Lynne Stahl
Becker, R. (1998). Prime-time television in the gay nineties: network television, quality audiences, and gay politics. Velvet Light Trap 42(36-47.
Benshoff, H. M., & Griffin, S. (2006). Queer images: A history of gay and lesbian film in America. Lanham, MD: Rowman & Littlefield. Retrieved from http://public.eblib.com/choice/publicfullrecord.aspx?p=1354853
Definition of trope. (n.d.). Retrieved April 14, 2019, from https://www.merriam-webster.com/dictionary/trope
Dhaenens, F. (2013). Teenage queerness: negotiating heteronormativity in the representation of gay teenagers in Glee. Journal of Youth Studies, 16(3), 304–317. https://doi.org/10.1080/13676261.2012.718435
Doherty, T. (1999). Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930–1934. New York, NY: Columbia University Press.
Doty, A. (1993). Making things perfectly queer : interpreting mass culture. Minneapolis, MN. University of Minnesota Press.
Dry, J. (2017, July 7). 5 queer films you didn’t know were queer, from Fight Club to Showgirls. IndieWire. Retrieved from https://www.indiewire.com/2017/07/best-lgbt-films-you-didnt-know-were-queer-fight-club-gay-lesbian-movies-showgirls-1201851309/
Duggan, L. (2002). The new homonormativity: The sexual politics of neoliberalism. In R. Castronovo, D. D. Nelson, & D. E. Pease (Eds.), Materializing democracy (pp. 175–194). https://doi.org/10.1215/9780822383901-007
Dyer, R. (2013). Now You See It. New York, NY: Routledge.
Horak, L. (2017). Tracing the history of trans and gender variant filmmakers. Spectator 37(2), 9–20.
Krafft-Ebing, R. (1906). Psychopathia Sexualis: With especial reference to the antipathic sexual instinct; a medico-forensic Study. New York, NY: Rebman Company.
Laverne Cox. (n.d.). Retrieved April 15, 2019, from Vimeo website: https://vimeo.com/94766014 (Licensed as CC-BY by Kathleen Kirkland).
Leff, L. J., & Simmons, J. L. (2013). The dame in the kimono: Hollywood, censorship, and the Production Code. Lexington, KY: University Press of Kentucky.
Lewis, J. (2002). Hollywood v. Hard core: How the struggle over censorship created the modern film industry. New York, NY: NYU Press.
Mayne, J. (1994). Directed by Dorothy Arzner. Bloomington, IN: Indiana University Press.
Nyong’o, T. (2010, October 1). School daze. Retrieved April 15, 2019, from Bully Bloggers website: https://bullybloggers.wordpress.com/2010/09/30/school-daze/
PTV. (2011). An interview with John Waters. Retrieved from http://archive.org/details/An_Interview_with_John_Waters. Licensed under CC-BY 3.0.
Puar, J. (2010, November 16). In the wake of It Gets Better. The Guardian. Retrieved from https://www.theguardian.com/commentisfree/cifamerica/2010/nov/16/wake-it-gets-better-campaign
Rich, B. R. (2013). New Queer Cinema: The director’s cut. Durham, NC: Duke University Press.
RuPaul. (1995). Lettin’ it all hang out. New York, NY: Hyperion.
Sedgwick, E. K. (1990). Epistemology of the closet. Berkeley, CA: University of California Press.
Filippo, M. S. (2013). The B word: Bisexuality in contemporary film and television. Bloomington, IN: Indiana University Press.
Sontag, S. (2013). Against interpretation: And other essays. New York, NY: Farrar, Straus and Giroux.
Multimedia:
Laverne Cox. (2014). Retrieved April 15, 2019, from Vimeo website: https://vimeo.com/94766014 (Licensed as CC-BY by Kathleen Kirkland—doesn’t seem to have captions).
PTV. (2011). An interview with John Waters. Retrieved from http://archive.org/details/An_Interview_with_John_Waters. Licensed by Provincetown Community Television under CC-BY 3.0.
Image of filmmaker Barbara Hammer by Theredproject, licensed under CC-BY 4.0 at https://commons.wikimedia.org/wiki/File:ArtAndFeminismNYC-Barbara_Hammer.jpg
Lana Wachowski being interviewed. Image by WanderingWanda, licensed under CC-BY 2.0 at https://commons.wikimedia.org/wiki/File:Lana_and_Lilly_Wachowski_at_Fantastic_Fest.jpg
Candela Citations
- Authored by: Lynne Stahl. License: CC BY: Attribution