{"id":1586,"date":"2017-07-02T16:45:33","date_gmt":"2017-07-02T16:45:33","guid":{"rendered":"https:\/\/courses.lumenlearning.com\/suny-ncc-zeliart\/?post_type=chapter&#038;p=1586"},"modified":"2018-07-03T01:59:59","modified_gmt":"2018-07-03T01:59:59","slug":"assyrian-art-an-introduction","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/suny-ncc-zeliart\/chapter\/assyrian-art-an-introduction\/","title":{"raw":"Assyrian Art: An Introduction","rendered":"Assyrian Art: An Introduction"},"content":{"raw":"<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<div class=\"paragraph\">\r\n<div class=\"perseus-widget-container widget-nohighlight widget-block\">\r\n<div class=\"perseus-image-widget\">\r\n<div class=\"fixed-to-responsive zoomable svg-image\">\r\n<div><\/div>\r\n<img src=\"https:\/\/ka-perseus-images.s3.amazonaws.com\/fb0c1fbe1f4652c2c2273522f46cd7bbed2f8684.jpg\" alt=\"\" \/>\r\n\r\n<\/div>\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<div class=\"paragraph\"><\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"perseus-image-caption\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<h4 class=\"paragraph\">Map of the Neo-Assyrian Empire and its expansions.<\/h4>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<h3>A Military Culture<\/h3>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<div class=\"paragraph\">The Assyrian empire dominated Mesopotamia and all of the Near East for the first half of the first millennium, led by a series of highly ambitious and aggressive warrior kings. Assyrian society was entirely military, with men obliged to fight in the army at any time. State offices were also under the purview of the military.<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<div class=\"paragraph\">\r\n<div class=\"perseus-widget-container widget-nohighlight widget-block\">\r\n<div class=\"perseus-image-widget\">\r\n<div class=\"fixed-to-responsive svg-image\">\r\n<div><\/div>\r\n<img src=\"https:\/\/ka-perseus-images.s3.amazonaws.com\/2a657a483fdcd78987cd5f245502628e22425c53.jpg\" \/>\r\n\r\n<\/div>\r\n<div class=\"perseus-image-caption\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<h4 class=\"paragraph\">Ashurbanipal\u00a0slitting the throat of a lion from his chariot (detail),\u00a0<em>Ashurbanipal Hunting Lions<\/em>, gypsum hall relief from the North Palace, Ninevah, c. 645-635 B.C.E., excavated by H. Rassam beginning in 1853 (British Museum)<\/h4>\r\n<div><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<div class=\"paragraph\">Indeed, the culture of the Assyrians was brutal, the army seldom marching on the battlefield but rather terrorizing opponents into submission who, once conquered, were tortured, raped, beheaded, and flayed with their corpses publicly displayed. The Assyrians torched enemies' houses, salted their fields, and cut down their orchards.<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<h3>Luxurious Palaces<\/h3>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<div class=\"paragraph\">As a result of these fierce and successful military campaigns, the Assyrians acquired massive resources from all over the Near East which made the Assyrian kings very rich. The palaces were on an entirely new scale of size and glamor; one contemporary text describes the inauguration of the palace of Kalhu, built by Assurnasirpal II (who reigned in the early 9th century), to which almost 70,000 people were invited to banquet.<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<div class=\"paragraph\">\r\n<div class=\"perseus-widget-container widget-nohighlight widget-block\">\r\n<div class=\"perseus-image-widget\">\r\n<div class=\"fixed-to-responsive zoomable svg-image\">\r\n<div><\/div>\r\n<img src=\"https:\/\/ka-perseus-images.s3.amazonaws.com\/2cd82b15ba72bd9fa151c0351b3d146cac8f2e56.jpg\" alt=\"\" \/>\r\n\r\n<\/div>\r\n<div class=\"perseus-renderer perseus-renderer-responsive\"><\/div>\r\n<div class=\"perseus-image-caption\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<h4 class=\"paragraph\">Lion pierced with arrows (detail), Lion Hunts of Ashurbanipal (ruled 669-630 B.C.E.), c. 645 B.C.E., gypsum,Neo-Assyrian, hall reliefs from Palace at Ninevah across the Tigris from present day Mosul, Iraq (British Museum)<\/h4>\r\n<div><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<div class=\"paragraph\">Some of this wealth was spent on the construction of several gigantic and luxurious palaces spread throughout the region.\u00a0The interior public reception rooms of Assyrian palaces were lined with large scale carved limestone reliefs which offer beautiful and terrifying images of the power and wealth of the Assyrian kings and some of the most beautiful and captivating images in all of ancient Near Eastern art.<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<div class=\"paragraph\">\r\n<div class=\"perseus-widget-container widget-nohighlight widget-block\">\r\n<div class=\"fixed-to-responsive\">\r\n<div><\/div>\r\n<iframe class=\"perseus-video-widget\" src=\"https:\/\/www.youtube.com\/embed\/5VCldg1TdHc?rel=0\" width=\"1280\" height=\"720\" sandbox=\"allow-same-origin allow-scripts\"><\/iframe>\r\n\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<h4 class=\"paragraph\"><em>This silent video (copyright 2015 by Learning Sites, Inc. and via\u00a0<a class=\"link_1uvuyao-o_O-humanities_1es8ous\" href=\"http:\/\/www.metmuseum.org\/metmedia\/video\/collections\/ancient-near-eastern-art\/northwest-palace-nimrud\">The Metropolitan Museum of Art<\/a>)\u00a0reconstructs the Northwest Palace of Ashurnasirpal II at Nimrud (near modern Mosul in northern Iraq) as it would have appeared during his reign in the ninth century B.C.E. The video moves from the outer courtyards of the palace into the throne room and beyond into more private spaces, perhaps used for rituals.<\/em><\/h4>\r\n<h4 class=\"paragraph\"><strong>According to news sources, this important archaeological site was destroyed with bulldozers in March 2015\u00a0by the militants who occupy large portions of Syria and Iraq.<\/strong><\/h4>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<h3>Feats of Bravery<\/h3>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<div class=\"paragraph\">\r\n<div class=\"perseus-widget-container widget-nohighlight widget-block\">\r\n<div class=\"perseus-image-widget\">\r\n<div class=\"fixed-to-responsive zoomable svg-image\">\r\n<div><\/div>\r\n<img src=\"https:\/\/ka-perseus-images.s3.amazonaws.com\/66387c09221ca81838d783f23c53d637b36d4e4f.jpg\" alt=\"\" \/>\r\n\r\n<\/div>\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<div class=\"paragraph\"><\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"perseus-image-caption\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<h4 class=\"paragraph\">Ashurbanipal taking aim at a lion (detail),\u00a0Lion Hunts of Ashurbanipal (ruled 669-630 B.C.E.), c. 645 B.C.E., gypsum,Neo-Assyrian, hall reliefs from Palace at Ninevah across the Tigris from present day Mosul, Iraq (British Museum)<\/h4>\r\n<div><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<div class=\"paragraph\">Like all Assyrian kings, Ashurbanipal decorated the public walls of his palace with images of himself performing great feats of bravery, strength and skill. \u00a0Among these he included a lion hunt in which we see him coolly taking aim at a lion in front of his charging chariot, while his assistants fend off another lion attacking at the rear.<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<h3>The Destruction of Susa<\/h3>\r\n<\/div>\r\n<div class=\"paragraph\">\r\n<div class=\"paragraph\">\r\n<div class=\"perseus-widget-container widget-nohighlight widget-block\">\r\n<div class=\"perseus-image-widget\">\r\n<div class=\"fixed-to-responsive svg-image\">\r\n<div><\/div>\r\n<img src=\"https:\/\/ka-perseus-images.s3.amazonaws.com\/a71bebca654ba9d433fd13ad24f5535b55ab3b3c.jpg\" \/>\r\n\r\n<\/div>\r\n<div><\/div>\r\n<div class=\"perseus-image-caption\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<h4 class=\"paragraph\"><em>Sacking of Susa by Ashurbanipal,<\/em>\u00a0North Palace, Nineveh, 647 B.C.E.<\/h4>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<div class=\"paragraph\">One of the accomplishments Ashurbanipal was most proud of was the total destruction of the city of Susa.<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<div class=\"paragraph\">In this relief, we see Ashurbanipal\u2019s troops destroying the walls of Susa with picks and hammers while fire rages within the walls of the city.<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<h3>Military Victories &amp; Exploits<\/h3>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<div class=\"paragraph\">\r\n<div class=\"perseus-widget-container widget-nohighlight widget-block\">\r\n<div class=\"perseus-image-widget\">\r\n<div class=\"fixed-to-responsive svg-image\">\r\n<div><\/div>\r\n<img src=\"https:\/\/ka-perseus-images.s3.amazonaws.com\/664a51b9a9c3d2095bc237007f0d58444c3e3396.jpg\" \/>\r\n\r\n<\/div>\r\n<div class=\"perseus-image-caption\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<h4 class=\"paragraph\">Wall relief from Nimrud, the sieging of a city, likely in Mesopotamia, c. 728 B.C.E. (British Museum)<\/h4>\r\n<div><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\nIn the Central Palace at Nimrud, the Neo-Assyrian king Tiglath-pileser III illustrates his military victories and exploits, including the siege of a city in great detail.\r\n\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<div class=\"paragraph\">In this scene we see one soldier holding a large screen to protect two archers who are taking aim. The topography includes three different trees and a roaring river, most likely setting the scene in and around the Tigris or Euphrates rivers.<\/div>\r\n<div><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"clearfix\">\r\n<div class=\"perseus-renderer perseus-renderer-responsive\">\r\n<div class=\"paragraph\">\r\n<div class=\"paragraph\">Essay by Dr. Senta German<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>","rendered":"<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<div class=\"paragraph\">\n<div class=\"perseus-widget-container widget-nohighlight widget-block\">\n<div class=\"perseus-image-widget\">\n<div class=\"fixed-to-responsive zoomable svg-image\">\n<div><\/div>\n<p><img decoding=\"async\" src=\"https:\/\/ka-perseus-images.s3.amazonaws.com\/fb0c1fbe1f4652c2c2273522f46cd7bbed2f8684.jpg\" alt=\"\" \/><\/p>\n<\/div>\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<div class=\"paragraph\"><\/div>\n<\/div>\n<\/div>\n<div class=\"perseus-image-caption\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<h4 class=\"paragraph\">Map of the Neo-Assyrian Empire and its expansions.<\/h4>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<h3>A Military Culture<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<div class=\"paragraph\">The Assyrian empire dominated Mesopotamia and all of the Near East for the first half of the first millennium, led by a series of highly ambitious and aggressive warrior kings. Assyrian society was entirely military, with men obliged to fight in the army at any time. State offices were also under the purview of the military.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<div class=\"paragraph\">\n<div class=\"perseus-widget-container widget-nohighlight widget-block\">\n<div class=\"perseus-image-widget\">\n<div class=\"fixed-to-responsive svg-image\">\n<div><\/div>\n<p><img decoding=\"async\" src=\"https:\/\/ka-perseus-images.s3.amazonaws.com\/2a657a483fdcd78987cd5f245502628e22425c53.jpg\" alt=\"image\" \/><\/p>\n<\/div>\n<div class=\"perseus-image-caption\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<h4 class=\"paragraph\">Ashurbanipal\u00a0slitting the throat of a lion from his chariot (detail),\u00a0<em>Ashurbanipal Hunting Lions<\/em>, gypsum hall relief from the North Palace, Ninevah, c. 645-635 B.C.E., excavated by H. Rassam beginning in 1853 (British Museum)<\/h4>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<div class=\"paragraph\">Indeed, the culture of the Assyrians was brutal, the army seldom marching on the battlefield but rather terrorizing opponents into submission who, once conquered, were tortured, raped, beheaded, and flayed with their corpses publicly displayed. The Assyrians torched enemies&#8217; houses, salted their fields, and cut down their orchards.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<h3>Luxurious Palaces<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<div class=\"paragraph\">As a result of these fierce and successful military campaigns, the Assyrians acquired massive resources from all over the Near East which made the Assyrian kings very rich. The palaces were on an entirely new scale of size and glamor; one contemporary text describes the inauguration of the palace of Kalhu, built by Assurnasirpal II (who reigned in the early 9th century), to which almost 70,000 people were invited to banquet.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<div class=\"paragraph\">\n<div class=\"perseus-widget-container widget-nohighlight widget-block\">\n<div class=\"perseus-image-widget\">\n<div class=\"fixed-to-responsive zoomable svg-image\">\n<div><\/div>\n<p><img decoding=\"async\" src=\"https:\/\/ka-perseus-images.s3.amazonaws.com\/2cd82b15ba72bd9fa151c0351b3d146cac8f2e56.jpg\" alt=\"\" \/><\/p>\n<\/div>\n<div class=\"perseus-renderer perseus-renderer-responsive\"><\/div>\n<div class=\"perseus-image-caption\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<h4 class=\"paragraph\">Lion pierced with arrows (detail), Lion Hunts of Ashurbanipal (ruled 669-630 B.C.E.), c. 645 B.C.E., gypsum,Neo-Assyrian, hall reliefs from Palace at Ninevah across the Tigris from present day Mosul, Iraq (British Museum)<\/h4>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<div class=\"paragraph\">Some of this wealth was spent on the construction of several gigantic and luxurious palaces spread throughout the region.\u00a0The interior public reception rooms of Assyrian palaces were lined with large scale carved limestone reliefs which offer beautiful and terrifying images of the power and wealth of the Assyrian kings and some of the most beautiful and captivating images in all of ancient Near Eastern art.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<div class=\"paragraph\">\n<div class=\"perseus-widget-container widget-nohighlight widget-block\">\n<div class=\"fixed-to-responsive\">\n<div><\/div>\n<p><iframe loading=\"lazy\" class=\"perseus-video-widget\" src=\"https:\/\/www.youtube.com\/embed\/5VCldg1TdHc?rel=0\" width=\"1280\" height=\"720\" sandbox=\"allow-same-origin allow-scripts\"><\/iframe><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<h4 class=\"paragraph\"><em>This silent video (copyright 2015 by Learning Sites, Inc. and via\u00a0<a class=\"link_1uvuyao-o_O-humanities_1es8ous\" href=\"http:\/\/www.metmuseum.org\/metmedia\/video\/collections\/ancient-near-eastern-art\/northwest-palace-nimrud\">The Metropolitan Museum of Art<\/a>)\u00a0reconstructs the Northwest Palace of Ashurnasirpal II at Nimrud (near modern Mosul in northern Iraq) as it would have appeared during his reign in the ninth century B.C.E. The video moves from the outer courtyards of the palace into the throne room and beyond into more private spaces, perhaps used for rituals.<\/em><\/h4>\n<h4 class=\"paragraph\"><strong>According to news sources, this important archaeological site was destroyed with bulldozers in March 2015\u00a0by the militants who occupy large portions of Syria and Iraq.<\/strong><\/h4>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<h3>Feats of Bravery<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<div class=\"paragraph\">\n<div class=\"perseus-widget-container widget-nohighlight widget-block\">\n<div class=\"perseus-image-widget\">\n<div class=\"fixed-to-responsive zoomable svg-image\">\n<div><\/div>\n<p><img decoding=\"async\" src=\"https:\/\/ka-perseus-images.s3.amazonaws.com\/66387c09221ca81838d783f23c53d637b36d4e4f.jpg\" alt=\"\" \/><\/p>\n<\/div>\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<div class=\"paragraph\"><\/div>\n<\/div>\n<\/div>\n<div class=\"perseus-image-caption\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<h4 class=\"paragraph\">Ashurbanipal taking aim at a lion (detail),\u00a0Lion Hunts of Ashurbanipal (ruled 669-630 B.C.E.), c. 645 B.C.E., gypsum,Neo-Assyrian, hall reliefs from Palace at Ninevah across the Tigris from present day Mosul, Iraq (British Museum)<\/h4>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<div class=\"paragraph\">Like all Assyrian kings, Ashurbanipal decorated the public walls of his palace with images of himself performing great feats of bravery, strength and skill. \u00a0Among these he included a lion hunt in which we see him coolly taking aim at a lion in front of his charging chariot, while his assistants fend off another lion attacking at the rear.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<h3>The Destruction of Susa<\/h3>\n<\/div>\n<div class=\"paragraph\">\n<div class=\"paragraph\">\n<div class=\"perseus-widget-container widget-nohighlight widget-block\">\n<div class=\"perseus-image-widget\">\n<div class=\"fixed-to-responsive svg-image\">\n<div><\/div>\n<p><img decoding=\"async\" src=\"https:\/\/ka-perseus-images.s3.amazonaws.com\/a71bebca654ba9d433fd13ad24f5535b55ab3b3c.jpg\" alt=\"image\" \/><\/p>\n<\/div>\n<div><\/div>\n<div class=\"perseus-image-caption\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<h4 class=\"paragraph\"><em>Sacking of Susa by Ashurbanipal,<\/em>\u00a0North Palace, Nineveh, 647 B.C.E.<\/h4>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<div class=\"paragraph\">One of the accomplishments Ashurbanipal was most proud of was the total destruction of the city of Susa.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<div class=\"paragraph\">In this relief, we see Ashurbanipal\u2019s troops destroying the walls of Susa with picks and hammers while fire rages within the walls of the city.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<h3>Military Victories &amp; Exploits<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<div class=\"paragraph\">\n<div class=\"perseus-widget-container widget-nohighlight widget-block\">\n<div class=\"perseus-image-widget\">\n<div class=\"fixed-to-responsive svg-image\">\n<div><\/div>\n<p><img decoding=\"async\" src=\"https:\/\/ka-perseus-images.s3.amazonaws.com\/664a51b9a9c3d2095bc237007f0d58444c3e3396.jpg\" alt=\"image\" \/><\/p>\n<\/div>\n<div class=\"perseus-image-caption\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<h4 class=\"paragraph\">Wall relief from Nimrud, the sieging of a city, likely in Mesopotamia, c. 728 B.C.E. (British Museum)<\/h4>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>In the Central Palace at Nimrud, the Neo-Assyrian king Tiglath-pileser III illustrates his military victories and exploits, including the siege of a city in great detail.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<div class=\"paragraph\">In this scene we see one soldier holding a large screen to protect two archers who are taking aim. The topography includes three different trees and a roaring river, most likely setting the scene in and around the Tigris or Euphrates rivers.<\/div>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"perseus-renderer perseus-renderer-responsive\">\n<div class=\"paragraph\">\n<div class=\"paragraph\">Essay by Dr. Senta German<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\t\t\t <section class=\"citations-section\" role=\"contentinfo\">\n\t\t\t <h3>Candela Citations<\/h3>\n\t\t\t\t\t <div>\n\t\t\t\t\t\t <div id=\"citation-list-1586\">\n\t\t\t\t\t\t\t <div class=\"licensing\"><div class=\"license-attribution-dropdown-subheading\">CC licensed content, Shared previously<\/div><ul class=\"citation-list\"><li>Assyrian Art: An Introduction. <strong>Authored by<\/strong>: Dr. Senta German. <strong>Provided by<\/strong>: Khan Academy. <strong>Located at<\/strong>: <a target=\"_blank\" href=\"https:\/\/www.khanacademy.org\/humanities\/ancient-art-civilizations\/ancient-near-east1\/assyrian\/a\/assyrian-art-an-introduction\">https:\/\/www.khanacademy.org\/humanities\/ancient-art-civilizations\/ancient-near-east1\/assyrian\/a\/assyrian-art-an-introduction<\/a>. <strong>License<\/strong>: <em><a target=\"_blank\" rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-nc-sa\/4.0\/\">CC BY-NC-SA: Attribution-NonCommercial-ShareAlike<\/a><\/em><\/li><\/ul><\/div>\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t <\/div>\n\t\t\t <\/section>","protected":false},"author":23693,"menu_order":35,"template":"","meta":{"_candela_citation":"[{\"type\":\"cc\",\"description\":\"Assyrian Art: An Introduction\",\"author\":\"Dr. Senta German\",\"organization\":\"Khan Academy\",\"url\":\"https:\/\/www.khanacademy.org\/humanities\/ancient-art-civilizations\/ancient-near-east1\/assyrian\/a\/assyrian-art-an-introduction\",\"project\":\"\",\"license\":\"cc-by-nc-sa\",\"license_terms\":\"\"}]","CANDELA_OUTCOMES_GUID":"","pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-1586","chapter","type-chapter","status-publish","hentry"],"part":60,"_links":{"self":[{"href":"https:\/\/courses.lumenlearning.com\/suny-ncc-zeliart\/wp-json\/pressbooks\/v2\/chapters\/1586","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.lumenlearning.com\/suny-ncc-zeliart\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/courses.lumenlearning.com\/suny-ncc-zeliart\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-ncc-zeliart\/wp-json\/wp\/v2\/users\/23693"}],"version-history":[{"count":3,"href":"https:\/\/courses.lumenlearning.com\/suny-ncc-zeliart\/wp-json\/pressbooks\/v2\/chapters\/1586\/revisions"}],"predecessor-version":[{"id":3071,"href":"https:\/\/courses.lumenlearning.com\/suny-ncc-zeliart\/wp-json\/pressbooks\/v2\/chapters\/1586\/revisions\/3071"}],"part":[{"href":"https:\/\/courses.lumenlearning.com\/suny-ncc-zeliart\/wp-json\/pressbooks\/v2\/parts\/60"}],"metadata":[{"href":"https:\/\/courses.lumenlearning.com\/suny-ncc-zeliart\/wp-json\/pressbooks\/v2\/chapters\/1586\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/courses.lumenlearning.com\/suny-ncc-zeliart\/wp-json\/wp\/v2\/media?parent=1586"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-ncc-zeliart\/wp-json\/pressbooks\/v2\/chapter-type?post=1586"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-ncc-zeliart\/wp-json\/wp\/v2\/contributor?post=1586"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-ncc-zeliart\/wp-json\/wp\/v2\/license?post=1586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}