Rhythm – and Syncopation

 Beat, metyer and rhythm are  integral components  of time in music.  Understanding them enables one to  determine the function of  time  in music.  In this discussion, we will examine beat and its relationship to  rhythm,  plus meter in this  topic.  Be sure you understand   the  definitions of, beat, meter,and rhyuthm  and  their differences as you read this section We will  discuss  rhythm  in moire detail  in the following topic :.Again be sure you can distinguish betwee beat, meter and rhythm.
Also check the very .last part of this section which discusses Syncopation. There are quiestions in W#2 and Test  2 relating to  Syncopation 

Time in Music Pp   View this Power point review on time in music (Cluick on the link)

Music cannot happen without time. The performance  of pitches and sounds in terms time (or their length or duration)  constitutes  rhythm of a piece of music.  Most of the time rhythm can be measured  in terms of  a steady beat.  In some pieces  – such as Gregorian chant –  the rhythm is simply a “placement in time” where notes are longer  and shorter relative to each other but  cannot be measured in terms of specific  beats or meters. This latter situation  will not concern us in our study here.

Meter

Meter Reviewed  –  Remember from the previous topic that  Meter is the arrangement of beats in a repetitive pattern of strong and weak beats. We determine meter by counting the number of beats  from one strong beat to the next

Simple Meters

Meter

 

Follow  this link  for more perspective about notes and their duration (lengths).

Try this Rhythmical Exercise below for  more understanding of beat vs meter

Step 1 –  Beat  (Feel and tap the beat): Tap your foot to the measures only on the musical staff of lines and spaces below. Note the time signature is 4/4.  You can see the vertical lines on the staff dividing the line into four measures or bars – each receiving 4 beats. The total number of beats is 16:  4 (measures) times 4 (beats per each measure) equals 16 beats.  Follow each measure as you tap your foot but only tap the beats (four in each measure)  not the notes
Step 2 Rhythm   (Clap the rhythm) . Once you become comfortable tapping your foot – following the measures you are ready to clap your hands to the notes. Follow steps a-d
a. In the first measure you have one whole note which receives all four beats. Therefore you will be clapping once for that measure even though you will tap four beats This note is four beats long.
b. For the second measure  you will clap twice for  each note (or clap). Each note receives two taps with the foot. In other words  Each notes is two beats long.
c. Third measure –  Note there are four (quarter) notes in the third measure. So you would clap for each note. In this case your are also  clapping on each beat as each note is one beat long.
d. There are 8 notes in the fourth measure.  Here you will clap twice on each beat. Each note is  1/2  beat long. (8 x .5 (beats) = 4 beats total).

Note Durations

In a musical score it shows one whole note equals two half-notes, equals four quarter notes equals eight eighth notes.

 This above exercise should give a basic understanding of rhythm and the  difference between  rhythm and beat and meter.  These three  elements (beat, meter, and rhythm)  each involving an aspect of time are related and dependent upon each other but each element has its individual meaning and function.

 Beat, and rhythm are  integral components  of time in music.  Understanding them enables one to  determine the function of  time  in music.  In this discussion, we will examine beat and its relationship to  rhythm,  plus meter in this  topic. We will  discuss  rhythm  in moire detail  in the following topic :

Let us see and feel the difference between beat (steady pulse) and rhythm. The exercises below demonstrate the concept of the two elements – beat (even pulse or unit of measure) and rhythm – duration of musical notes) 

This first example demonstrates (1)  quarter notes –  one quarter  note to a beat  and (2) eighth notes (two eighth notes to a beat).  Count   them along with the narrator – tapping your foot with the beat.

If you are unable to play this video  “search”: Baugh Counting  Rhythm Video  – Orange in your browser outside of the course.. You will see the image below at the top left side of the page. You will be able to access there.

 

This link will show quarter and eighth notes with rests:|

 Again – the above exercises give the concept of the two elements – beat and rhythm

Beat:
A beat is  a pulse  (think  of heart beat) that we feel as we listen to music. It  is

Syncopation  (off beats):

Syncopation defines  rhythm patterns in which accenmted notes occur “off the beat”. The result is :unexpected”  as the emphasis is not on the beat but  off th beat.   Sncopation is a r “a disturbance or interruption of the regular flow of rhythm”:  or a  “placement of rhythmic stresses or accents where they would not normally occur.”

Listen: Syncopation:
In this example you will hear syncopation — notes that are played “off the beat.”

You can try to cl;ap on the strong best  (four  to each measure) but do not be concerned if you have difficulty with this. It could take some practice

Syncopation – notes which emphasize  weak beats or  offbeats  – may be heard in the video below:  Scott Joplin’s “Rags.”  Listen to the first one and note the syncopated melody in the right hand melody while the left hand (lower part) maintains a steady  beat and tempo. You should  be able to beat your foot and keep time here. Try it!

 

Syncopation:   Listen for syncopation in phrase 2 of the selection above. Note that syncopation does not occur in phrases 1 and 3

Phrase 1: 0:0″ – 0′ 31. phrase 2:  0’32” – 0’57”, phrase 3:(partial phrase) 0’58’ – 1’11”  . 

Phrases  1 and 3, note do not have syncopation. The   emphasis  notes of the  melody occur on the beat.. 

However note that In  phrases 2, the notes in melody (in the violin)  occur  between the beats (on the “off” beats). This emphaises on the”off beats is called syncopation.  Contrast this with the  the  accompaniment in the orchestra in phrase 2.  Chords  (light) are  played  evenly  on strong beats. (Tap your foot to feel this comparison.), one  can feel the  emphasis of the melody  occuring   between these chords ( which occur on the beat)  in phrase 2   hense  – syncopation.    See if you can determine this. .

Need more understanding of Syncopation? Check this video. You may have to paste in a new  browser window.” https://video.search.yahoo.com/yhs/search?fr=yhs-sz-001&hsimp=yhs-001&hspart=sz&p=syncopation+in+music#action=view&id=1&vid=2e4a99f0d5b96831582f5c34eac64312