{"id":4526,"date":"2017-07-31T18:44:57","date_gmt":"2017-07-31T18:44:57","guid":{"rendered":"https:\/\/courses.lumenlearning.com\/suny-worldhistory\/?post_type=chapter&#038;p=4526"},"modified":"2017-09-28T14:54:35","modified_gmt":"2017-09-28T14:54:35","slug":"36-1-5-art-and-culture-in-20th-century-mexico","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/suny-worldhistory\/chapter\/36-1-5-art-and-culture-in-20th-century-mexico\/","title":{"raw":"Art and Culture in 20th-Century Mexico","rendered":"Art and Culture in 20th-Century Mexico"},"content":{"raw":"<h2 id=\"concept_1552\">36.1.5: Art and Culture in 20th-Century Mexico<\/h2>\r\n<div class=\"brief\">\r\n\r\nThe Mexican Modernist School used large-scale murals to reinforce political messages, especially those that emphasized Mexican rather than European themes.\r\n\r\n<\/div>\r\n<div class=\"textbox learning-objectives\">\r\n<h3>Learning Objective<\/h3>\r\nGive examples of major works of art in Mexico during the 20th century\r\n\r\n<\/div>\r\n<div class=\"textbox key-takeaways\">\r\n<h3>Key Points<\/h3>\r\n<ul>\r\n \t<li>The Mexican Revolution had a dramatic effect on Mexican art, and the Mexican government commissioned murals for public buildings to reinforce political messages, especially those that emphasized Mexican rather than European themes.<\/li>\r\n \t<li>The Mexican muralist movement reached its height in the 1930s with four main artists: Diego Rivera, David Alfaro Siqueiros, Jose Clemente Orozco,and Fernando Leal. It is now the most studied aspect of Mexico\u2019s art history.<\/li>\r\n \t<li>Diego Rivera\u2019s murals were greatly influenced by his leftist political leanings, dealing with Mexican society and reflecting the country\u2019s 1910 Revolution.<\/li>\r\n \t<li>Frida Kahlo de Rivera was a Mexican painter known for her self-portraits. Though she painted canvases instead of murals, she is still considered part of the Mexican Modernist School due to the emphasis of Mexican folk culture and use of color in her works.<\/li>\r\n<\/ul>\r\n<\/div>\r\n<div class=\"textbox examples\">\r\n<h3>Key Terms<\/h3>\r\n<dl class=\"key_terms\">\r\n \t<dt><strong>Mexican Modernist School<\/strong><\/dt>\r\n \t<dd>The artistic movement within Mexico that was especially prolific in the 1930s, glorifying the Mexican Revolution and redefining the Mexican people vis-\u00e0-vis their indigenous and colonial past. Large-scale murals were its preferred medium.<\/dd>\r\n \t<dt><strong>surrealist<\/strong><\/dt>\r\n \t<dd>A cultural and artistic movement that mixed dream and reality into one composition.<\/dd>\r\n<\/dl>\r\n<\/div>\r\n&nbsp;\r\n<h1>Mexican Muralism and Revolutionary Art<\/h1>\r\nThe Mexican Revolution had a dramatic effect on Mexican art. The government allied itself with intellectuals and artists in Mexico City and commissioned murals for public buildings to reinforce political messages, especially those that emphasized Mexican rather than European themes. The production of art in conjunction with government propaganda is known as the Mexican Modernist School, or the Mexican Muralist Movement. Many such works glorified the Mexican Revolution or redefined the Mexican people vis-\u00e0-vis their indigenous and colonial past. The first of these commissioned works was done by Fernando Leal, Fermin Revueltas, David Alfaro Siqueiros, and Diego Rivera at San Ildefonso, a prestigious Jesuit boarding school.\r\n\r\nThe muralist movement reached its height in the 1930s with four main artists: Diego Rivera, David Alfaro Siqueiros, Jose Clemente Orozco, and Fernando Leal. It is now the most studied aspect of Mexico\u2019s art history. These four artists were trained in classical European techniques and many of their early works were imitations of then-fashionable European paintings styles. Many Mexican government buildings featured murals glorifying Mexico\u2019s pre-Hispanic past and incorporating it into the definition of Mexican identity. Many of these muralists also revived the fresco technique in their mural work, although some like Siqueiros moved to industrial techniques and materials such as the application of pyroxilin, a commercial enamel used for airplanes and automobiles.\r\n<h2>Diego Rivera<\/h2>\r\nRivera painted his first significant mural, Creation, in the Bolivar Auditorium of the National Preparatory School in Mexico City in January 1922 while guarding himself with a pistol against right-wing students. In the autumn of 1922, Rivera participated in the founding of the Revolutionary Union of Technical Workers, Painters and Sculptors, and later that year he joined the Mexican Communist Party. His murals were greatly influenced by his leftist political leanings, dealing with Mexican society and reflecting the country\u2019s 1910 Revolution. He developed his own native style based on large, simplified figures and bold colors. A strong Aztec influence was present in his works, and much of his art emulated the Mayan steles of the classical era.\r\n<div class=\"atom__components__figure\">\r\n<div class=\"atom__components__figure__cont\">\r\n\r\n[caption id=\"\" align=\"aligncenter\" width=\"340\"]<img class=\"atom__components__figure__image\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1599\/2017\/07\/18195253\/media_34684_medium.jpeg\" alt=\"Mural by Diego Rivera\" width=\"340\" height=\"453\" \/> Mural by Diego Rivera: Mural Sue\u00f1o de una Tarde Dominical en la Alameda Central\u00a0in Mexico City, featuring Rivera and Frida Kahlo\u00a0standing by La Calavera Catrina.[\/caption]\r\n\r\n<\/div>\r\n<\/div>\r\n<h2>Frida Kahlo<\/h2>\r\nFrida Kahlo de Rivera was a Mexican painter known for her self-portraits. While she painted canvases instead of murals, she is still considered part of the Mexican Modernist School due to the emphasis of Mexican folk culture and use of color in her works. She was married to muralist Diego Rivera and like Rivera was an active communist. Kahlo was influenced by indigenous Mexican culture as demonstrated by her use of bright colors, dramatic symbolism, and primitive style. She often included monkeys in her works; while this is usually a symbol of lust in Mexican mythology, \u00a0Kahlo's portrayal was tender and protective. Christian and Jewish themes were often depicted in Kahlo\u2019s work. She combined elements of classic religious Mexican traditions with surrealist components in her paintings.\r\n<div class=\"atom__components__figure\">\r\n<div class=\"atom__components__figure__cont\">\r\n\r\n[caption id=\"\" align=\"aligncenter\" width=\"340\"]<img class=\"atom__components__figure__image\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1599\/2017\/07\/18195254\/media_34685_medium.jpeg\" alt=\"Frida Kahlo by Guillermo Kahlo\" width=\"340\" height=\"510\" \/> Frida Kahlo by Guillermo Kahlo: Kahlo in 1932, photographed by her father, Guillermo.[\/caption]\r\n\r\n<\/div>\r\n<\/div>\r\n<h3>Attributions<\/h3>\r\n<ul>\r\n \t<li>Art and Culture in 20th-Century Mexico\r\n<ul>\r\n \t<li>\r\n<div class=\"attribution\">\"Mexican art: 20th century.\" <a href=\"https:\/\/en.wikipedia.org\/wiki\/Mexican_art#20th_century\">https:\/\/en.wikipedia.org\/wiki\/Mexican_art#20th_century<\/a>. <span class=\"attribution-name\">Wikipedia<\/span> <a href=\"http:\/\/creativecommons.org\/licenses\/by-sa\/3.0\/\">CC BY-SA 3.0<\/a>.<\/div><\/li>\r\n \t<li>\r\n<div class=\"attribution\">\"Diego Rivera.\" <a href=\"https:\/\/en.wikipedia.org\/wiki\/Diego_Rivera\">https:\/\/en.wikipedia.org\/wiki\/Diego_Rivera<\/a>. <span class=\"attribution-name\">Wikipedia<\/span> <a href=\"http:\/\/creativecommons.org\/licenses\/by-sa\/3.0\/\">CC BY-SA 3.0<\/a>.<\/div><\/li>\r\n \t<li>\r\n<div class=\"attribution\">\"San Ildefonso College.\" <a href=\"https:\/\/en.wikipedia.org\/wiki\/San_Ildefonso_College\">https:\/\/en.wikipedia.org\/wiki\/San_Ildefonso_College<\/a>. <span class=\"attribution-name\">Wikipedia<\/span> <a href=\"http:\/\/creativecommons.org\/licenses\/by-sa\/3.0\/\">CC BY-SA 3.0<\/a>.<\/div><\/li>\r\n \t<li>\r\n<div class=\"attribution\">\"Frida Kahlo.\" <a href=\"https:\/\/en.wikipedia.org\/wiki\/Frida_Kahlo\">https:\/\/en.wikipedia.org\/wiki\/Frida_Kahlo<\/a>. <span class=\"attribution-name\">Wikipedia<\/span> <a href=\"http:\/\/creativecommons.org\/licenses\/by-sa\/3.0\/\">CC BY-SA 3.0<\/a>.<\/div><\/li>\r\n \t<li>\r\n<div class=\"attribution\">\"The_Kid_-_Diego_Rivera.jpg.\" <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:The_Kid_-_Diego_Rivera.jpg\">https:\/\/commons.wikimedia.org\/wiki\/File:The_Kid_-_Diego_Rivera.jpg<\/a>. <span class=\"attribution-name\">Wikimedia Commons<\/span> <a href=\"http:\/\/creativecommons.org\/licenses\/by-sa\/2.0\/\">CC BY-SA 2.0<\/a>.<\/div><\/li>\r\n \t<li>\r\n<div class=\"attribution\">\"Frida_Kahlo2C_by_Guillermo_Kahlo.jpg.\" <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Frida_Kahlo,_by_Guillermo_Kahlo.jpg\">https:\/\/commons.wikimedia.org\/wiki\/File:Frida_Kahlo,_by_Guillermo_Kahlo.jpg<\/a>. <span class=\"attribution-name\">Wikimedia Commons<\/span> <a href=\"https:\/\/en.wikipedia.org\/wiki\/Public_domain\">Public domain<\/a>.<\/div><\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>","rendered":"<h2 id=\"concept_1552\">36.1.5: Art and Culture in 20th-Century Mexico<\/h2>\n<div class=\"brief\">\n<p>The Mexican Modernist School used large-scale murals to reinforce political messages, especially those that emphasized Mexican rather than European themes.<\/p>\n<\/div>\n<div class=\"textbox learning-objectives\">\n<h3>Learning Objective<\/h3>\n<p>Give examples of major works of art in Mexico during the 20th century<\/p>\n<\/div>\n<div class=\"textbox key-takeaways\">\n<h3>Key Points<\/h3>\n<ul>\n<li>The Mexican Revolution had a dramatic effect on Mexican art, and the Mexican government commissioned murals for public buildings to reinforce political messages, especially those that emphasized Mexican rather than European themes.<\/li>\n<li>The Mexican muralist movement reached its height in the 1930s with four main artists: Diego Rivera, David Alfaro Siqueiros, Jose Clemente Orozco,and Fernando Leal. It is now the most studied aspect of Mexico\u2019s art history.<\/li>\n<li>Diego Rivera\u2019s murals were greatly influenced by his leftist political leanings, dealing with Mexican society and reflecting the country\u2019s 1910 Revolution.<\/li>\n<li>Frida Kahlo de Rivera was a Mexican painter known for her self-portraits. Though she painted canvases instead of murals, she is still considered part of the Mexican Modernist School due to the emphasis of Mexican folk culture and use of color in her works.<\/li>\n<\/ul>\n<\/div>\n<div class=\"textbox examples\">\n<h3>Key Terms<\/h3>\n<dl class=\"key_terms\">\n<dt><strong>Mexican Modernist School<\/strong><\/dt>\n<dd>The artistic movement within Mexico that was especially prolific in the 1930s, glorifying the Mexican Revolution and redefining the Mexican people vis-\u00e0-vis their indigenous and colonial past. Large-scale murals were its preferred medium.<\/dd>\n<dt><strong>surrealist<\/strong><\/dt>\n<dd>A cultural and artistic movement that mixed dream and reality into one composition.<\/dd>\n<\/dl>\n<\/div>\n<p>&nbsp;<\/p>\n<h1>Mexican Muralism and Revolutionary Art<\/h1>\n<p>The Mexican Revolution had a dramatic effect on Mexican art. The government allied itself with intellectuals and artists in Mexico City and commissioned murals for public buildings to reinforce political messages, especially those that emphasized Mexican rather than European themes. The production of art in conjunction with government propaganda is known as the Mexican Modernist School, or the Mexican Muralist Movement. Many such works glorified the Mexican Revolution or redefined the Mexican people vis-\u00e0-vis their indigenous and colonial past. The first of these commissioned works was done by Fernando Leal, Fermin Revueltas, David Alfaro Siqueiros, and Diego Rivera at San Ildefonso, a prestigious Jesuit boarding school.<\/p>\n<p>The muralist movement reached its height in the 1930s with four main artists: Diego Rivera, David Alfaro Siqueiros, Jose Clemente Orozco, and Fernando Leal. It is now the most studied aspect of Mexico\u2019s art history. These four artists were trained in classical European techniques and many of their early works were imitations of then-fashionable European paintings styles. Many Mexican government buildings featured murals glorifying Mexico\u2019s pre-Hispanic past and incorporating it into the definition of Mexican identity. Many of these muralists also revived the fresco technique in their mural work, although some like Siqueiros moved to industrial techniques and materials such as the application of pyroxilin, a commercial enamel used for airplanes and automobiles.<\/p>\n<h2>Diego Rivera<\/h2>\n<p>Rivera painted his first significant mural, Creation, in the Bolivar Auditorium of the National Preparatory School in Mexico City in January 1922 while guarding himself with a pistol against right-wing students. In the autumn of 1922, Rivera participated in the founding of the Revolutionary Union of Technical Workers, Painters and Sculptors, and later that year he joined the Mexican Communist Party. His murals were greatly influenced by his leftist political leanings, dealing with Mexican society and reflecting the country\u2019s 1910 Revolution. He developed his own native style based on large, simplified figures and bold colors. A strong Aztec influence was present in his works, and much of his art emulated the Mayan steles of the classical era.<\/p>\n<div class=\"atom__components__figure\">\n<div class=\"atom__components__figure__cont\">\n<div style=\"width: 350px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"atom__components__figure__image\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1599\/2017\/07\/18195253\/media_34684_medium.jpeg\" alt=\"Mural by Diego Rivera\" width=\"340\" height=\"453\" \/><\/p>\n<p class=\"wp-caption-text\">Mural by Diego Rivera: Mural Sue\u00f1o de una Tarde Dominical en la Alameda Central\u00a0in Mexico City, featuring Rivera and Frida Kahlo\u00a0standing by La Calavera Catrina.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<h2>Frida Kahlo<\/h2>\n<p>Frida Kahlo de Rivera was a Mexican painter known for her self-portraits. While she painted canvases instead of murals, she is still considered part of the Mexican Modernist School due to the emphasis of Mexican folk culture and use of color in her works. She was married to muralist Diego Rivera and like Rivera was an active communist. Kahlo was influenced by indigenous Mexican culture as demonstrated by her use of bright colors, dramatic symbolism, and primitive style. She often included monkeys in her works; while this is usually a symbol of lust in Mexican mythology, \u00a0Kahlo&#8217;s portrayal was tender and protective. Christian and Jewish themes were often depicted in Kahlo\u2019s work. She combined elements of classic religious Mexican traditions with surrealist components in her paintings.<\/p>\n<div class=\"atom__components__figure\">\n<div class=\"atom__components__figure__cont\">\n<div style=\"width: 350px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"atom__components__figure__image\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1599\/2017\/07\/18195254\/media_34685_medium.jpeg\" alt=\"Frida Kahlo by Guillermo Kahlo\" width=\"340\" height=\"510\" \/><\/p>\n<p class=\"wp-caption-text\">Frida Kahlo by Guillermo Kahlo: Kahlo in 1932, photographed by her father, Guillermo.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<h3>Attributions<\/h3>\n<ul>\n<li>Art and Culture in 20th-Century Mexico\n<ul>\n<li>\n<div class=\"attribution\">&#8220;Mexican art: 20th century.&#8221; <a href=\"https:\/\/en.wikipedia.org\/wiki\/Mexican_art#20th_century\">https:\/\/en.wikipedia.org\/wiki\/Mexican_art#20th_century<\/a>. <span class=\"attribution-name\">Wikipedia<\/span> <a href=\"http:\/\/creativecommons.org\/licenses\/by-sa\/3.0\/\">CC BY-SA 3.0<\/a>.<\/div>\n<\/li>\n<li>\n<div class=\"attribution\">&#8220;Diego Rivera.&#8221; <a href=\"https:\/\/en.wikipedia.org\/wiki\/Diego_Rivera\">https:\/\/en.wikipedia.org\/wiki\/Diego_Rivera<\/a>. <span class=\"attribution-name\">Wikipedia<\/span> <a href=\"http:\/\/creativecommons.org\/licenses\/by-sa\/3.0\/\">CC BY-SA 3.0<\/a>.<\/div>\n<\/li>\n<li>\n<div class=\"attribution\">&#8220;San Ildefonso College.&#8221; <a href=\"https:\/\/en.wikipedia.org\/wiki\/San_Ildefonso_College\">https:\/\/en.wikipedia.org\/wiki\/San_Ildefonso_College<\/a>. <span class=\"attribution-name\">Wikipedia<\/span> <a href=\"http:\/\/creativecommons.org\/licenses\/by-sa\/3.0\/\">CC BY-SA 3.0<\/a>.<\/div>\n<\/li>\n<li>\n<div class=\"attribution\">&#8220;Frida Kahlo.&#8221; <a href=\"https:\/\/en.wikipedia.org\/wiki\/Frida_Kahlo\">https:\/\/en.wikipedia.org\/wiki\/Frida_Kahlo<\/a>. <span class=\"attribution-name\">Wikipedia<\/span> <a href=\"http:\/\/creativecommons.org\/licenses\/by-sa\/3.0\/\">CC BY-SA 3.0<\/a>.<\/div>\n<\/li>\n<li>\n<div class=\"attribution\">&#8220;The_Kid_-_Diego_Rivera.jpg.&#8221; <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:The_Kid_-_Diego_Rivera.jpg\">https:\/\/commons.wikimedia.org\/wiki\/File:The_Kid_-_Diego_Rivera.jpg<\/a>. <span class=\"attribution-name\">Wikimedia Commons<\/span> <a href=\"http:\/\/creativecommons.org\/licenses\/by-sa\/2.0\/\">CC BY-SA 2.0<\/a>.<\/div>\n<\/li>\n<li>\n<div class=\"attribution\">&#8220;Frida_Kahlo2C_by_Guillermo_Kahlo.jpg.&#8221; <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Frida_Kahlo,_by_Guillermo_Kahlo.jpg\">https:\/\/commons.wikimedia.org\/wiki\/File:Frida_Kahlo,_by_Guillermo_Kahlo.jpg<\/a>. <span class=\"attribution-name\">Wikimedia Commons<\/span> <a href=\"https:\/\/en.wikipedia.org\/wiki\/Public_domain\">Public domain<\/a>.<\/div>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\t\t\t <section class=\"citations-section\" role=\"contentinfo\">\n\t\t\t <h3>Candela Citations<\/h3>\n\t\t\t\t\t <div>\n\t\t\t\t\t\t <div id=\"citation-list-4526\">\n\t\t\t\t\t\t\t <div class=\"licensing\"><div class=\"license-attribution-dropdown-subheading\">CC licensed content, Shared previously<\/div><ul class=\"citation-list\"><li>Boundless World History. <strong>Authored by<\/strong>: Boundless. <strong>Located at<\/strong>: <a target=\"_blank\" href=\"https:\/\/courses.lumenlearning.com\/boundless-worldhistory\/\">https:\/\/courses.lumenlearning.com\/boundless-worldhistory\/<\/a>. <strong>License<\/strong>: <em><a target=\"_blank\" rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\">CC BY: Attribution<\/a><\/em><\/li><\/ul><\/div>\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t <\/div>\n\t\t\t <\/section>","protected":false},"author":23437,"menu_order":5,"template":"","meta":{"_candela_citation":"[{\"type\":\"cc\",\"description\":\"Boundless World History\",\"author\":\"Boundless\",\"organization\":\"\",\"url\":\"https:\/\/courses.lumenlearning.com\/boundless-worldhistory\/\",\"project\":\"\",\"license\":\"cc-by\",\"license_terms\":\"\"}]","CANDELA_OUTCOMES_GUID":"","pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-4526","chapter","type-chapter","status-publish","hentry"],"part":3226,"_links":{"self":[{"href":"https:\/\/courses.lumenlearning.com\/suny-worldhistory\/wp-json\/pressbooks\/v2\/chapters\/4526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.lumenlearning.com\/suny-worldhistory\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/courses.lumenlearning.com\/suny-worldhistory\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-worldhistory\/wp-json\/wp\/v2\/users\/23437"}],"version-history":[{"count":4,"href":"https:\/\/courses.lumenlearning.com\/suny-worldhistory\/wp-json\/pressbooks\/v2\/chapters\/4526\/revisions"}],"predecessor-version":[{"id":5792,"href":"https:\/\/courses.lumenlearning.com\/suny-worldhistory\/wp-json\/pressbooks\/v2\/chapters\/4526\/revisions\/5792"}],"part":[{"href":"https:\/\/courses.lumenlearning.com\/suny-worldhistory\/wp-json\/pressbooks\/v2\/parts\/3226"}],"metadata":[{"href":"https:\/\/courses.lumenlearning.com\/suny-worldhistory\/wp-json\/pressbooks\/v2\/chapters\/4526\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/courses.lumenlearning.com\/suny-worldhistory\/wp-json\/wp\/v2\/media?parent=4526"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-worldhistory\/wp-json\/pressbooks\/v2\/chapter-type?post=4526"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-worldhistory\/wp-json\/wp\/v2\/contributor?post=4526"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/suny-worldhistory\/wp-json\/wp\/v2\/license?post=4526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}