{"id":1212,"date":"2019-12-16T17:29:59","date_gmt":"2019-12-16T17:29:59","guid":{"rendered":"https:\/\/courses.lumenlearning.com\/suny-lgbtq-studies\/?post_type=chapter&p=1212"},"modified":"2019-12-16T17:29:59","modified_gmt":"2019-12-16T17:29:59","slug":"references-8","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/suny-lgbtq-studies\/chapter\/references-8\/","title":{"raw":"References","rendered":"References"},"content":{"raw":"

Becker, R. (1998). Prime-time television in the gay nineties: network television, quality audiences, and gay politics. Velvet Light Trap<\/em> 42(36-47.<\/p>\r\n

Benshoff, H. M., & Griffin, S. (2006). Queer images: A history of gay and lesbian film in America.<\/em> Lanham, MD: Rowman & Littlefield. Retrieved from http:\/\/public.eblib.com\/choice\/publicfullrecord.aspx?p=1354853<\/a><\/p>\r\n

Definition of trope. (n.d.). Retrieved April 14, 2019, from https:\/\/www.merriam-webster.com\/dictionary\/trope<\/a><\/p>\r\n

Dhaenens, F. (2013). Teenage queerness: negotiating heteronormativity in the representation of gay teenagers in Glee. Journal of Youth Studies,<\/em> 16<\/em>(3), 304\u2013317. https:\/\/doi.org\/10.1080\/13676261.2012.718435<\/a><\/p>\r\n

Doherty, T. (1999). Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema<\/em>, 1930\u20131934. New York, NY: Columbia University Press.<\/p>\r\n

Doty, A. (1993). Making things perfectly queer\u202f: interpreting mass culture.<\/em> Minneapolis, MN. University of Minnesota Press.<\/p>\r\n

Dry, J. (2017, July 7). 5 queer films you didn\u2019t know were queer, from Fight Club<\/em> to Showgirls<\/em>. IndieWire<\/em>. Retrieved from https:\/\/www.indiewire.com\/2017\/07\/best-lgbt-films-you-didnt-know-were-queer-fight-club-gay-lesbian-movies-showgirls-1201851309\/<\/a><\/p>\r\n

Duggan, L. (2002). The new homonormativity: The sexual politics of neoliberalism. In R. Castronovo, D. D. Nelson, & D. E. Pease (Eds.), Materializing democracy<\/em> (pp. 175\u2013194). https:\/\/doi.org\/10.1215\/9780822383901-007<\/a><\/p>\r\n

Dyer, R. (2013). Now You See It<\/em>. New York, NY: Routledge.<\/p>\r\n

Horak, L. (2017). Tracing the history of trans and gender variant filmmakers. Spectator 37<\/em>(2), 9\u201320.<\/p>\r\n

Krafft-Ebing, R. (1906). Psychopathia Sexualis: With especial reference to the antipathic sexual instinct; a medico-forensic Study.<\/em> New York, NY: Rebman Company.<\/p>\r\n

Laverne Cox. (n.d.). Retrieved April 15, 2019, from Vimeo website: https:\/\/vimeo.com\/94766014<\/a> (Licensed as CC-BY by Kathleen Kirkland).<\/p>\r\n

Leff, L. J., & Simmons, J. L. (2013). The dame in the kimono: Hollywood, censorship, and the Production Code.<\/em> Lexington, KY: University Press of Kentucky.<\/p>\r\n

Lewis, J. (2002). Hollywood v. Hard core: How the struggle over censorship created the modern film industry.<\/em> New York, NY: NYU Press.<\/p>\r\n

Mayne, J. (1994). Directed by Dorothy Arzner.<\/em> Bloomington, IN: Indiana University Press.<\/p>\r\n

Nyong\u2019o, T. (2010, October 1). School daze. Retrieved April 15, 2019, from Bully Bloggers website: https:\/\/bullybloggers.wordpress.com\/2010\/09\/30\/school-daze\/<\/a><\/p>\r\n

PTV. (2011). An interview with John Waters.<\/em> Retrieved from http:\/\/archive.org\/details\/An_Interview_with_John_Waters. Licensed under CC-BY 3.0<\/a>.<\/p>\r\n

Puar, J. (2010, November 16). In the wake of It Gets Better. The Guardian<\/em>. Retrieved from https:\/\/www.theguardian.com\/commentisfree\/cifamerica\/2010\/nov\/16\/wake-it-gets-better-campaign<\/a><\/p>\r\n

Rich, B. R. (2013). New Queer Cinema: The director\u2019s cut.<\/em> Durham, NC: Duke University Press.<\/p>\r\n

RuPaul. (1995). Lettin\u2019 it all hang out.<\/em> New York, NY: Hyperion.<\/p>\r\n

Sedgwick, E. K. (1990). Epistemology of the closet.<\/em> Berkeley, CA: University of California Press.<\/p>\r\n

Filippo, M. S. (2013). The B word: Bisexuality in contemporary film and television.<\/em> Bloomington, IN: Indiana University Press.<\/p>\r\n

Sontag, S. (2013). Against interpretation: And other essays.<\/em> New York, NY: Farrar, Straus and Giroux.<\/p>\r\n

Multimedia:<\/p>\r\n

Laverne Cox. (2014). Retrieved April 15, 2019, from Vimeo website: https:\/\/vimeo.com\/94766014<\/a> (Licensed as CC-BY by Kathleen Kirkland<\/a>\u2014doesn't seem to have captions).<\/p>\r\n

PTV. (2011). An interview with John Waters. Retrieved from http:\/\/archive.org\/details\/An_Interview_with_John_Waters<\/a>. Licensed by Provincetown Community Television<\/a> under CC-BY 3.0.<\/p>\r\n

Image of filmmaker Barbara Hammer by Theredproject<\/a>, licensed under CC-BY 4.0 at https:\/\/commons.wikimedia.org\/wiki\/File:ArtAndFeminismNYC-Barbara_Hammer.jpg<\/a><\/p>\r\n

Lana Wachowski being interviewed. Image by WanderingWanda<\/a>, licensed under CC-BY 2.0 at https:\/\/commons.wikimedia.org\/wiki\/File:Lana_and_Lilly_Wachowski_at_Fantastic_Fest.jpg<\/a><\/p>","rendered":"

Becker, R. (1998). Prime-time television in the gay nineties: network television, quality audiences, and gay politics. Velvet Light Trap<\/em> 42(36-47.<\/p>\n

Benshoff, H. M., & Griffin, S. (2006). Queer images: A history of gay and lesbian film in America.<\/em> Lanham, MD: Rowman & Littlefield. Retrieved from http:\/\/public.eblib.com\/choice\/publicfullrecord.aspx?p=1354853<\/a><\/p>\n

Definition of trope. (n.d.). Retrieved April 14, 2019, from https:\/\/www.merriam-webster.com\/dictionary\/trope<\/a><\/p>\n

Dhaenens, F. (2013). Teenage queerness: negotiating heteronormativity in the representation of gay teenagers in Glee. Journal of Youth Studies,<\/em> 16<\/em>(3), 304\u2013317. https:\/\/doi.org\/10.1080\/13676261.2012.718435<\/a><\/p>\n

Doherty, T. (1999). Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema<\/em>, 1930\u20131934. New York, NY: Columbia University Press.<\/p>\n

Doty, A. (1993). Making things perfectly queer\u202f: interpreting mass culture.<\/em> Minneapolis, MN. University of Minnesota Press.<\/p>\n

Dry, J. (2017, July 7). 5 queer films you didn\u2019t know were queer, from Fight Club<\/em> to Showgirls<\/em>. IndieWire<\/em>. Retrieved from https:\/\/www.indiewire.com\/2017\/07\/best-lgbt-films-you-didnt-know-were-queer-fight-club-gay-lesbian-movies-showgirls-1201851309\/<\/a><\/p>\n

Duggan, L. (2002). The new homonormativity: The sexual politics of neoliberalism. In R. Castronovo, D. D. Nelson, & D. E. Pease (Eds.), Materializing democracy<\/em> (pp. 175\u2013194). https:\/\/doi.org\/10.1215\/9780822383901-007<\/a><\/p>\n

Dyer, R. (2013). Now You See It<\/em>. New York, NY: Routledge.<\/p>\n

Horak, L. (2017). Tracing the history of trans and gender variant filmmakers. Spectator 37<\/em>(2), 9\u201320.<\/p>\n

Krafft-Ebing, R. (1906). Psychopathia Sexualis: With especial reference to the antipathic sexual instinct; a medico-forensic Study.<\/em> New York, NY: Rebman Company.<\/p>\n

Laverne Cox. (n.d.). Retrieved April 15, 2019, from Vimeo website: https:\/\/vimeo.com\/94766014<\/a> (Licensed as CC-BY by Kathleen Kirkland).<\/p>\n

Leff, L. J., & Simmons, J. L. (2013). The dame in the kimono: Hollywood, censorship, and the Production Code.<\/em> Lexington, KY: University Press of Kentucky.<\/p>\n

Lewis, J. (2002). Hollywood v. Hard core: How the struggle over censorship created the modern film industry.<\/em> New York, NY: NYU Press.<\/p>\n

Mayne, J. (1994). Directed by Dorothy Arzner.<\/em> Bloomington, IN: Indiana University Press.<\/p>\n

Nyong\u2019o, T. (2010, October 1). School daze. Retrieved April 15, 2019, from Bully Bloggers website: https:\/\/bullybloggers.wordpress.com\/2010\/09\/30\/school-daze\/<\/a><\/p>\n

PTV. (2011). An interview with John Waters.<\/em> Retrieved from http:\/\/archive.org\/details\/An_Interview_with_John_Waters. Licensed under CC-BY 3.0<\/a>.<\/p>\n

Puar, J. (2010, November 16). In the wake of It Gets Better. The Guardian<\/em>. Retrieved from https:\/\/www.theguardian.com\/commentisfree\/cifamerica\/2010\/nov\/16\/wake-it-gets-better-campaign<\/a><\/p>\n

Rich, B. R. (2013). New Queer Cinema: The director\u2019s cut.<\/em> Durham, NC: Duke University Press.<\/p>\n

RuPaul. (1995). Lettin\u2019 it all hang out.<\/em> New York, NY: Hyperion.<\/p>\n

Sedgwick, E. K. (1990). Epistemology of the closet.<\/em> Berkeley, CA: University of California Press.<\/p>\n

Filippo, M. S. (2013). The B word: Bisexuality in contemporary film and television.<\/em> Bloomington, IN: Indiana University Press.<\/p>\n

Sontag, S. (2013). Against interpretation: And other essays.<\/em> New York, NY: Farrar, Straus and Giroux.<\/p>\n

Multimedia:<\/p>\n

Laverne Cox. (2014). Retrieved April 15, 2019, from Vimeo website: https:\/\/vimeo.com\/94766014<\/a> (Licensed as CC-BY by Kathleen Kirkland<\/a>\u2014doesn’t seem to have captions).<\/p>\n

PTV. (2011). An interview with John Waters. Retrieved from http:\/\/archive.org\/details\/An_Interview_with_John_Waters<\/a>. Licensed by Provincetown Community Television<\/a> under CC-BY 3.0.<\/p>\n

Image of filmmaker Barbara Hammer by Theredproject<\/a>, licensed under CC-BY 4.0 at https:\/\/commons.wikimedia.org\/wiki\/File:ArtAndFeminismNYC-Barbara_Hammer.jpg<\/a><\/p>\n

Lana Wachowski being interviewed. Image by WanderingWanda<\/a>, licensed under CC-BY 2.0 at https:\/\/commons.wikimedia.org\/wiki\/File:Lana_and_Lilly_Wachowski_at_Fantastic_Fest.jpg<\/a><\/p>\n\n\t\t\t

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Candela Citations<\/h3>\n\t\t\t\t\t
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CC licensed content, Original<\/div>