This large plaque is made of baked straw-tempered clay, modeled in high relief. The figure of the curvaceous naked woman was originally painted red. She wears the horned headdress characteristic of a Mesopotamian deity and holds a rod and ring of justice, symbols of her divinity. Her long multi-colored wings hang downwards, indicating that she is a goddess of the Underworld. Her legs end in the talons of a bird of prey, similar to those of the two owls that flank her. The background was originally painted black, suggesting that she was associated with the night. She stands on the backs of two lions, and a scale pattern indicates mountains.
The same goddess appears on small, crude, mould-made plaques from Babylonia from about 1850 to 1750 B.C.E. Thermoluminescence tests confirm that The “Queen of the Night” Relief was made between 1765 and 45 B.C.E.