Verdi is considered one of the greatest operatic composers of the 19th century, and his works are widely performed today around the world. He also defies the cliche of the tragic life of the Romantic artist. While his life was not free from sorrow, he was widely appreciated and enormously successful throughout his long life.

Introduction

Giuseppe Fortunino Francesco Verdi (9 or 10 October 1813–27 January 1901) was an Italian Romantic composer primarily known for his operas.

He is considered, with Richard Wagner, the preeminent opera composer of the 19th century. Verdi dominated the Italian opera scene after the eras ofBellini, Donizetti and Rossini. His works are frequently performed in opera houses throughout the world and, transcending the boundaries of the genre, some of his themes have long since taken root in popular culture, examples being “La donna è mobile” from Rigoletto, “Libiamo ne’ lieti calici” (The Drinking Song) from La traviata, “Va, pensiero” (The Chorus of the Hebrew Slaves) from Nabucco, the “Coro di zingari” (Anvil Chorus) from Il trovatoreand the “Grand March” from Aida.

Moved by the death of compatriot Alessandro Manzoni, Verdi wrote Messa da Requiem in 1874 in Manzoni’s honour, a work now regarded as a masterpiece of the oratorio tradition and a testimony to his capacity outside the field of opera. Visionary and politically engaged, he remains—alongside Garibaldi and Cavour—an emblematic figure of the reunification process (the Risorgimento) of the Italian Peninsula.

Please read the introduction and all the subsections of the biographical portion of the article (section 1).