{"id":498,"date":"2017-06-20T17:38:32","date_gmt":"2017-06-20T17:38:32","guid":{"rendered":"https:\/\/courses.lumenlearning.com\/suny-music-and-the-child\/chapter\/chapter-5-children-singing-and-childrens-songs\/"},"modified":"2017-09-12T14:07:24","modified_gmt":"2017-09-12T14:07:24","slug":"chapter-5-children-singing-and-childrens-songs","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/suny-music-and-the-child\/chapter\/chapter-5-children-singing-and-childrens-songs\/","title":{"raw":"Chapter 5: Children Singing and Children\u2019s Songs","rendered":"Chapter 5: Children Singing and Children\u2019s Songs"},"content":{"raw":"<div id=\"_idContainer320\">\r\n<div class=\"textbox learning-objectives\">\r\n<h3>CHAPTER OBJECTIVE<\/h3>\r\nOne of the most basic yet challenging activities to do with children is to teach them a song.This chapter focuses on the child\u2019s singing voice, including their vocal range, selection of appropriate musical material, and methods for teaching a song in a musically meaningful, cognitively stimulating way that lays the groundwork for future integration.\r\n\r\n<\/div>\r\n&nbsp;\r\n<h1>I. A Child\u2019s Voice<\/h1>\r\nOne common mistake that adults make when singing with children is that they tend to \u201cpitch\u201d the songs, (or sing them in a key), that is comfortable for themselves, but unfortunately, out of a comfortable singing range for the children. Adults sing in much lower range than children, therefore pitching a song too low causes children to be unsuccessful at reaching some of the lower notes.\r\n\r\nPitching a song in the wrong range can have significant negative consequences on a child\u2019s musical self-esteem. An incorrect key can take away the child\u2019s ability to sing the song well or sing the song at all. Singing in a key that is out of a child\u2019s range would be analogous to an art teacher giving a creative assignment to students and then placing all of the art materials up on a shelf out of reach for most of them. While a few might be tall enough, most won\u2019t be. After a while, they will give up trying to reach the material altogether. Similarly, these are the students who start to believe that they can\u2019t sing at all, and give up on music.\r\n<h2>Good Singing<\/h2>\r\nAlthough we are used to hearing and singing pop music, a child\u2019s voice is not yet ready to sing songs either with such a wide vocal range or with the sophisticated vocal stylings or timbre that he or she might try to imitate from pop singers. As children\u2019s voices are very light, they should not be pushed out of their vocal ranges too soon. Using a clear, clean, straight head voice rather than chest voice will help to avoid this, and will strengthen a child\u2019s vocal musculature for a lifetime of excellent singing.\r\n\r\nOne good habit to help children sing well is to ask them sing in their <strong><span class=\"vocab\">head voice<\/span> <\/strong>rather than their <strong><span class=\"vocab\">chest voice<\/span>.<\/strong> Although most songs children hear are pop songs that are placed in the chest, a child\u2019s voice is not yet developed, and should not be belting out or pushing from the lower range or chest voice. Head voice requires placing the sound higher up in the \u201cvocal mask\u201d or the face, as if singing from the eyes. Chest voice feels like the sound is emanating from the chest, which tends to create a lot of tension in the throat, particularly in younger singers. The head voice is lighter, more tension-free, and more natural and therefore more beautiful sounding.\r\n<h2>Children\u2019s Vocal Ranges<\/h2>\r\nBelow are the general ranges of a child\u2019s voice.\r\n<h5>Preschool\u2013Kindergarten (3\u20135 years old), C to A<\/h5>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer253\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173613\/05_01_childrens_vocal_ranges.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<h5>First\u2013third grade (6\u20138 years old) C to C\u2019<\/h5>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer254\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173615\/05_01_childrens_vocal_ranges1.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<h5>Fourth\u2013sixth grade (9\u201311 years old) Bflat to E\u2019<\/h5>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer255\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173617\/05_01_childrens_vocal_ranges2.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\nThe strongest notes in a child\u2019s vocal range are right in the middle of their range, around pitches F and G. While they may be able to hit higher or lower notes, these few notes are where they can sing the loudest and most comfortably.\r\n<h2>Vocal Warm-Ups for Children<\/h2>\r\nActivities for helping children explore their voices and find their head voice:\r\n<h4>Speech warm-ups<\/h4>\r\nActivities for exploring the child\u2019s voice and finding the child\u2019s head voice:\r\n<h5>Helping children find their head voice<\/h5>\r\n<ul>\r\n \t<li>Have children imitate the sound of a:\r\n<ul>\r\n \t<li>Wolf, coyote, ghost, owl, siren, train whistle, wind<\/li>\r\n<\/ul>\r\n<\/li>\r\n \t<li>Have them \u201cread\u201d abstract notation (lines, dots, squiggles) experimenting with different vocal sounds and timbres in their head voice.\r\n<ul>\r\n \t<li>What does a blue squiggly line sound like? Green bumps? Red jagged mountains?<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n<h5>Warm-up 1<\/h5>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer256\" class=\"picture\">\r\n\r\n[caption id=\"\" align=\"alignnone\" width=\"731\"]<img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173619\/05_02_warmup.png\" alt=\"\" width=\"731\" height=\"257\" \/> Figure 5.1 Abstract notation: Example 1[\/caption]\r\n\r\n<\/div>\r\n<\/div>\r\n<h5>Warm-up 2<\/h5>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer257\" class=\"picture\">\r\n\r\n[caption id=\"\" align=\"alignnone\" width=\"731\"]<img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173621\/05_02_warmup1.png\" alt=\"\" width=\"731\" height=\"215\" \/> Figure 5.2 Abstract notation: Example 2[\/caption]\r\n\r\n<\/div>\r\n<\/div>\r\n<h5>Warm-up 3<\/h5>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer258\" class=\"picture\">\r\n\r\n[caption id=\"\" align=\"alignnone\" width=\"731\"]<img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173623\/05_02_warmup2.png\" alt=\"\" width=\"731\" height=\"184\" \/> Figure 5.3 Abstract notation: Example 3[\/caption]\r\n\r\n<\/div>\r\n<\/div>\r\n<h5>Help children find their different types of voices<\/h5>\r\n<ul>\r\n \t<li>Outside, inside\/speaking, whispering, singing voice\r\n<ul>\r\n \t<li>This is my outside voice! (shouting)<\/li>\r\n \t<li>This is my inside voice (speaking).<\/li>\r\n \t<li>This is my <em>whispering voice<\/em> (whispering).<\/li>\r\n \t<li>This is my singing voice (sung on Sol Sol Mi, Sol Sol Mi).<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer259\" class=\"picture\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173625\/05_03_singing_voice.png\" alt=\"This is my singing voice solfege\" \/><\/div>\r\n<\/div>\r\n<ul>\r\n \t<li>High, low, whisper, projecting\r\n<ul>\r\n \t<li>I take my voice up high (low to high),<\/li>\r\n \t<li>I take my voice down low (high to low).<\/li>\r\n \t<li>I send my voice out into space and (shouting\/projecting)<\/li>\r\n \t<li>I whisper all around, whisper all around (whisper).<\/li>\r\n<\/ul>\r\n<\/li>\r\n \t<li>High, low, medium\r\n<ul>\r\n \t<li>Bow wow says the dog (medium voice),<\/li>\r\n \t<li>Meow, meow says the cat (high voice),<\/li>\r\n \t<li>Grunt, grunt says the hog (low voice),<\/li>\r\n \t<li>Squeak, squeak says the rat (very high voice).<\/li>\r\n<\/ul>\r\n<\/li>\r\n \t<li>High, low, medium\r\n<ul>\r\n \t<li>You must pay the rent (low, Landlord).<\/li>\r\n \t<li>But I can\u2019t pay the rent (high, young girl Tenant) (Repeat these first two lines 3 times).<\/li>\r\n \t<li>I\u2019ll pay the rent (medium, young male, Hero).<\/li>\r\n \t<li>My hero! (high)<\/li>\r\n \t<li>Curses, foiled again (low).<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n<h4>Singing warm-ups<\/h4>\r\nDoing warm-ups not only helps children explore their vocal range but expand it as well. As with all pitched warm-ups, start at the bottom of the range and move up in half-step increments and then back down. Some of the warm-ups are quite cognitively challenging.\r\n<h5>Number the scale<\/h5>\r\nThis is a cognitively challenging exercise. The easiest way to sing it is to write the pattern for the exercise on the board, telling students that each number corresponds to a note on the major scale (1 = middle C, 2 = D, etc.). After singing from a low C to a high C, reverse the pyramid, and begin and high C and descend downward (i.e. 8, 878, 87678).\r\n\r\n1 1\r\n\r\n1 2 1\r\n\r\n1 2 3 2 1\r\n\r\n1 2 3 4 3 2 1\r\n\r\n1 2 3 4 5 4 3 2 1\r\n\r\n1 2 3 4 5 6 5 4 3 2 1\r\n\r\n1 2 3 4 5 6 7 6 5 4 3 2 1\r\n\r\n1 2 3 4 5 6 7 8 7 6 5 4 3 2 1\r\n<h1 class=\"song-title\">One, One, One, Two, One Vocal Warm-up<\/h1>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer260\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173627\/05_04_oneOne.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer261\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173629\/05_04_oneOne1.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer262\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173632\/05_04_oneOne2.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer263\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173634\/05_04_oneOne3.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer264\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173636\/05_04_oneOne4.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer265\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173638\/05_04_oneOne5.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<h1 class=\"song-title\">Bubble Gum Vocal Warm-up<\/h1>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer266\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173640\/05_05_bubbleGum.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer267\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173642\/05_05_bubbleGum1.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer268\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173644\/05_05_bubbleGum2.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer269\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173646\/05_05_bubbleGum3.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer270\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173648\/05_05_bubbleGum4.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer271\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173650\/05_05_bubbleGum5.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer272\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173652\/05_05_bubbleGum6.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer273\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173654\/05_05_bubbleGum7.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer274\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173656\/05_05_bubbleGum8.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<h2>Selecting and Performing Songs<\/h2>\r\nChildren are certainly capable of singing very complicated rhythms and melodies just by listening and aural imitation, but when selecting a song to sing, it is important to find a song that matches the <strong>vocal range<\/strong> and the <strong>tessitura<\/strong> of the children. A song\u2019s <em>range<\/em> concerns all of the notes in a song from lowest to highest, while the <em>tessitura<\/em> concerns the part of the register that contains the <em>most<\/em> tones of that melody. For example, you might have a song with a few pitches that are too high or too low for the child\u2019s voice, but the majority of the song lies within a proper singing range for the child. Consider the 1857 song \u201cHere We Go Round the Mulberry Bush.\u201d The song contains a few notes on middle C, which is a bit low for young children, but the tessitura of the entire song contains notes from F to a C\u2019, all of which are easily accessible. The traditional Scottish folk song \u201cMy Bonnie Lies Over the Ocean\u201d has a range of an entire octave from C to C\u2019, but most of the song lies within a Major 6th from E to C\u2019.\r\n<h1 class=\"song-title\">My Bonnie Lies Over the Ocean<\/h1>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer275\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173658\/05_06_bonnie.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer276\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173700\/05_06_bonnie1.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer277\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173702\/05_06_bonnie2.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer278\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173704\/05_06_bonnie3.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer279\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173706\/05_06_bonnie4.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer280\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173708\/05_06_bonnie5.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer281\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173710\/05_06_bonnie6.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<h1>II. Teaching a Song at the Elementary Level<\/h1>\r\n<h2>The Fundamentals of a Song<\/h2>\r\nAfter finding songs with the appropriate range and tessitura, it is critical to analyze a few additional musical components before you teach it. The important things to assess are: the song\u2019s meter and then the phrases and sections of the song. The final step is to have the song down cold before attempting to teach it. The same goes for any material you want to teach children. If you yourself don\u2019t really know it, you will not be able to teach it successfully.\r\n<h4>Finding a Song\u2019s Meter<\/h4>\r\nIf the song is notated, you can just look on the music to find the meter (e.g. 2\/4, 3\/4, 4\/4, 6\/8, etc.). However, if you don\u2019t have the song written in notation, you will need to determine the song\u2019s meter by ear. To find a song\u2019s meter, first find the downbeat (the strongest beat) and the weaker beats of each measure. Begin tapping on a desk while singing the song. If you tap slightly harder on the downbeat (the first beat of the group of two or three or six in each measure of the song) and begin singing, it will help you to find the meter. Groups of beats in Western music are mostly either in duple (two or four beats for a measure) or triple (three or six beats in a measure), so try tapping in groups of two first to see if that fits, and then try three.\r\n\r\nFor example, consider the song \u201cTake Me Out to the Ballgame.\u201d Is it in duple or triple meter?\r\n<table id=\"table001-4\" class=\"Basic-Table _idGenTablePara-1\"><colgroup> <col \/> <col \/> <col \/> <col \/> <col \/><\/colgroup>\r\n<tbody>\r\n<tr class=\"Basic-Table\">\r\n<td class=\"Basic-Table\">\r\n<p class=\"table-text\"><span class=\"vocab\">Sing and tap:<\/span><\/p>\r\n<\/td>\r\n<td class=\"Basic-Table Basic-cell\">\r\n<p class=\"table-text\">1 2<\/p>\r\n<p class=\"table-text\">&gt;<\/p>\r\n<\/td>\r\n<td class=\"Basic-Table Basic-cell\">\r\n<p class=\"table-text\">1 2<\/p>\r\n<p class=\"table-text\">&gt;<\/p>\r\n<\/td>\r\n<td class=\"Basic-Table Basic-cell\">\r\n<p class=\"table-text\">1 2<\/p>\r\n<p class=\"table-text\">&gt;<\/p>\r\n<\/td>\r\n<td class=\"Basic-Table Basic-cell\">\r\n<p class=\"table-text\">1 2<\/p>\r\n<p class=\"table-text\">&gt;<\/p>\r\n<\/td>\r\n<\/tr>\r\n<tr class=\"Basic-Table\">\r\n<td class=\"Basic-Table\">\r\n<p class=\"table-text\"><span class=\"vocab\">Then try:<\/span><\/p>\r\n<\/td>\r\n<td class=\"Basic-Table Basic-cell\">\r\n<p class=\"table-text\">1 2 3<\/p>\r\n<p class=\"table-text\">&gt;<\/p>\r\n<\/td>\r\n<td class=\"Basic-Table Basic-cell\">\r\n<p class=\"table-text\">1 2<\/p>\r\n<p class=\"table-text\">&gt;<\/p>\r\n<\/td>\r\n<td class=\"Basic-Table Basic-cell\">\r\n<p class=\"table-text\">3 1<\/p>\r\n<\/td>\r\n<td class=\"Basic-Table Basic-cell\">\r\n<p class=\"table-text\">2 3<\/p>\r\n<p class=\"table-text\">&gt;<\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\nWhich meter fits the song better? The first is in duple, the second is in triple feel. The triple feel probably feels better\u2014as it should because the song is in a 3\/4 meter. In addition to the downbeat and meter, you will also need to determine whether the first note of the song begins directly on the downbeat or on a pickup. Songs that begin on a pickup (i.e., a note that is not on the first beat of the measure) are more difficult and require a stronger preparation from the teacher (for examples of this, see the section \u201cPrepare\u201d on page 104.)\r\n<h4>Identifying the Sections of a Song<\/h4>\r\nChildren\u2019s songs are usually simple in form, often containing only one or two sections or parts; A one-part song (unitary) is designated with the letter A for purposes of analysis, while two-part songs (AB) are referred to as binary, verse-refrain, or verse-chorus. Songs in which the first section returns again at the end are known as ternary, three-part or ABA.\r\n<h5>Examples of song forms:<\/h5>\r\n<h5 class=\"no-numbers\">1-part songs (A):<\/h5>\r\n<ol>\r\n \t<li>\u201cA Tisket, A Tasket\u201d<\/li>\r\n \t<li>\u201cMary Had a Little Lamb\u201d<\/li>\r\n \t<li>\u201cThe People on the Bus\u201d<\/li>\r\n \t<li>\u201cIf You\u2019re Happy and you Know It\u201d<\/li>\r\n<\/ol>\r\n<h5 class=\"no-numbers\">2-part songs (AB):<\/h5>\r\n<ol>\r\n \t<li>\u201cYankee Doodle\u201d<\/li>\r\n \t<li>\u201cOh Susanna\u201d<\/li>\r\n \t<li>\u201cHome on the Range\u201d<\/li>\r\n \t<li>\u201cOats, Peas, Beans and Barley Grow\u201d<\/li>\r\n \t<li>\u201cErie Canal\u201d<\/li>\r\n<\/ol>\r\n<h5 class=\"no-numbers\">3-part songs (ABA):<\/h5>\r\n<ol>\r\n \t<li class=\"ol-alpha\">\u201cShoo-fly don\u2019t bother me\u201d<\/li>\r\n \t<li class=\"ol-alpha\">\u201cTwinkle, Twinkle Little Star\u201d<\/li>\r\n \t<li class=\"ol-alpha\">\u201cWe Wish you a Merry Christmas\u201d<\/li>\r\n<\/ol>\r\n<div class=\"_idGenObjectLayout-2\">\r\n<div class=\"Blurb\">\r\n<div class=\"textbox exercises\">\r\n<h3>activity 5a: try this<\/h3>\r\n<p class=\"activity-content\">Now try singing and tapping each line above while singing \u201cOld MacDonald Had a Farm.\u201d Which meter best fits the song? Think of some other children\u2019s songs you know and sing them to find which meter is most appropriate.<\/p>\r\n\r\n<\/div>\r\n&nbsp;\r\n\r\n<\/div>\r\n<\/div>\r\n<h4>Techniques for teaching a song<\/h4>\r\nWhile it may seem quite intuitive to teach a song to children, there\u2019s actually a great deal to consider. The different ways to teach a song are related to children\u2019s different learning styles, such as <em>aural<\/em> and <em>visual<\/em> learning, and the child\u2019s appropriate cognitive development; e.g., age and grade development. The first method is to teach a song by rote, a technique also known as aural learning, or \u201cby ear.\u201d Rote usually requires a great deal of repetition. The second method is a hybrid known as rote-note, where the song is taught mostly by ear, but also involves the addition of some type of visual element, such as showing some notation. The third method is known as note, which is teaching the song using written in notation (e.g. sheet music). These three styles of teaching not only relate to aural and visual learners, but also correlate to the basic cognitive development theories of Jerome Bruner\u2019s <em>modes of representation<\/em> and Jean Piaget\u2019s <em>four stages of cognitive development<\/em>.\r\n<h1 class=\"table-title\">Song teaching styles<\/h1>\r\n<table id=\"table002-3\" class=\"Table-1 _idGenTablePara-1\"><colgroup> <col \/> <col \/> <col \/> <col \/> <col \/><\/colgroup>\r\n<tbody>\r\n<tr class=\"Table-1\">\r\n<td class=\"Table-1 Blue-heading\">\r\n<h2 class=\"table-heading\">Song Teaching Style<\/h2>\r\n<\/td>\r\n<td class=\"Table-1 Blue-heading\">\r\n<h2 class=\"table-heading\">Primary Learning Style<\/h2>\r\n<\/td>\r\n<td class=\"Table-1 Blue-heading\">\r\n<h2 class=\"table-heading\">Developmental Level<\/h2>\r\n<\/td>\r\n<td class=\"Table-1 Blue-heading\">\r\n<h2 class=\"table-heading\">Bruner<\/h2>\r\n<\/td>\r\n<td class=\"Table-1 Blue-heading\">\r\n<h2 class=\"table-heading\">Piaget<\/h2>\r\n<\/td>\r\n<\/tr>\r\n<tr class=\"Table-1 _idGenTableRowColumn-1\">\r\n<td class=\"Table-1 Basic-cell\">\r\n<p class=\"table-large\">Rote\/Aural Teaching<\/p>\r\n<p class=\"table-text\">(Sing by ear, no notation)<\/p>\r\n<\/td>\r\n<td class=\"Table-1 Basic-cell\">\r\n<p class=\"table-large\">Aural<\/p>\r\n<\/td>\r\n<td class=\"Table-1 Basic-cell\">\r\n<p class=\"table-text\">Any age, but appropriate for early childhood<\/p>\r\n<\/td>\r\n<td class=\"Table-1 Basic-cell\">\r\n<p class=\"table-large\">Enactive<\/p>\r\n<p class=\"table-text\">(action-based)<\/p>\r\n<\/td>\r\n<td class=\"Table-1 Basic-cell\">\r\n<p class=\"table-large\">Sensorimotor<\/p>\r\n<p class=\"table-text\">(learning through senses)<\/p>\r\n<\/td>\r\n<\/tr>\r\n<tr class=\"Table-1\">\r\n<td class=\"Table-1 Basic-cell\">\r\n<p class=\"table-large\">Rote-Note Teaching<\/p>\r\n<p class=\"table-text\">(Mostly aural, partial notation)<\/p>\r\n<\/td>\r\n<td class=\"Table-1 Basic-cell\">\r\n<p class=\"table-large\">Aural-Visual<\/p>\r\n<\/td>\r\n<td class=\"Table-1 Basic-cell\">\r\n<p class=\"table-text\">Appropriate for lower elementary students (K\u20132)<\/p>\r\n<\/td>\r\n<td class=\"Table-1 Basic-cell\">\r\n<p class=\"table-large\">Iconic<\/p>\r\n<p class=\"table-text\">(image-based)<\/p>\r\n<\/td>\r\n<td class=\"Table-1 Basic-cell\">\r\n<p class=\"table-large\">Pre-Operational<\/p>\r\n<\/td>\r\n<\/tr>\r\n<tr class=\"Table-1 _idGenTableRowColumn-1\">\r\n<td class=\"Table-1 Basic-cell\">\r\n<p class=\"table-text\">Note Teaching<\/p>\r\n<p class=\"table-text\">(Teaching a song through written notation)<\/p>\r\n<\/td>\r\n<td class=\"Table-1 Basic-cell\">\r\n<p class=\"table-large\">Visual<\/p>\r\n<\/td>\r\n<td class=\"Table-1 Basic-cell\">\r\n<p class=\"table-text\">Appropriate for upper elementary (3\u20136)<\/p>\r\n<\/td>\r\n<td class=\"Table-1 Basic-cell\">\r\n<p class=\"table-large\">Symbolic<\/p>\r\n<p class=\"table-text\">(language-based)<\/p>\r\n<\/td>\r\n<td class=\"Table-1 Basic-cell\">\r\n<p class=\"table-large\">Concrete Operational<\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<p class=\"def\"><strong><span class=\"vocab\">Rote\/aural teaching<\/span><\/strong> is <span class=\"vocab\">enactive<\/span> (action-based) and can be used at any age through adulthood, but is particularly appropriate for preschool through early childhood (into the lower elementary grades). Motor skills can be added to a song to increase the learning dimensions.<\/p>\r\n<p class=\"def\"><strong><span class=\"vocab\">Rote-note teaching<\/span> <\/strong>is partially <span class=\"vocab\">iconic<\/span> (image-based) and appropriate for lower elementary students (K\u20132) just learning to read as it involves some type of iconic or image-based representation of music, such as using abstract notation or modified rhythmic or pitch notation.<\/p>\r\n<p class=\"def\"><strong><span class=\"vocab\">Note teaching<\/span> <\/strong>is <strong><span class=\"vocab\">symbolic<\/span> <\/strong>(language-based) and more appropriate for upper elementary grades.<\/p>\r\n\r\n<h5>Teaching the whole song vs. phrase-by-phrase<\/h5>\r\nThe next decision is whether to teach the song as a whole or by one phrase or line at a time. This consideration will happen regardless of which teaching style\u2014rote, rote-note, or note\u2014is used. Note that the term <span class=\"vocab\">phrase<\/span> refers to the music, while <span class=\"vocab\">line<\/span> refers to the lyrics or poem.\r\n<p class=\"def\"><span class=\"vocab\"><strong>Whole song<\/strong>:<\/span> Teaching a whole song is exactly what it sounds like\u2026singing the whole song at once and having the students echo the whole song right back. This is good for very short, simple songs; songs that have a lot of repetition either in the words or music; or call and response songs with few variables. The benefit of this is, according to Edwin Gordon\u2019s approach, to have the child experience the whole piece first, and then learn what the song comprises in detail.<\/p>\r\n<p class=\"def\"><strong><span class=\"vocab\">Phrase-by-phrase<\/span> <\/strong>teaching is best when the song is longer or has a lot of lyrics or complex melodies. This is the most common method for teaching more complicated or lengthy songs. In this technique, each phrase is sung by the teacher and then immediately echoed back by the students.<\/p>\r\nFor example, consider the song \u201cA Tisket, a Tasket\u201d:\r\n<h1 class=\"song-title\">A Tisket, A Tasket<\/h1>\r\n<p class=\"song-notes\">American children\u2019s game song, late 19th century<\/p>\r\n\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer283\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173713\/05_07_tisketTasket.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer284\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173715\/05_07_tisketTasket1.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer285\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173717\/05_07_tisketTasket2.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<h5>Phrase by phrase or line by line:<\/h5>\r\n<p class=\"demo\">Teacher: A tisket, a tasket<\/p>\r\n<p class=\"demo\">Students: A tisket, a tasket<\/p>\r\n<p class=\"demo\">Teacher: A green and yellow basket<\/p>\r\n<p class=\"demo\">Students: A green and yellow basket<\/p>\r\n<p class=\"demo\">Teacher: I wrote a letter to my love<\/p>\r\n<p class=\"demo\">Students: I wrote a letter to my love<\/p>\r\n<p class=\"demo\">Teacher: And on the way I dropped it<\/p>\r\n<p class=\"demo\">Students: And on the way I dropped it<\/p>\r\nIf there is more than one <span class=\"vocab\">verse<\/span> to a song, after teaching one verse, make sure to repeat the first verse several times with the students before moving on to the next verse.\r\n<div class=\"_idGenObjectLayout-2\">\r\n<div class=\"Blurb\">\r\n<ul>\r\n \t<li>\r\n<div class=\"textbox exercises\">\r\n<h3>Activity 5b<\/h3>\r\n<p class=\"activity-content\">You are teaching a group of kindergarteners. Which songs would you be more likely to teach 1) as a whole song; 2) phrase by phrase?<\/p>\r\n\r\n<\/div><\/li>\r\n \t<li>\u201cRain, Rain, Go Away\u201d<\/li>\r\n \t<li>\u201cOh, Susanna\u201d<\/li>\r\n \t<li>\u201cA Tisket, a Tasket\u201d<\/li>\r\n \t<li>\u201cMichael Row the Boat Ashore\u201d<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n<h1 class=\"song-title\">Rain, Rain Go Away<\/h1>\r\n<p class=\"song-notes\">Traditional children\u2019s song, 17th century<\/p>\r\n\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer287\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173719\/05_08_rainRain.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<h1 class=\"song-title\">Oh! Susanna<\/h1>\r\n<p class=\"song-notes\">American minstrel song, Stephen Foster, 1848<\/p>\r\n\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer288\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173721\/05_09_susanna.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer289\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173723\/05_09_susanna1.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer290\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173725\/05_09_susanna2.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer291\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173728\/05_09_susanna3.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<h1 class=\"song-title\">Michael Row the Boat Ashore<\/h1>\r\n<p class=\"song-notes\">African American spiritual, South Carolina Sea Islands, 1860s<\/p>\r\n\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer292\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173730\/05_10_michael.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer293\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173733\/05_10_michael1.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<h2>Song Analysis<\/h2>\r\nOf course singing a song is fun, but it can also be highly educational. In preparation for integration, and for using music with other art and subject areas, train yourself to explore the full potential of each song.\r\n\r\nHaving students identify or \u201canalyze\u201d what is going on in the song is educationally sound and cognitively effective. They are listening, analyzing, visualizing, sequencing, and applying concentrated brainwork to understand what they are singing.\r\n<h4>Music vs. lyrics<\/h4>\r\nWhen most people think about \u201csong\u201d they tend to think of the lyrics <em>plus<\/em> the music together, and often don\u2019t realize that the music is a separate entity with its own cohesiveness and structure. Getting students to understand the musical differences between phrases is actually less challenging than you might imagine. For example, if I asked you which lines of \u201cA Tisket, A Tasket\u201d are the same, you would say none if you thought of only the lyrics. But what if I asked you which musical phrases are the same? If you have trouble, remove the lyrics and hum the melody. Now how many are the same? Three of them\u2014the first, second, and fourth. For example, the melody for \u201cA Tisket, A Tasket\u201d looks like this, with lines 1, 2, and 4 being basically the same. Line 3 is different.\r\n<ol>\r\n \t<li>A tisket, a tasket\r\n<div id=\"_idContainer294\" class=\"picture\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173735\/05_11_tisketSegments.png\" alt=\"\" \/><\/div><\/li>\r\n \t<li>A green and yellow basket\r\n<div id=\"_idContainer295\" class=\"picture\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173737\/05_11_tisketSegments1.png\" alt=\"\" \/><\/div><\/li>\r\n \t<li>I wrote a letter to my love\r\n<div id=\"_idContainer296\" class=\"picture\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173739\/05_11_tisketSegments2.png\" alt=\"\" \/><\/div><\/li>\r\n \t<li>And on the way I dropped it\r\n<div id=\"_idContainer297\" class=\"picture\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173741\/05_11_tisketSegments3.png\" alt=\"\" \/><\/div><\/li>\r\n<\/ol>\r\nHaving students hum the melody rather than singing words helps them hear the melody separately from the lyrics. Holding up fingers as they sing each phrase marks where they are in the song. Better still, have them sing the solfege for the different lines instead of the words or humming. In terms of analysis, solfege instantly informs the listener or singer which lines of music are the same and helps them compare and contrast each line rather quickly!\r\n<h2>Steps for Introducing a New Song<\/h2>\r\nWhile many children\u2019s songs are relatively easy to sing, most will need to be broken down into smaller parts (phrases) to learn easily. Breaking a song into \u201cchunks\u201d helps exercise children\u2019s cognitive and analytical abilities to understand, compare, and contrast the different parts or phrases of a song. Below are some important strategies for teaching a song either for the first time, or even to review a song or help children analyze an old and familiar song.\r\n<ol>\r\n \t<li>Provide an opportunity for students to hear the song first, preferably by you singing it.<\/li>\r\n \t<li>Always ask students to listen FOR something. Before teaching it, ask students to listen carefully to something in the song\u2019s phrasing, repetition, rhythm, melody, timbre, lyrics, dynamics, rests, mood or affect, etc.<\/li>\r\n \t<li>Using a piano\/keyboard, pitch pipe, or some other melodic instrument, find the correct starting pitch for the range of students in your class.<\/li>\r\n \t<li>Teach the song by rote using <span class=\"vocab\">song phrase<\/span>, <span class=\"vocab\">whole song<\/span>, <span class=\"vocab\">note-rote<\/span>, or <span class=\"vocab\">note<\/span> technique (use note technique in fourth or fifth grades).<\/li>\r\n \t<li>Develop a style for indicating that it is your turn to sing or their turn to sing.<\/li>\r\n \t<li>In phrase-by-phrase technique, teach each phrase (or line) of the song separately. Usually phrases vary from four to eight beats in length. For example, see \u201cRain, Rain Go Away,\u201d \u201cA Tisket, a Tasket,\u201d and \u201cOh, Susanna\u201d above.<\/li>\r\n \t<li>Try not to sing too loudly while the class is repeating each phrase; strive for singing independence among students.<\/li>\r\n \t<li>Ask the class to repeat the song while you mouth the words (do not sing).<\/li>\r\n \t<li>Finally, let the class sing with no support from you.<\/li>\r\n \t<li>Variation: Sing each phrase one at a time. Rather than having student echo you, have them sing the phrase silently, and point to them when it is their turn to sing aloud.<\/li>\r\n<\/ol>\r\n<h2>Teaching a Song: The 4 Ps<\/h2>\r\nImagine that you are at the beginning of a track race. You are at the starting gate, and are anxiously waiting for the signal to begin running. You hear a count, then a starting shot, and you\u2019re off. Now imagine you are at a race in which no count or starting signal is given, but a chosen leader just decides to start running and you are expected to jump in and catch up. In some ways, beginning a song is similar. Many adults begin a song with no preparation and expect children to just jump in, requiring children to figure out the tempo, the starting pitch, and the lyrics all at the same time, and on their own.\r\n\r\nIt takes just a few seconds to prepare students before they begin a song. Counting them in gives them the tempo, and singing the counts on the opening pitch gives them the starting note. Below are a few hints for starting a song that will help students be successful right from the first note!\r\n<ul>\r\n \t<li>Pulse<\/li>\r\n \t<li>Pitch<\/li>\r\n \t<li>Prepare<\/li>\r\n \t<li>Point<\/li>\r\n<\/ul>\r\n<h3>Pulse<\/h3>\r\nThe pulse indicates the tempo at which you would like to sing the song, as well as the song\u2019s meter.\r\n<ul>\r\n \t<li>First, check the song\u2019s meter to see whether it is in 2\/4, 4\/4,3\/4, or 6\/8 (see above for how to find which meter you are in).<\/li>\r\n \t<li>Then internally feel the pulse or <span class=\"vocab\">beat<\/span> of the song. Maybe tap your toe or hit your thigh as you sing the song in your head to find the appropriate tempo.<\/li>\r\n<\/ul>\r\n<h3>Pitch<\/h3>\r\nFind the starting <strong><span class=\"vocab\">pitch<\/span><\/strong> for the song on any pitched instrument (i.e., piano, xylophone, recorder, or pitch pipe). Keep in mind the child\u2019s vocal range and the range\/tessitura of the song.\r\n<h3>Prepare<\/h3>\r\nWhen bringing in the children to sing, you need to be aware of whether or not the song begins on a <strong><span class=\"vocab\">downbeat<\/span><\/strong> or <strong><span class=\"vocab\">upbeat<\/span><\/strong> (aka <span class=\"vocab\">pickup<\/span>). Many songs begin directly on the downbeat such as \u201cJingle Bells\u201d or \u201cHere We Go Round the Mulberry Bush,\u201d while others such as \u201cOh, Susanna!\u201d or \u201cThe People on the Bus Go Up and Down\u201d begin with an upbeat or pickup (see below).\r\n<ul>\r\n \t<li>How do you find out if your song begins on an upbeat or downbeat? Clap or tap to the beat of a song for a few measures, tapping louder on the downbeat and lighter on the other beats in the measure, then begin singing. If you start singing while your hand is hitting the downbeat (first and strongest beat of the measure), the song starts on a downbeat. If your hand is in the air when you start singing, or the song\u2019s entrance falls on the weaker beats, that\u2019s an upbeat.<\/li>\r\n \t<li>Many pickups begin on a lower note than the rest of the song. For example, \u201cThe People on the Bus\u201d starts on a pickup or upbeat note that is a 4th lower from the key of the song.<\/li>\r\n<\/ul>\r\n<h1 class=\"song-title\">The People on the Bus<\/h1>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer298\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173744\/05_12_people.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer299\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173746\/05_12_people1.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\nNow you have to take all of the above information and somehow transmit it to the children before you sing. Develop a preparatory phrase that you feel comfortable with which gives children the pulse and pitch of a song. The following preparations work very well for songs in duple meter if you sing them on the starting pitch that you want the children to come in on.\r\n\r\nFor duple meter (2\/4 or 4\/4) songs:\r\n<table id=\"table003-3\" class=\"Basic-Table _idGenTablePara-1\"><colgroup> <col \/><\/colgroup>\r\n<tbody>\r\n<tr class=\"Basic-Table\">\r\n<td class=\"Basic-Table\">\r\n<p class=\"table-text\">| | | |<\/p>\r\n<p class=\"table-text\">1-2-3 sing<\/p>\r\n<\/td>\r\n<\/tr>\r\n<tr class=\"Basic-Table\">\r\n<td class=\"Basic-Table\">\r\n<p class=\"table-text\">| | | | |<\/p>\r\n<p class=\"table-text\">1-2 here we go<\/p>\r\n<\/td>\r\n<\/tr>\r\n<tr class=\"Basic-Table\">\r\n<td class=\"Basic-Table\">\r\n<p class=\"table-text\">| | | | |<\/p>\r\n<p class=\"table-text\">Ready and sing now<\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\nFor triple meter (3\/4 or 6\/8) songs:\r\n<table id=\"table004-1\" class=\"Basic-Table _idGenTablePara-1\"><colgroup> <col \/><\/colgroup>\r\n<tbody>\r\n<tr class=\"Basic-Table\">\r\n<td class=\"Basic-Table\">\r\n<p class=\"table-text\">| | | | | |<\/p>\r\n<p class=\"table-text\">1-2-3 | 1-2-sing<\/p>\r\n<\/td>\r\n<\/tr>\r\n<tr class=\"Basic-Table\">\r\n<td class=\"Basic-Table\">\r\n<p class=\"table-text\">| | | | | |<\/p>\r\n<p class=\"table-text\">Here we go | read-y now<\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<h3>Point<\/h3>\r\nAdd a pointing motion to start them off, such as an arm or hand gesture that lets them know it is their turn to sing. Use this same gesture when echoing during the phrase-by-phrase method to help students enter at the right time.\r\n\r\nBelow are some examples of preparations to sing a few well-known songs.\r\n<h1 class=\"song-title\">Mary Had a Little Lamb<\/h1>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer300\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173749\/05_13_mary.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer301\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173752\/05_13_mary1.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<h1 class=\"song-title\">Home on the Range<\/h1>\r\n<p class=\"song-notes\">Daniel E. Kelley<\/p>\r\n\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer302\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173755\/05_14_home.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer303\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173757\/05_14_home1.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer304\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173800\/05_14_home2.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer305\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173802\/05_14_home3.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer306\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173805\/05_14_home4.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<h1 class=\"song-title\">If You\u2019re Happy and You Know It<\/h1>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer307\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173808\/05_15_happy.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer308\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173810\/05_15_happy1.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer309\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173812\/05_15_happy2.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer310\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173813\/05_15_happy3.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-2\">\r\n<div class=\"Blurb\">\r\n<div class=\"textbox exercises\">\r\n<h3>Activity 5c: try this<\/h3>\r\n<p class=\"activity-content\">How would you prepare students to begin singing the following songs? What is your starting pitch? Meter? Tempo? Is there a pick-up\/upbeat?<\/p>\r\n\r\n<ul>\r\n \t<li>\u201cFr\u00e8re Jacques\u201d<\/li>\r\n \t<li>\u201cA Tisket, A Tasket\u201d (see above)<\/li>\r\n \t<li>\u201cHush Little Baby Don\u2019t Say a Word\u201d<\/li>\r\n \t<li>\u201cThree Blind Mice\u201d<\/li>\r\n<\/ul>\r\n<\/div>\r\n&nbsp;\r\n\r\n<\/div>\r\n<\/div>\r\n<h1 class=\"song-title\">Fr\u00e8re Jacques<\/h1>\r\n<p class=\"song-notes\">French folk round, 18th century<\/p>\r\n\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer312\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173816\/05_16_frere_jacques.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer313\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173818\/05_16_frere_jacques1.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer314\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173820\/05_16_frere_jacques2.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<h1 class=\"song-title\">Hush Little Baby, Don\u2019t Say a Word<\/h1>\r\n<p class=\"song-notes\">American lullaby song<\/p>\r\n\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer315\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173823\/05_17_hush.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<h1 class=\"song-title\">Three Blind Mice<\/h1>\r\n<p class=\"song-notes\">English children\u2019s song attributed toThomas Ravenscroft, 1609<\/p>\r\n\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer316\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173825\/05_18_mice.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer317\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173827\/05_18_mice1.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer318\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173829\/05_18_mice2.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"_idGenObjectLayout-1\">\r\n<div id=\"_idContainer319\" class=\"music-bar\"><img class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173831\/05_18_mice3.png\" alt=\"\" \/><\/div>\r\n<\/div>\r\n<div class=\"textbox examples\">\r\n<h3>Resources<\/h3>\r\nFolk songs for children\r\n<ul>\r\n \t<li><a href=\"http:\/\/musiced.about.com\/od\/lessonsandtips\/tp\/folksongs.htm\">http:\/\/musiced.about.com\/od\/lessonsandtips\/tp\/folksongs.htm<\/a><\/li>\r\n<\/ul>\r\nProper Vocal Ranges for Children (Kathie Hill Music)\r\n<ul>\r\n \t<li><a href=\"http:\/\/www.youtube.com\/watch?v=pyXaQURviAs\">http:\/\/www.youtube.com\/watch?v=pyXaQURviAs<\/a><\/li>\r\n<\/ul>\r\n<\/div>\r\n&nbsp;\r\n<h1>Vocabulary<\/h1>\r\n<p class=\"vocab\"><span class=\"vocab\">aural learning<\/span>: learning music \u201cby ear\u201d\u2014learning by hearing only (no use of written notation)<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">beat<\/span>: a pulse in a piece of music; the basic unit of time in music<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">binary form:<\/span> a song in with two discernible sections; also referred to as verse-refrain or verse-chorus and designated as AB.<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">chest voice<\/span>: singing when the sound feels like it is emanating from the chest or throat<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">downbeat<\/span>: the first beat in the measure; beat in a measure that is most accented<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">duple<\/span>: two or four beats per measure<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">head voice<\/span>: placing the sound higher up in the \u201cvocal mask\u201d or the face, as if singing through the eyes<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">line<\/span>: reference to a line of the lyrics or poem when learning music; usually corresponds to a musical phrase<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">note<\/span>: learning music by reading the notes; reading the music or score in order to play or learn<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">note-rote<\/span>: song is taught mostly by ear or repetition, but also shows some iconic notation (written notation)<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">phrase-by-phrase<\/span>: teaching a song one line at a time; breaking down the song into individual phrases<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">pickup<\/span>: a note or series of notes that preceded the first downbeat of the first measure; also called <em>anacrusis<\/em><\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">pitch<\/span>: the frequency of the sound based upon its wavelength; the higher the pitch, the higher the frequency<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">pulse<\/span>: in learning music, the pulse indicates to the children the tempo at which you would like to sing the song as well as the song\u2019s meter; \u201cfeel the beat\u201d<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">range<\/span>: all of the notes in the song from lowest to highest<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">rote<\/span>: learning through repetition; learning without use of written music or a score<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">song phrase<\/span>: reference to a group of notes in learning music, usually equivalent to a sentence or the length of one line of poetry<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">tempo<\/span>: pace in which the notes of a song are sung or played<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">ternary form:<\/span> as song with 3-sections, where the first section returns at the end in exact form and the middle section is different or contrasting; designated as ABA.<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">tessitura<\/span>: the part of the register in which most of the tones of the melody or voice part lies<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">triple<\/span>: three or six beats per measure<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">unitary:<\/span> a song with only one section, and no refrain; can be labeled as A.<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">upbeat<\/span>: pickup beat (see above)<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">verse-refrain<\/span>: a verse corresponds to a poetic stanza of a song; usually distinguished from the chorus or refrain of a song, which has repeated lyrics (e.g., in \u201cOh, Susanna\u201d the verse begins with \u201coh I came from Alabama\u201d and the chorus or refrain begins with \u201cOh, Susanna, oh don\u2019t you cry for me\u2026\u201d)<\/p>\r\n<p class=\"vocab\"><span class=\"vocab\">whole song<\/span>: teach the whole song at once without breaking it into individual phrases; useful technique for very short songs<\/p>\r\n\r\n<\/div>","rendered":"<div id=\"_idContainer320\">\n<div class=\"textbox learning-objectives\">\n<h3>CHAPTER OBJECTIVE<\/h3>\n<p>One of the most basic yet challenging activities to do with children is to teach them a song.This chapter focuses on the child\u2019s singing voice, including their vocal range, selection of appropriate musical material, and methods for teaching a song in a musically meaningful, cognitively stimulating way that lays the groundwork for future integration.<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<h1>I. A Child\u2019s Voice<\/h1>\n<p>One common mistake that adults make when singing with children is that they tend to \u201cpitch\u201d the songs, (or sing them in a key), that is comfortable for themselves, but unfortunately, out of a comfortable singing range for the children. Adults sing in much lower range than children, therefore pitching a song too low causes children to be unsuccessful at reaching some of the lower notes.<\/p>\n<p>Pitching a song in the wrong range can have significant negative consequences on a child\u2019s musical self-esteem. An incorrect key can take away the child\u2019s ability to sing the song well or sing the song at all. Singing in a key that is out of a child\u2019s range would be analogous to an art teacher giving a creative assignment to students and then placing all of the art materials up on a shelf out of reach for most of them. While a few might be tall enough, most won\u2019t be. After a while, they will give up trying to reach the material altogether. Similarly, these are the students who start to believe that they can\u2019t sing at all, and give up on music.<\/p>\n<h2>Good Singing<\/h2>\n<p>Although we are used to hearing and singing pop music, a child\u2019s voice is not yet ready to sing songs either with such a wide vocal range or with the sophisticated vocal stylings or timbre that he or she might try to imitate from pop singers. As children\u2019s voices are very light, they should not be pushed out of their vocal ranges too soon. Using a clear, clean, straight head voice rather than chest voice will help to avoid this, and will strengthen a child\u2019s vocal musculature for a lifetime of excellent singing.<\/p>\n<p>One good habit to help children sing well is to ask them sing in their <strong><span class=\"vocab\">head voice<\/span> <\/strong>rather than their <strong><span class=\"vocab\">chest voice<\/span>.<\/strong> Although most songs children hear are pop songs that are placed in the chest, a child\u2019s voice is not yet developed, and should not be belting out or pushing from the lower range or chest voice. Head voice requires placing the sound higher up in the \u201cvocal mask\u201d or the face, as if singing from the eyes. Chest voice feels like the sound is emanating from the chest, which tends to create a lot of tension in the throat, particularly in younger singers. The head voice is lighter, more tension-free, and more natural and therefore more beautiful sounding.<\/p>\n<h2>Children\u2019s Vocal Ranges<\/h2>\n<p>Below are the general ranges of a child\u2019s voice.<\/p>\n<h5>Preschool\u2013Kindergarten (3\u20135 years old), C to A<\/h5>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer253\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173613\/05_01_childrens_vocal_ranges.png\" alt=\"\" \/><\/div>\n<\/div>\n<h5>First\u2013third grade (6\u20138 years old) C to C\u2019<\/h5>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer254\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173615\/05_01_childrens_vocal_ranges1.png\" alt=\"\" \/><\/div>\n<\/div>\n<h5>Fourth\u2013sixth grade (9\u201311 years old) Bflat to E\u2019<\/h5>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer255\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173617\/05_01_childrens_vocal_ranges2.png\" alt=\"\" \/><\/div>\n<\/div>\n<p>The strongest notes in a child\u2019s vocal range are right in the middle of their range, around pitches F and G. While they may be able to hit higher or lower notes, these few notes are where they can sing the loudest and most comfortably.<\/p>\n<h2>Vocal Warm-Ups for Children<\/h2>\n<p>Activities for helping children explore their voices and find their head voice:<\/p>\n<h4>Speech warm-ups<\/h4>\n<p>Activities for exploring the child\u2019s voice and finding the child\u2019s head voice:<\/p>\n<h5>Helping children find their head voice<\/h5>\n<ul>\n<li>Have children imitate the sound of a:\n<ul>\n<li>Wolf, coyote, ghost, owl, siren, train whistle, wind<\/li>\n<\/ul>\n<\/li>\n<li>Have them \u201cread\u201d abstract notation (lines, dots, squiggles) experimenting with different vocal sounds and timbres in their head voice.\n<ul>\n<li>What does a blue squiggly line sound like? Green bumps? Red jagged mountains?<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h5>Warm-up 1<\/h5>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer256\" class=\"picture\">\n<div style=\"width: 741px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173619\/05_02_warmup.png\" alt=\"\" width=\"731\" height=\"257\" \/><\/p>\n<p class=\"wp-caption-text\">Figure 5.1 Abstract notation: Example 1<\/p>\n<\/div>\n<\/div>\n<\/div>\n<h5>Warm-up 2<\/h5>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer257\" class=\"picture\">\n<div style=\"width: 741px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173621\/05_02_warmup1.png\" alt=\"\" width=\"731\" height=\"215\" \/><\/p>\n<p class=\"wp-caption-text\">Figure 5.2 Abstract notation: Example 2<\/p>\n<\/div>\n<\/div>\n<\/div>\n<h5>Warm-up 3<\/h5>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer258\" class=\"picture\">\n<div style=\"width: 741px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173623\/05_02_warmup2.png\" alt=\"\" width=\"731\" height=\"184\" \/><\/p>\n<p class=\"wp-caption-text\">Figure 5.3 Abstract notation: Example 3<\/p>\n<\/div>\n<\/div>\n<\/div>\n<h5>Help children find their different types of voices<\/h5>\n<ul>\n<li>Outside, inside\/speaking, whispering, singing voice\n<ul>\n<li>This is my outside voice! (shouting)<\/li>\n<li>This is my inside voice (speaking).<\/li>\n<li>This is my <em>whispering voice<\/em> (whispering).<\/li>\n<li>This is my singing voice (sung on Sol Sol Mi, Sol Sol Mi).<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer259\" class=\"picture\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173625\/05_03_singing_voice.png\" alt=\"This is my singing voice solfege\" \/><\/div>\n<\/div>\n<ul>\n<li>High, low, whisper, projecting\n<ul>\n<li>I take my voice up high (low to high),<\/li>\n<li>I take my voice down low (high to low).<\/li>\n<li>I send my voice out into space and (shouting\/projecting)<\/li>\n<li>I whisper all around, whisper all around (whisper).<\/li>\n<\/ul>\n<\/li>\n<li>High, low, medium\n<ul>\n<li>Bow wow says the dog (medium voice),<\/li>\n<li>Meow, meow says the cat (high voice),<\/li>\n<li>Grunt, grunt says the hog (low voice),<\/li>\n<li>Squeak, squeak says the rat (very high voice).<\/li>\n<\/ul>\n<\/li>\n<li>High, low, medium\n<ul>\n<li>You must pay the rent (low, Landlord).<\/li>\n<li>But I can\u2019t pay the rent (high, young girl Tenant) (Repeat these first two lines 3 times).<\/li>\n<li>I\u2019ll pay the rent (medium, young male, Hero).<\/li>\n<li>My hero! (high)<\/li>\n<li>Curses, foiled again (low).<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h4>Singing warm-ups<\/h4>\n<p>Doing warm-ups not only helps children explore their vocal range but expand it as well. As with all pitched warm-ups, start at the bottom of the range and move up in half-step increments and then back down. Some of the warm-ups are quite cognitively challenging.<\/p>\n<h5>Number the scale<\/h5>\n<p>This is a cognitively challenging exercise. The easiest way to sing it is to write the pattern for the exercise on the board, telling students that each number corresponds to a note on the major scale (1 = middle C, 2 = D, etc.). After singing from a low C to a high C, reverse the pyramid, and begin and high C and descend downward (i.e. 8, 878, 87678).<\/p>\n<p>1 1<\/p>\n<p>1 2 1<\/p>\n<p>1 2 3 2 1<\/p>\n<p>1 2 3 4 3 2 1<\/p>\n<p>1 2 3 4 5 4 3 2 1<\/p>\n<p>1 2 3 4 5 6 5 4 3 2 1<\/p>\n<p>1 2 3 4 5 6 7 6 5 4 3 2 1<\/p>\n<p>1 2 3 4 5 6 7 8 7 6 5 4 3 2 1<\/p>\n<h1 class=\"song-title\">One, One, One, Two, One Vocal Warm-up<\/h1>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer260\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173627\/05_04_oneOne.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer261\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173629\/05_04_oneOne1.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer262\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173632\/05_04_oneOne2.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer263\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173634\/05_04_oneOne3.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer264\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173636\/05_04_oneOne4.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer265\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173638\/05_04_oneOne5.png\" alt=\"\" \/><\/div>\n<\/div>\n<h1 class=\"song-title\">Bubble Gum Vocal Warm-up<\/h1>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer266\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173640\/05_05_bubbleGum.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer267\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173642\/05_05_bubbleGum1.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer268\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173644\/05_05_bubbleGum2.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer269\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173646\/05_05_bubbleGum3.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer270\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173648\/05_05_bubbleGum4.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer271\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173650\/05_05_bubbleGum5.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer272\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173652\/05_05_bubbleGum6.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer273\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173654\/05_05_bubbleGum7.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer274\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173656\/05_05_bubbleGum8.png\" alt=\"\" \/><\/div>\n<\/div>\n<h2>Selecting and Performing Songs<\/h2>\n<p>Children are certainly capable of singing very complicated rhythms and melodies just by listening and aural imitation, but when selecting a song to sing, it is important to find a song that matches the <strong>vocal range<\/strong> and the <strong>tessitura<\/strong> of the children. A song\u2019s <em>range<\/em> concerns all of the notes in a song from lowest to highest, while the <em>tessitura<\/em> concerns the part of the register that contains the <em>most<\/em> tones of that melody. For example, you might have a song with a few pitches that are too high or too low for the child\u2019s voice, but the majority of the song lies within a proper singing range for the child. Consider the 1857 song \u201cHere We Go Round the Mulberry Bush.\u201d The song contains a few notes on middle C, which is a bit low for young children, but the tessitura of the entire song contains notes from F to a C\u2019, all of which are easily accessible. The traditional Scottish folk song \u201cMy Bonnie Lies Over the Ocean\u201d has a range of an entire octave from C to C\u2019, but most of the song lies within a Major 6th from E to C\u2019.<\/p>\n<h1 class=\"song-title\">My Bonnie Lies Over the Ocean<\/h1>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer275\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173658\/05_06_bonnie.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer276\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173700\/05_06_bonnie1.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer277\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173702\/05_06_bonnie2.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer278\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173704\/05_06_bonnie3.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer279\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173706\/05_06_bonnie4.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer280\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173708\/05_06_bonnie5.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer281\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173710\/05_06_bonnie6.png\" alt=\"\" \/><\/div>\n<\/div>\n<h1>II. Teaching a Song at the Elementary Level<\/h1>\n<h2>The Fundamentals of a Song<\/h2>\n<p>After finding songs with the appropriate range and tessitura, it is critical to analyze a few additional musical components before you teach it. The important things to assess are: the song\u2019s meter and then the phrases and sections of the song. The final step is to have the song down cold before attempting to teach it. The same goes for any material you want to teach children. If you yourself don\u2019t really know it, you will not be able to teach it successfully.<\/p>\n<h4>Finding a Song\u2019s Meter<\/h4>\n<p>If the song is notated, you can just look on the music to find the meter (e.g. 2\/4, 3\/4, 4\/4, 6\/8, etc.). However, if you don\u2019t have the song written in notation, you will need to determine the song\u2019s meter by ear. To find a song\u2019s meter, first find the downbeat (the strongest beat) and the weaker beats of each measure. Begin tapping on a desk while singing the song. If you tap slightly harder on the downbeat (the first beat of the group of two or three or six in each measure of the song) and begin singing, it will help you to find the meter. Groups of beats in Western music are mostly either in duple (two or four beats for a measure) or triple (three or six beats in a measure), so try tapping in groups of two first to see if that fits, and then try three.<\/p>\n<p>For example, consider the song \u201cTake Me Out to the Ballgame.\u201d Is it in duple or triple meter?<\/p>\n<table id=\"table001-4\" class=\"Basic-Table _idGenTablePara-1\">\n<colgroup>\n<col \/>\n<col \/>\n<col \/>\n<col \/>\n<col \/><\/colgroup>\n<tbody>\n<tr class=\"Basic-Table\">\n<td class=\"Basic-Table\">\n<p class=\"table-text\"><span class=\"vocab\">Sing and tap:<\/span><\/p>\n<\/td>\n<td class=\"Basic-Table Basic-cell\">\n<p class=\"table-text\">1 2<\/p>\n<p class=\"table-text\">&gt;<\/p>\n<\/td>\n<td class=\"Basic-Table Basic-cell\">\n<p class=\"table-text\">1 2<\/p>\n<p class=\"table-text\">&gt;<\/p>\n<\/td>\n<td class=\"Basic-Table Basic-cell\">\n<p class=\"table-text\">1 2<\/p>\n<p class=\"table-text\">&gt;<\/p>\n<\/td>\n<td class=\"Basic-Table Basic-cell\">\n<p class=\"table-text\">1 2<\/p>\n<p class=\"table-text\">&gt;<\/p>\n<\/td>\n<\/tr>\n<tr class=\"Basic-Table\">\n<td class=\"Basic-Table\">\n<p class=\"table-text\"><span class=\"vocab\">Then try:<\/span><\/p>\n<\/td>\n<td class=\"Basic-Table Basic-cell\">\n<p class=\"table-text\">1 2 3<\/p>\n<p class=\"table-text\">&gt;<\/p>\n<\/td>\n<td class=\"Basic-Table Basic-cell\">\n<p class=\"table-text\">1 2<\/p>\n<p class=\"table-text\">&gt;<\/p>\n<\/td>\n<td class=\"Basic-Table Basic-cell\">\n<p class=\"table-text\">3 1<\/p>\n<\/td>\n<td class=\"Basic-Table Basic-cell\">\n<p class=\"table-text\">2 3<\/p>\n<p class=\"table-text\">&gt;<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Which meter fits the song better? The first is in duple, the second is in triple feel. The triple feel probably feels better\u2014as it should because the song is in a 3\/4 meter. In addition to the downbeat and meter, you will also need to determine whether the first note of the song begins directly on the downbeat or on a pickup. Songs that begin on a pickup (i.e., a note that is not on the first beat of the measure) are more difficult and require a stronger preparation from the teacher (for examples of this, see the section \u201cPrepare\u201d on page 104.)<\/p>\n<h4>Identifying the Sections of a Song<\/h4>\n<p>Children\u2019s songs are usually simple in form, often containing only one or two sections or parts; A one-part song (unitary) is designated with the letter A for purposes of analysis, while two-part songs (AB) are referred to as binary, verse-refrain, or verse-chorus. Songs in which the first section returns again at the end are known as ternary, three-part or ABA.<\/p>\n<h5>Examples of song forms:<\/h5>\n<h5 class=\"no-numbers\">1-part songs (A):<\/h5>\n<ol>\n<li>\u201cA Tisket, A Tasket\u201d<\/li>\n<li>\u201cMary Had a Little Lamb\u201d<\/li>\n<li>\u201cThe People on the Bus\u201d<\/li>\n<li>\u201cIf You\u2019re Happy and you Know It\u201d<\/li>\n<\/ol>\n<h5 class=\"no-numbers\">2-part songs (AB):<\/h5>\n<ol>\n<li>\u201cYankee Doodle\u201d<\/li>\n<li>\u201cOh Susanna\u201d<\/li>\n<li>\u201cHome on the Range\u201d<\/li>\n<li>\u201cOats, Peas, Beans and Barley Grow\u201d<\/li>\n<li>\u201cErie Canal\u201d<\/li>\n<\/ol>\n<h5 class=\"no-numbers\">3-part songs (ABA):<\/h5>\n<ol>\n<li class=\"ol-alpha\">\u201cShoo-fly don\u2019t bother me\u201d<\/li>\n<li class=\"ol-alpha\">\u201cTwinkle, Twinkle Little Star\u201d<\/li>\n<li class=\"ol-alpha\">\u201cWe Wish you a Merry Christmas\u201d<\/li>\n<\/ol>\n<div class=\"_idGenObjectLayout-2\">\n<div class=\"Blurb\">\n<div class=\"textbox exercises\">\n<h3>activity 5a: try this<\/h3>\n<p class=\"activity-content\">Now try singing and tapping each line above while singing \u201cOld MacDonald Had a Farm.\u201d Which meter best fits the song? Think of some other children\u2019s songs you know and sing them to find which meter is most appropriate.<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<h4>Techniques for teaching a song<\/h4>\n<p>While it may seem quite intuitive to teach a song to children, there\u2019s actually a great deal to consider. The different ways to teach a song are related to children\u2019s different learning styles, such as <em>aural<\/em> and <em>visual<\/em> learning, and the child\u2019s appropriate cognitive development; e.g., age and grade development. The first method is to teach a song by rote, a technique also known as aural learning, or \u201cby ear.\u201d Rote usually requires a great deal of repetition. The second method is a hybrid known as rote-note, where the song is taught mostly by ear, but also involves the addition of some type of visual element, such as showing some notation. The third method is known as note, which is teaching the song using written in notation (e.g. sheet music). These three styles of teaching not only relate to aural and visual learners, but also correlate to the basic cognitive development theories of Jerome Bruner\u2019s <em>modes of representation<\/em> and Jean Piaget\u2019s <em>four stages of cognitive development<\/em>.<\/p>\n<h1 class=\"table-title\">Song teaching styles<\/h1>\n<table id=\"table002-3\" class=\"Table-1 _idGenTablePara-1\">\n<colgroup>\n<col \/>\n<col \/>\n<col \/>\n<col \/>\n<col \/><\/colgroup>\n<tbody>\n<tr class=\"Table-1\">\n<td class=\"Table-1 Blue-heading\">\n<h2 class=\"table-heading\">Song Teaching Style<\/h2>\n<\/td>\n<td class=\"Table-1 Blue-heading\">\n<h2 class=\"table-heading\">Primary Learning Style<\/h2>\n<\/td>\n<td class=\"Table-1 Blue-heading\">\n<h2 class=\"table-heading\">Developmental Level<\/h2>\n<\/td>\n<td class=\"Table-1 Blue-heading\">\n<h2 class=\"table-heading\">Bruner<\/h2>\n<\/td>\n<td class=\"Table-1 Blue-heading\">\n<h2 class=\"table-heading\">Piaget<\/h2>\n<\/td>\n<\/tr>\n<tr class=\"Table-1 _idGenTableRowColumn-1\">\n<td class=\"Table-1 Basic-cell\">\n<p class=\"table-large\">Rote\/Aural Teaching<\/p>\n<p class=\"table-text\">(Sing by ear, no notation)<\/p>\n<\/td>\n<td class=\"Table-1 Basic-cell\">\n<p class=\"table-large\">Aural<\/p>\n<\/td>\n<td class=\"Table-1 Basic-cell\">\n<p class=\"table-text\">Any age, but appropriate for early childhood<\/p>\n<\/td>\n<td class=\"Table-1 Basic-cell\">\n<p class=\"table-large\">Enactive<\/p>\n<p class=\"table-text\">(action-based)<\/p>\n<\/td>\n<td class=\"Table-1 Basic-cell\">\n<p class=\"table-large\">Sensorimotor<\/p>\n<p class=\"table-text\">(learning through senses)<\/p>\n<\/td>\n<\/tr>\n<tr class=\"Table-1\">\n<td class=\"Table-1 Basic-cell\">\n<p class=\"table-large\">Rote-Note Teaching<\/p>\n<p class=\"table-text\">(Mostly aural, partial notation)<\/p>\n<\/td>\n<td class=\"Table-1 Basic-cell\">\n<p class=\"table-large\">Aural-Visual<\/p>\n<\/td>\n<td class=\"Table-1 Basic-cell\">\n<p class=\"table-text\">Appropriate for lower elementary students (K\u20132)<\/p>\n<\/td>\n<td class=\"Table-1 Basic-cell\">\n<p class=\"table-large\">Iconic<\/p>\n<p class=\"table-text\">(image-based)<\/p>\n<\/td>\n<td class=\"Table-1 Basic-cell\">\n<p class=\"table-large\">Pre-Operational<\/p>\n<\/td>\n<\/tr>\n<tr class=\"Table-1 _idGenTableRowColumn-1\">\n<td class=\"Table-1 Basic-cell\">\n<p class=\"table-text\">Note Teaching<\/p>\n<p class=\"table-text\">(Teaching a song through written notation)<\/p>\n<\/td>\n<td class=\"Table-1 Basic-cell\">\n<p class=\"table-large\">Visual<\/p>\n<\/td>\n<td class=\"Table-1 Basic-cell\">\n<p class=\"table-text\">Appropriate for upper elementary (3\u20136)<\/p>\n<\/td>\n<td class=\"Table-1 Basic-cell\">\n<p class=\"table-large\">Symbolic<\/p>\n<p class=\"table-text\">(language-based)<\/p>\n<\/td>\n<td class=\"Table-1 Basic-cell\">\n<p class=\"table-large\">Concrete Operational<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p class=\"def\"><strong><span class=\"vocab\">Rote\/aural teaching<\/span><\/strong> is <span class=\"vocab\">enactive<\/span> (action-based) and can be used at any age through adulthood, but is particularly appropriate for preschool through early childhood (into the lower elementary grades). Motor skills can be added to a song to increase the learning dimensions.<\/p>\n<p class=\"def\"><strong><span class=\"vocab\">Rote-note teaching<\/span> <\/strong>is partially <span class=\"vocab\">iconic<\/span> (image-based) and appropriate for lower elementary students (K\u20132) just learning to read as it involves some type of iconic or image-based representation of music, such as using abstract notation or modified rhythmic or pitch notation.<\/p>\n<p class=\"def\"><strong><span class=\"vocab\">Note teaching<\/span> <\/strong>is <strong><span class=\"vocab\">symbolic<\/span> <\/strong>(language-based) and more appropriate for upper elementary grades.<\/p>\n<h5>Teaching the whole song vs. phrase-by-phrase<\/h5>\n<p>The next decision is whether to teach the song as a whole or by one phrase or line at a time. This consideration will happen regardless of which teaching style\u2014rote, rote-note, or note\u2014is used. Note that the term <span class=\"vocab\">phrase<\/span> refers to the music, while <span class=\"vocab\">line<\/span> refers to the lyrics or poem.<\/p>\n<p class=\"def\"><span class=\"vocab\"><strong>Whole song<\/strong>:<\/span> Teaching a whole song is exactly what it sounds like\u2026singing the whole song at once and having the students echo the whole song right back. This is good for very short, simple songs; songs that have a lot of repetition either in the words or music; or call and response songs with few variables. The benefit of this is, according to Edwin Gordon\u2019s approach, to have the child experience the whole piece first, and then learn what the song comprises in detail.<\/p>\n<p class=\"def\"><strong><span class=\"vocab\">Phrase-by-phrase<\/span> <\/strong>teaching is best when the song is longer or has a lot of lyrics or complex melodies. This is the most common method for teaching more complicated or lengthy songs. In this technique, each phrase is sung by the teacher and then immediately echoed back by the students.<\/p>\n<p>For example, consider the song \u201cA Tisket, a Tasket\u201d:<\/p>\n<h1 class=\"song-title\">A Tisket, A Tasket<\/h1>\n<p class=\"song-notes\">American children\u2019s game song, late 19th century<\/p>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer283\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173713\/05_07_tisketTasket.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer284\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173715\/05_07_tisketTasket1.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer285\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173717\/05_07_tisketTasket2.png\" alt=\"\" \/><\/div>\n<\/div>\n<h5>Phrase by phrase or line by line:<\/h5>\n<p class=\"demo\">Teacher: A tisket, a tasket<\/p>\n<p class=\"demo\">Students: A tisket, a tasket<\/p>\n<p class=\"demo\">Teacher: A green and yellow basket<\/p>\n<p class=\"demo\">Students: A green and yellow basket<\/p>\n<p class=\"demo\">Teacher: I wrote a letter to my love<\/p>\n<p class=\"demo\">Students: I wrote a letter to my love<\/p>\n<p class=\"demo\">Teacher: And on the way I dropped it<\/p>\n<p class=\"demo\">Students: And on the way I dropped it<\/p>\n<p>If there is more than one <span class=\"vocab\">verse<\/span> to a song, after teaching one verse, make sure to repeat the first verse several times with the students before moving on to the next verse.<\/p>\n<div class=\"_idGenObjectLayout-2\">\n<div class=\"Blurb\">\n<ul>\n<li>\n<div class=\"textbox exercises\">\n<h3>Activity 5b<\/h3>\n<p class=\"activity-content\">You are teaching a group of kindergarteners. Which songs would you be more likely to teach 1) as a whole song; 2) phrase by phrase?<\/p>\n<\/div>\n<\/li>\n<li>\u201cRain, Rain, Go Away\u201d<\/li>\n<li>\u201cOh, Susanna\u201d<\/li>\n<li>\u201cA Tisket, a Tasket\u201d<\/li>\n<li>\u201cMichael Row the Boat Ashore\u201d<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<h1 class=\"song-title\">Rain, Rain Go Away<\/h1>\n<p class=\"song-notes\">Traditional children\u2019s song, 17th century<\/p>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer287\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173719\/05_08_rainRain.png\" alt=\"\" \/><\/div>\n<\/div>\n<h1 class=\"song-title\">Oh! Susanna<\/h1>\n<p class=\"song-notes\">American minstrel song, Stephen Foster, 1848<\/p>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer288\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173721\/05_09_susanna.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer289\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173723\/05_09_susanna1.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer290\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173725\/05_09_susanna2.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer291\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173728\/05_09_susanna3.png\" alt=\"\" \/><\/div>\n<\/div>\n<h1 class=\"song-title\">Michael Row the Boat Ashore<\/h1>\n<p class=\"song-notes\">African American spiritual, South Carolina Sea Islands, 1860s<\/p>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer292\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173730\/05_10_michael.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer293\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173733\/05_10_michael1.png\" alt=\"\" \/><\/div>\n<\/div>\n<h2>Song Analysis<\/h2>\n<p>Of course singing a song is fun, but it can also be highly educational. In preparation for integration, and for using music with other art and subject areas, train yourself to explore the full potential of each song.<\/p>\n<p>Having students identify or \u201canalyze\u201d what is going on in the song is educationally sound and cognitively effective. They are listening, analyzing, visualizing, sequencing, and applying concentrated brainwork to understand what they are singing.<\/p>\n<h4>Music vs. lyrics<\/h4>\n<p>When most people think about \u201csong\u201d they tend to think of the lyrics <em>plus<\/em> the music together, and often don\u2019t realize that the music is a separate entity with its own cohesiveness and structure. Getting students to understand the musical differences between phrases is actually less challenging than you might imagine. For example, if I asked you which lines of \u201cA Tisket, A Tasket\u201d are the same, you would say none if you thought of only the lyrics. But what if I asked you which musical phrases are the same? If you have trouble, remove the lyrics and hum the melody. Now how many are the same? Three of them\u2014the first, second, and fourth. For example, the melody for \u201cA Tisket, A Tasket\u201d looks like this, with lines 1, 2, and 4 being basically the same. Line 3 is different.<\/p>\n<ol>\n<li>A tisket, a tasket\n<div id=\"_idContainer294\" class=\"picture\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173735\/05_11_tisketSegments.png\" alt=\"\" \/><\/div>\n<\/li>\n<li>A green and yellow basket\n<div id=\"_idContainer295\" class=\"picture\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173737\/05_11_tisketSegments1.png\" alt=\"\" \/><\/div>\n<\/li>\n<li>I wrote a letter to my love\n<div id=\"_idContainer296\" class=\"picture\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173739\/05_11_tisketSegments2.png\" alt=\"\" \/><\/div>\n<\/li>\n<li>And on the way I dropped it\n<div id=\"_idContainer297\" class=\"picture\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173741\/05_11_tisketSegments3.png\" alt=\"\" \/><\/div>\n<\/li>\n<\/ol>\n<p>Having students hum the melody rather than singing words helps them hear the melody separately from the lyrics. Holding up fingers as they sing each phrase marks where they are in the song. Better still, have them sing the solfege for the different lines instead of the words or humming. In terms of analysis, solfege instantly informs the listener or singer which lines of music are the same and helps them compare and contrast each line rather quickly!<\/p>\n<h2>Steps for Introducing a New Song<\/h2>\n<p>While many children\u2019s songs are relatively easy to sing, most will need to be broken down into smaller parts (phrases) to learn easily. Breaking a song into \u201cchunks\u201d helps exercise children\u2019s cognitive and analytical abilities to understand, compare, and contrast the different parts or phrases of a song. Below are some important strategies for teaching a song either for the first time, or even to review a song or help children analyze an old and familiar song.<\/p>\n<ol>\n<li>Provide an opportunity for students to hear the song first, preferably by you singing it.<\/li>\n<li>Always ask students to listen FOR something. Before teaching it, ask students to listen carefully to something in the song\u2019s phrasing, repetition, rhythm, melody, timbre, lyrics, dynamics, rests, mood or affect, etc.<\/li>\n<li>Using a piano\/keyboard, pitch pipe, or some other melodic instrument, find the correct starting pitch for the range of students in your class.<\/li>\n<li>Teach the song by rote using <span class=\"vocab\">song phrase<\/span>, <span class=\"vocab\">whole song<\/span>, <span class=\"vocab\">note-rote<\/span>, or <span class=\"vocab\">note<\/span> technique (use note technique in fourth or fifth grades).<\/li>\n<li>Develop a style for indicating that it is your turn to sing or their turn to sing.<\/li>\n<li>In phrase-by-phrase technique, teach each phrase (or line) of the song separately. Usually phrases vary from four to eight beats in length. For example, see \u201cRain, Rain Go Away,\u201d \u201cA Tisket, a Tasket,\u201d and \u201cOh, Susanna\u201d above.<\/li>\n<li>Try not to sing too loudly while the class is repeating each phrase; strive for singing independence among students.<\/li>\n<li>Ask the class to repeat the song while you mouth the words (do not sing).<\/li>\n<li>Finally, let the class sing with no support from you.<\/li>\n<li>Variation: Sing each phrase one at a time. Rather than having student echo you, have them sing the phrase silently, and point to them when it is their turn to sing aloud.<\/li>\n<\/ol>\n<h2>Teaching a Song: The 4 Ps<\/h2>\n<p>Imagine that you are at the beginning of a track race. You are at the starting gate, and are anxiously waiting for the signal to begin running. You hear a count, then a starting shot, and you\u2019re off. Now imagine you are at a race in which no count or starting signal is given, but a chosen leader just decides to start running and you are expected to jump in and catch up. In some ways, beginning a song is similar. Many adults begin a song with no preparation and expect children to just jump in, requiring children to figure out the tempo, the starting pitch, and the lyrics all at the same time, and on their own.<\/p>\n<p>It takes just a few seconds to prepare students before they begin a song. Counting them in gives them the tempo, and singing the counts on the opening pitch gives them the starting note. Below are a few hints for starting a song that will help students be successful right from the first note!<\/p>\n<ul>\n<li>Pulse<\/li>\n<li>Pitch<\/li>\n<li>Prepare<\/li>\n<li>Point<\/li>\n<\/ul>\n<h3>Pulse<\/h3>\n<p>The pulse indicates the tempo at which you would like to sing the song, as well as the song\u2019s meter.<\/p>\n<ul>\n<li>First, check the song\u2019s meter to see whether it is in 2\/4, 4\/4,3\/4, or 6\/8 (see above for how to find which meter you are in).<\/li>\n<li>Then internally feel the pulse or <span class=\"vocab\">beat<\/span> of the song. Maybe tap your toe or hit your thigh as you sing the song in your head to find the appropriate tempo.<\/li>\n<\/ul>\n<h3>Pitch<\/h3>\n<p>Find the starting <strong><span class=\"vocab\">pitch<\/span><\/strong> for the song on any pitched instrument (i.e., piano, xylophone, recorder, or pitch pipe). Keep in mind the child\u2019s vocal range and the range\/tessitura of the song.<\/p>\n<h3>Prepare<\/h3>\n<p>When bringing in the children to sing, you need to be aware of whether or not the song begins on a <strong><span class=\"vocab\">downbeat<\/span><\/strong> or <strong><span class=\"vocab\">upbeat<\/span><\/strong> (aka <span class=\"vocab\">pickup<\/span>). Many songs begin directly on the downbeat such as \u201cJingle Bells\u201d or \u201cHere We Go Round the Mulberry Bush,\u201d while others such as \u201cOh, Susanna!\u201d or \u201cThe People on the Bus Go Up and Down\u201d begin with an upbeat or pickup (see below).<\/p>\n<ul>\n<li>How do you find out if your song begins on an upbeat or downbeat? Clap or tap to the beat of a song for a few measures, tapping louder on the downbeat and lighter on the other beats in the measure, then begin singing. If you start singing while your hand is hitting the downbeat (first and strongest beat of the measure), the song starts on a downbeat. If your hand is in the air when you start singing, or the song\u2019s entrance falls on the weaker beats, that\u2019s an upbeat.<\/li>\n<li>Many pickups begin on a lower note than the rest of the song. For example, \u201cThe People on the Bus\u201d starts on a pickup or upbeat note that is a 4th lower from the key of the song.<\/li>\n<\/ul>\n<h1 class=\"song-title\">The People on the Bus<\/h1>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer298\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173744\/05_12_people.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer299\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173746\/05_12_people1.png\" alt=\"\" \/><\/div>\n<\/div>\n<p>Now you have to take all of the above information and somehow transmit it to the children before you sing. Develop a preparatory phrase that you feel comfortable with which gives children the pulse and pitch of a song. The following preparations work very well for songs in duple meter if you sing them on the starting pitch that you want the children to come in on.<\/p>\n<p>For duple meter (2\/4 or 4\/4) songs:<\/p>\n<table id=\"table003-3\" class=\"Basic-Table _idGenTablePara-1\">\n<colgroup>\n<col \/><\/colgroup>\n<tbody>\n<tr class=\"Basic-Table\">\n<td class=\"Basic-Table\">\n<p class=\"table-text\">| | | |<\/p>\n<p class=\"table-text\">1-2-3 sing<\/p>\n<\/td>\n<\/tr>\n<tr class=\"Basic-Table\">\n<td class=\"Basic-Table\">\n<p class=\"table-text\">| | | | |<\/p>\n<p class=\"table-text\">1-2 here we go<\/p>\n<\/td>\n<\/tr>\n<tr class=\"Basic-Table\">\n<td class=\"Basic-Table\">\n<p class=\"table-text\">| | | | |<\/p>\n<p class=\"table-text\">Ready and sing now<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>For triple meter (3\/4 or 6\/8) songs:<\/p>\n<table id=\"table004-1\" class=\"Basic-Table _idGenTablePara-1\">\n<colgroup>\n<col \/><\/colgroup>\n<tbody>\n<tr class=\"Basic-Table\">\n<td class=\"Basic-Table\">\n<p class=\"table-text\">| | | | | |<\/p>\n<p class=\"table-text\">1-2-3 | 1-2-sing<\/p>\n<\/td>\n<\/tr>\n<tr class=\"Basic-Table\">\n<td class=\"Basic-Table\">\n<p class=\"table-text\">| | | | | |<\/p>\n<p class=\"table-text\">Here we go | read-y now<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>Point<\/h3>\n<p>Add a pointing motion to start them off, such as an arm or hand gesture that lets them know it is their turn to sing. Use this same gesture when echoing during the phrase-by-phrase method to help students enter at the right time.<\/p>\n<p>Below are some examples of preparations to sing a few well-known songs.<\/p>\n<h1 class=\"song-title\">Mary Had a Little Lamb<\/h1>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer300\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173749\/05_13_mary.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer301\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173752\/05_13_mary1.png\" alt=\"\" \/><\/div>\n<\/div>\n<h1 class=\"song-title\">Home on the Range<\/h1>\n<p class=\"song-notes\">Daniel E. Kelley<\/p>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer302\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173755\/05_14_home.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer303\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173757\/05_14_home1.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer304\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173800\/05_14_home2.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer305\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173802\/05_14_home3.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer306\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173805\/05_14_home4.png\" alt=\"\" \/><\/div>\n<\/div>\n<h1 class=\"song-title\">If You\u2019re Happy and You Know It<\/h1>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer307\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173808\/05_15_happy.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer308\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173810\/05_15_happy1.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer309\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173812\/05_15_happy2.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer310\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173813\/05_15_happy3.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-2\">\n<div class=\"Blurb\">\n<div class=\"textbox exercises\">\n<h3>Activity 5c: try this<\/h3>\n<p class=\"activity-content\">How would you prepare students to begin singing the following songs? What is your starting pitch? Meter? Tempo? Is there a pick-up\/upbeat?<\/p>\n<ul>\n<li>\u201cFr\u00e8re Jacques\u201d<\/li>\n<li>\u201cA Tisket, A Tasket\u201d (see above)<\/li>\n<li>\u201cHush Little Baby Don\u2019t Say a Word\u201d<\/li>\n<li>\u201cThree Blind Mice\u201d<\/li>\n<\/ul>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<h1 class=\"song-title\">Fr\u00e8re Jacques<\/h1>\n<p class=\"song-notes\">French folk round, 18th century<\/p>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer312\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173816\/05_16_frere_jacques.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer313\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173818\/05_16_frere_jacques1.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer314\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173820\/05_16_frere_jacques2.png\" alt=\"\" \/><\/div>\n<\/div>\n<h1 class=\"song-title\">Hush Little Baby, Don\u2019t Say a Word<\/h1>\n<p class=\"song-notes\">American lullaby song<\/p>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer315\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173823\/05_17_hush.png\" alt=\"\" \/><\/div>\n<\/div>\n<h1 class=\"song-title\">Three Blind Mice<\/h1>\n<p class=\"song-notes\">English children\u2019s song attributed toThomas Ravenscroft, 1609<\/p>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer316\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173825\/05_18_mice.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer317\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173827\/05_18_mice1.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer318\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173829\/05_18_mice2.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"_idGenObjectLayout-1\">\n<div id=\"_idContainer319\" class=\"music-bar\"><img decoding=\"async\" class=\"_idGenObjectAttribute-1\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1762\/2017\/06\/20173831\/05_18_mice3.png\" alt=\"\" \/><\/div>\n<\/div>\n<div class=\"textbox examples\">\n<h3>Resources<\/h3>\n<p>Folk songs for children<\/p>\n<ul>\n<li><a href=\"http:\/\/musiced.about.com\/od\/lessonsandtips\/tp\/folksongs.htm\">http:\/\/musiced.about.com\/od\/lessonsandtips\/tp\/folksongs.htm<\/a><\/li>\n<\/ul>\n<p>Proper Vocal Ranges for Children (Kathie Hill Music)<\/p>\n<ul>\n<li><a href=\"http:\/\/www.youtube.com\/watch?v=pyXaQURviAs\">http:\/\/www.youtube.com\/watch?v=pyXaQURviAs<\/a><\/li>\n<\/ul>\n<\/div>\n<p>&nbsp;<\/p>\n<h1>Vocabulary<\/h1>\n<p class=\"vocab\"><span class=\"vocab\">aural learning<\/span>: learning music \u201cby ear\u201d\u2014learning by hearing only (no use of written notation)<\/p>\n<p class=\"vocab\"><span class=\"vocab\">beat<\/span>: a pulse in a piece of music; the basic unit of time in music<\/p>\n<p class=\"vocab\"><span class=\"vocab\">binary form:<\/span> a song in with two discernible sections; also referred to as verse-refrain or verse-chorus and designated as AB.<\/p>\n<p class=\"vocab\"><span class=\"vocab\">chest voice<\/span>: singing when the sound feels like it is emanating from the chest or throat<\/p>\n<p class=\"vocab\"><span class=\"vocab\">downbeat<\/span>: the first beat in the measure; beat in a measure that is most accented<\/p>\n<p class=\"vocab\"><span class=\"vocab\">duple<\/span>: two or four beats per measure<\/p>\n<p class=\"vocab\"><span class=\"vocab\">head voice<\/span>: placing the sound higher up in the \u201cvocal mask\u201d or the face, as if singing through the eyes<\/p>\n<p class=\"vocab\"><span class=\"vocab\">line<\/span>: reference to a line of the lyrics or poem when learning music; usually corresponds to a musical phrase<\/p>\n<p class=\"vocab\"><span class=\"vocab\">note<\/span>: learning music by reading the notes; reading the music or score in order to play or learn<\/p>\n<p class=\"vocab\"><span class=\"vocab\">note-rote<\/span>: song is taught mostly by ear or repetition, but also shows some iconic notation (written notation)<\/p>\n<p class=\"vocab\"><span class=\"vocab\">phrase-by-phrase<\/span>: teaching a song one line at a time; breaking down the song into individual phrases<\/p>\n<p class=\"vocab\"><span class=\"vocab\">pickup<\/span>: a note or series of notes that preceded the first downbeat of the first measure; also called <em>anacrusis<\/em><\/p>\n<p class=\"vocab\"><span class=\"vocab\">pitch<\/span>: the frequency of the sound based upon its wavelength; the higher the pitch, the higher the frequency<\/p>\n<p class=\"vocab\"><span class=\"vocab\">pulse<\/span>: in learning music, the pulse indicates to the children the tempo at which you would like to sing the song as well as the song\u2019s meter; \u201cfeel the beat\u201d<\/p>\n<p class=\"vocab\"><span class=\"vocab\">range<\/span>: all of the notes in the song from lowest to highest<\/p>\n<p class=\"vocab\"><span class=\"vocab\">rote<\/span>: learning through repetition; learning without use of written music or a score<\/p>\n<p class=\"vocab\"><span class=\"vocab\">song phrase<\/span>: reference to a group of notes in learning music, usually equivalent to a sentence or the length of one line of poetry<\/p>\n<p class=\"vocab\"><span class=\"vocab\">tempo<\/span>: pace in which the notes of a song are sung or played<\/p>\n<p class=\"vocab\"><span class=\"vocab\">ternary form:<\/span> as song with 3-sections, where the first section returns at the end in exact form and the middle section is different or contrasting; designated as ABA.<\/p>\n<p class=\"vocab\"><span class=\"vocab\">tessitura<\/span>: the part of the register in which most of the tones of the melody or voice part lies<\/p>\n<p class=\"vocab\"><span class=\"vocab\">triple<\/span>: three or six beats per measure<\/p>\n<p class=\"vocab\"><span class=\"vocab\">unitary:<\/span> a song with only one section, and no refrain; can be labeled as A.<\/p>\n<p class=\"vocab\"><span class=\"vocab\">upbeat<\/span>: pickup beat (see above)<\/p>\n<p class=\"vocab\"><span class=\"vocab\">verse-refrain<\/span>: a verse corresponds to a poetic stanza of a song; usually distinguished from the chorus or refrain of a song, which has repeated lyrics (e.g., in \u201cOh, Susanna\u201d the verse begins with \u201coh I came from Alabama\u201d and the chorus or refrain begins with \u201cOh, Susanna, oh don\u2019t you cry for me\u2026\u201d)<\/p>\n<p class=\"vocab\"><span class=\"vocab\">whole song<\/span>: teach the whole song at once without breaking it into individual phrases; useful technique for very short songs<\/p>\n<\/div>\n\n\t\t\t <section class=\"citations-section\" role=\"contentinfo\">\n\t\t\t <h3>Candela Citations<\/h3>\n\t\t\t\t\t <div>\n\t\t\t\t\t\t <div id=\"citation-list-498\">\n\t\t\t\t\t\t\t <div class=\"licensing\"><div class=\"license-attribution-dropdown-subheading\">CC licensed content, Shared previously<\/div><ul class=\"citation-list\"><li>Music and the Child. <strong>Authored by<\/strong>: Natalie Sarrazin. <strong>Provided by<\/strong>: SUNY College at Brockport. <strong>Located at<\/strong>: <a target=\"_blank\" href=\"https:\/\/textbooks.opensuny.org\/music-and-the-child\/\">https:\/\/textbooks.opensuny.org\/music-and-the-child\/<\/a>. <strong>Project<\/strong>: Open SUNY Textbooks. <strong>License<\/strong>: <em><a target=\"_blank\" rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-nc-sa\/4.0\/\">CC BY-NC-SA: Attribution-NonCommercial-ShareAlike<\/a><\/em><\/li><\/ul><\/div>\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t <\/div>\n\t\t\t <\/section>","protected":false},"author":19,"menu_order":5,"template":"","meta":{"_candela_citation":"[{\"type\":\"cc\",\"description\":\"Music and the Child\",\"author\":\"Natalie Sarrazin\",\"organization\":\"SUNY College at Brockport\",\"url\":\"https:\/\/textbooks.opensuny.org\/music-and-the-child\/\",\"project\":\"Open SUNY Textbooks\",\"license\":\"cc-by-nc-sa\",\"license_terms\":\"\"}]","CANDELA_OUTCOMES_GUID":"","pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-498","chapter","type-chapter","status-publish","hentry"],"part":21,"_links":{"self":[{"href":"https:\/\/courses.lumenlearning.com\/suny-music-and-the-child\/wp-json\/pressbooks\/v2\/chapters\/498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.lumenlearning.com\/suny-music-and-the-child\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/courses.lumenlearning.com\/suny-music-and-the-child\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-music-and-the-child\/wp-json\/wp\/v2\/users\/19"}],"version-history":[{"count":3,"href":"https:\/\/courses.lumenlearning.com\/suny-music-and-the-child\/wp-json\/pressbooks\/v2\/chapters\/498\/revisions"}],"predecessor-version":[{"id":1970,"href":"https:\/\/courses.lumenlearning.com\/suny-music-and-the-child\/wp-json\/pressbooks\/v2\/chapters\/498\/revisions\/1970"}],"part":[{"href":"https:\/\/courses.lumenlearning.com\/suny-music-and-the-child\/wp-json\/pressbooks\/v2\/parts\/21"}],"metadata":[{"href":"https:\/\/courses.lumenlearning.com\/suny-music-and-the-child\/wp-json\/pressbooks\/v2\/chapters\/498\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/courses.lumenlearning.com\/suny-music-and-the-child\/wp-json\/wp\/v2\/media?parent=498"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-music-and-the-child\/wp-json\/pressbooks\/v2\/chapter-type?post=498"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-music-and-the-child\/wp-json\/wp\/v2\/contributor?post=498"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-music-and-the-child\/wp-json\/wp\/v2\/license?post=498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}