\/\/www.poetryfoundation.org\/poets\/edward-taylor\">poet's site from the Poetry Foundation<\/a>.\u00a0 Like Bradstreet's speakers, the voices in Taylor's poems seem surprisingly fresh and modern.\r\n\r\nMetaphors are comparisons between unlike things.\u00a0 (My wit is a razor.\u00a0 My heart is a stone.\u00a0 These get readers to make connections and engage.)\u00a0 Conceits are extended metaphors, like the start of <em>Oedipus<\/em> where the plague-ridden city of Thebes is identified with a ship in danger.\r\n\r\nDraft your own six-line poem using the following line endings from \u201c<a href=\"https:\/\/www.poetryfoundation.org\/poems\/46131\/the-preface\">The Preface<\/a>\u201d:\r\n\r\nshake\r\n\r\nquake\r\n\r\nAll\r\n\r\nfall\r\n\r\nfrown\r\n\r\ndown\r\n\r\n&nbsp;\r\n\r\nIdentify the guiding conceit, or extended metaphor, operating in \u201cUpon a Spider Catching a Fly.\u201d\r\n\r\nNext, Identify the guiding conceit, or extended metaphor, operating in \u201cHuswifery.\u201d\r\n\r\nA student is writing an analytical essay on Taylor\u2019s use of symbolism.\u00a0 In a paragraph arguing that the spider symbolizes human failings in the \u201cUpon a Spider Catching a Fly,\u201d add a signal phrase and interpretation to flesh out the following paragraph:\r\n\r\nThe poem\u2019s speaker, after setting the fly as the foolish victim, goes on to show that the spider operates primariliy as a symbolic creature.\u00a0 The crafty arachnid represents human nature or human failings, that tendency for us all to make errors.\u00a0 (<strong>add signal phrase<\/strong>) _____________ ____________________________ : \u201cTo tangle Adam\u2019s race \/ In\u2019s stratigems \/ To their Destructions, spoild\u2019, made base\u201d (Taylor\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ).\u00a0\u00a0 In other words, ___________________________________________________________________________________________________________________________________________________________________________________________.\u00a0 Despite all the human failings and the world\u2019s ability to entrap humans, the speaker argues that we still have grace.\u00a0 Calling upon the savior, the poem concludes hopefully: \u201cBut mighty, Gracious Lord \/ Communicate \/ Thy Grace to break the Cord [. . .]\u201d (Taylor 41-43).\u00a0 So the hope of forgiveness and grace allows the faithful\u2014or the careful reader\u2014to escape the spider\u2019s bonds.\u00a0 The ways of the world are slipped and an escape into hope is possible.\u00a0 This is the logic of Taylor\u2019s symbolism regarding the spider.","rendered":"<p>Read all the Edward Taylor poems on this <a href=\"https:\/\/www.poetryfoundation.org\/poets\/edward-taylor\">poet&#8217;s site from the Poetry Foundation<\/a>.\u00a0 Like Bradstreet&#8217;s speakers, the voices in Taylor&#8217;s poems seem surprisingly fresh and modern.<\/p>\n<p>Metaphors are comparisons between unlike things.\u00a0 (My wit is a razor.\u00a0 My heart is a stone.\u00a0 These get readers to make connections and engage.)\u00a0 Conceits are extended metaphors, like the start of <em>Oedipus<\/em> where the plague-ridden city of Thebes is identified with a ship in danger.<\/p>\n<p>Draft your own six-line poem using the following line endings from \u201c<a href=\"https:\/\/www.poetryfoundation.org\/poems\/46131\/the-preface\">The Preface<\/a>\u201d:<\/p>\n<p>shake<\/p>\n<p>quake<\/p>\n<p>All<\/p>\n<p>fall<\/p>\n<p>frown<\/p>\n<p>down<\/p>\n<p>&nbsp;<\/p>\n<p>Identify the guiding conceit, or extended metaphor, operating in \u201cUpon a Spider Catching a Fly.\u201d<\/p>\n<p>Next, Identify the guiding conceit, or extended metaphor, operating in \u201cHuswifery.\u201d<\/p>\n<p>A student is writing an analytical essay on Taylor\u2019s use of symbolism.\u00a0 In a paragraph arguing that the spider symbolizes human failings in the \u201cUpon a Spider Catching a Fly,\u201d add a signal phrase and interpretation to flesh out the following paragraph:<\/p>\n<p>The poem\u2019s speaker, after setting the fly as the foolish victim, goes on to show that the spider operates primariliy as a symbolic creature.\u00a0 The crafty arachnid represents human nature or human failings, that tendency for us all to make errors.\u00a0 (<strong>add signal phrase<\/strong>) _____________ ____________________________ : \u201cTo tangle Adam\u2019s race \/ In\u2019s stratigems \/ To their Destructions, spoild\u2019, made base\u201d (Taylor\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ).\u00a0\u00a0 In other words, ___________________________________________________________________________________________________________________________________________________________________________________________.\u00a0 Despite all the human failings and the world\u2019s ability to entrap humans, the speaker argues that we still have grace.\u00a0 Calling upon the savior, the poem concludes hopefully: \u201cBut mighty, Gracious Lord \/ Communicate \/ Thy Grace to break the Cord [. . .]\u201d (Taylor 41-43).\u00a0 So the hope of forgiveness and grace allows the faithful\u2014or the careful reader\u2014to escape the spider\u2019s bonds.\u00a0 The ways of the world are slipped and an escape into hope is possible.\u00a0 This is the logic of Taylor\u2019s symbolism regarding the spider.<\/p>\n\n\t\t\t <section class=\"citations-section\" role=\"contentinfo\">\n\t\t\t <h3>Candela Citations<\/h3>\n\t\t\t\t\t <div>\n\t\t\t\t\t\t <div id=\"citation-list-689\">\n\t\t\t\t\t\t\t <div class=\"licensing\"><div class=\"license-attribution-dropdown-subheading\">CC licensed content, Original<\/div><ul class=\"citation-list\"><li>Edward Taylor Poems and Obstacle Course. <strong>Authored by<\/strong>: Joshua Dickinson. <strong>Provided by<\/strong>: Jefferson Community College. <strong>Located at<\/strong>: <a target=\"_blank\" href=\"http:\/\/www.sunyjefferson.edu\">http:\/\/www.sunyjefferson.edu<\/a>. <strong>Project<\/strong>: American Lit 1. <strong>License<\/strong>: <em><a target=\"_blank\" rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA: Attribution-ShareAlike<\/a><\/em><\/li><\/ul><\/div>\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t <\/div>\n\t\t\t <\/section>","protected":false},"author":53936,"menu_order":16,"template":"","meta":{"_candela_citation":"[{\"type\":\"original\",\"description\":\"Edward Taylor Poems and Obstacle Course\",\"author\":\"Joshua Dickinson\",\"organization\":\"Jefferson Community College\",\"url\":\"www.sunyjefferson.edu\",\"project\":\"American Lit 1\",\"license\":\"cc-by-sa\",\"license_terms\":\"\"}]","CANDELA_OUTCOMES_GUID":"","pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-689","chapter","type-chapter","status-publish","hentry"],"part":24,"_links":{"self":[{"href":"https:\/\/courses.lumenlearning.com\/suny-jeffersoncc-americanlit1\/wp-json\/pressbooks\/v2\/chapters\/689","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.lumenlearning.com\/suny-jeffersoncc-americanlit1\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/courses.lumenlearning.com\/suny-jeffersoncc-americanlit1\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-jeffersoncc-americanlit1\/wp-json\/wp\/v2\/users\/53936"}],"version-history":[{"count":3,"href":"https:\/\/courses.lumenlearning.com\/suny-jeffersoncc-americanlit1\/wp-json\/pressbooks\/v2\/chapters\/689\/revisions"}],"predecessor-version":[{"id":727,"href":"https:\/\/courses.lumenlearning.com\/suny-jeffersoncc-americanlit1\/wp-json\/pressbooks\/v2\/chapters\/689\/revisions\/727"}],"part":[{"href":"https:\/\/courses.lumenlearning.com\/suny-jeffersoncc-americanlit1\/wp-json\/pressbooks\/v2\/parts\/24"}],"metadata":[{"href":"https:\/\/courses.lumenlearning.com\/suny-jeffersoncc-americanlit1\/wp-json\/pressbooks\/v2\/chapters\/689\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/courses.lumenlearning.com\/suny-jeffersoncc-americanlit1\/wp-json\/wp\/v2\/media?parent=689"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-jeffersoncc-americanlit1\/wp-json\/pressbooks\/v2\/chapter-type?post=689"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-jeffersoncc-americanlit1\/wp-json\/wp\/v2\/contributor?post=689"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-jeffersoncc-americanlit1\/wp-json\/wp\/v2\/license?post=689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}