{"id":1873,"date":"2017-07-19T20:44:05","date_gmt":"2017-07-19T20:44:05","guid":{"rendered":"https:\/\/courses.lumenlearning.com\/suny-ncc-zeliart\/?post_type=chapter&p=1873"},"modified":"2018-08-22T20:15:40","modified_gmt":"2018-08-22T20:15:40","slug":"republican-maison-carree","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/suny-ncc-zeliart\/chapter\/republican-maison-carree\/","title":{"raw":"Republican: Maison Carr\u00e9e","rendered":"Republican: Maison Carr\u00e9e"},"content":{"raw":"
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Maison Carr\u00e9e, c. 4-7 C.E., Colonia Nemausus (modern N\u00eemes, France)<\/h4>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n
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The so-called Maison Carr\u00e9e or \u201csquare house\u201d is an ancient Roman temple located in N\u00eemes in southern France. N\u00eemes was founded as a Roman colony (Colonia Nemausus) during the first century B.C.E. The Maison Carr\u00e9e is an extremely well preserved ancient Roman building and represents a nearly textbook example of a Roman temple as described by the architectural writer Vitruvius.<\/div>\r\n<\/div>\r\n
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Design and Plan<\/h2>\r\n<\/div>\r\n
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Plan and elevation of the Maison Carr\u00e9e, c. 4-7 C.E. (photo:\u00a0Penn State University Library<\/a>, CC BY-NC 2.0)<\/h4>\r\n
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The frontal temple is a classic example of the Tuscan style temple as described by Vitruvius (who wrote On Architecture in the first century B.C.E.). This means that the building has a single cella (cult room), a deep porch, a frontal, axial orientation, and sits atop a high podium. The podium of the Maison Carr\u00e9e rises to a height of 2.85 meters; the footprint of the temple measures 26.42 by 13.54 meters at the base.<\/div>\r\n
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The building is executed in the Corinthian order (easily identified by the acanthus leaf motifs on the capital) and is hexastyle in its plan (meaning it has six columns across the fa\u00e7ade); twenty engaged columns line the flanks, yielding a pseudoperipteral arrangement (the front columns are free-standing but the columns on the sides and back are engaged, that is, attached to the wall).<\/div>\r\n<\/div>\r\n
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Example egg-and-dart motif (source<\/a>)<\/h4>\r\n
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The temple has a very deep pronaos (porch). The superstructure is decorated with egg-and-dart motifs, with the architrave divided into three zones. The deep porch which puts an emphasis on the temple front and the pseudoperipteral arrangement clearly differentiate this from an ancient Greek temple.<\/div>\r\n<\/div>\r\n
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The temple once carried a dedicatory inscription that was removed in the Middle Ages. Following the reconstruction of the inscription in 1758, scholars believe that the dedication of the building honored Augustus\u2019 grandsons and intended heirs, Caius and Lucius Caesar. The dedicatory inscription read, in translation, \u201cTo Gaius Caesar, son of Augustus, Consul; to Lucius Caesar, son of Augustus, Consul designate; to the princes of youth\u201d (CIL XII, 3156). While not especially common within Italy during the time of the Iulio-Claudians, the worship of the emperor and the imperial family was more commonplace in the provinces of the Roman empire.<\/h4>\r\n
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The late first century B.C.E. Temple of Augustus and Livia located in Vienne, France (an ancient settlement of the Allobroges that received a Roman colony) is very similar in plan to the Maison Carr\u00e9e. This temple was originally dedicated to Augustus alone, but in 41 C.E. the emperor Claudius re-dedicated the building to include Livia, his grandmother (and the wife of Augustus). Taken together these temples show us not only well preserved examples of early Imperial architecture but they also show the degree to which local elites would invest in monumental construction in order to celebrate the emperor and his family members. Just as honorific temples at Rome were sponsored by elites, construction in the provinces also often relied on elite members of the community to fill the role of artistic patron.<\/div>\r\n<\/div>\r\n
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Temple of Augustus and Livia, Vienne, France, late first century B.C.E. (photo:\u00a0Carole Raddato<\/a>, CC BY-SA 2.0)<\/h4>\r\n
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Essay by Dr. Jeffrey Becker<\/div>\r\n<\/div>","rendered":"
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Maison Carr\u00e9e, c. 4-7 C.E., Colonia Nemausus (modern N\u00eemes, France)<\/h4>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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The so-called Maison Carr\u00e9e or \u201csquare house\u201d is an ancient Roman temple located in N\u00eemes in southern France. N\u00eemes was founded as a Roman colony (Colonia Nemausus) during the first century B.C.E. The Maison Carr\u00e9e is an extremely well preserved ancient Roman building and represents a nearly textbook example of a Roman temple as described by the architectural writer Vitruvius.<\/div>\n<\/div>\n
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Design and Plan<\/h2>\n<\/div>\n
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Plan and elevation of the Maison Carr\u00e9e, c. 4-7 C.E. (photo:\u00a0Penn State University Library<\/a>, CC BY-NC 2.0)<\/h4>\n
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The frontal temple is a classic example of the Tuscan style temple as described by Vitruvius (who wrote On Architecture in the first century B.C.E.). This means that the building has a single cella (cult room), a deep porch, a frontal, axial orientation, and sits atop a high podium. The podium of the Maison Carr\u00e9e rises to a height of 2.85 meters; the footprint of the temple measures 26.42 by 13.54 meters at the base.<\/div>\n
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The building is executed in the Corinthian order (easily identified by the acanthus leaf motifs on the capital) and is hexastyle in its plan (meaning it has six columns across the fa\u00e7ade); twenty engaged columns line the flanks, yielding a pseudoperipteral arrangement (the front columns are free-standing but the columns on the sides and back are engaged, that is, attached to the wall).<\/div>\n<\/div>\n
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Example egg-and-dart motif (source<\/a>)<\/h4>\n
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The temple has a very deep pronaos (porch). The superstructure is decorated with egg-and-dart motifs, with the architrave divided into three zones. The deep porch which puts an emphasis on the temple front and the pseudoperipteral arrangement clearly differentiate this from an ancient Greek temple.<\/div>\n<\/div>\n
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The temple once carried a dedicatory inscription that was removed in the Middle Ages. Following the reconstruction of the inscription in 1758, scholars believe that the dedication of the building honored Augustus\u2019 grandsons and intended heirs, Caius and Lucius Caesar. The dedicatory inscription read, in translation, \u201cTo Gaius Caesar, son of Augustus, Consul; to Lucius Caesar, son of Augustus, Consul designate; to the princes of youth\u201d (CIL XII, 3156). While not especially common within Italy during the time of the Iulio-Claudians, the worship of the emperor and the imperial family was more commonplace in the provinces of the Roman empire.<\/h4>\n
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The late first century B.C.E. Temple of Augustus and Livia located in Vienne, France (an ancient settlement of the Allobroges that received a Roman colony) is very similar in plan to the Maison Carr\u00e9e. This temple was originally dedicated to Augustus alone, but in 41 C.E. the emperor Claudius re-dedicated the building to include Livia, his grandmother (and the wife of Augustus). Taken together these temples show us not only well preserved examples of early Imperial architecture but they also show the degree to which local elites would invest in monumental construction in order to celebrate the emperor and his family members. Just as honorific temples at Rome were sponsored by elites, construction in the provinces also often relied on elite members of the community to fill the role of artistic patron.<\/div>\n<\/div>\n
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Temple of Augustus and Livia, Vienne, France, late first century B.C.E. (photo:\u00a0Carole Raddato<\/a>, CC BY-SA 2.0)<\/h4>\n
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Essay by Dr. Jeffrey Becker<\/div>\n<\/div>\n\n\t\t\t
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Candela Citations<\/h3>\n\t\t\t\t\t
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CC licensed content, Shared previously<\/div>