{"id":3784,"date":"2021-11-04T18:17:52","date_gmt":"2021-11-04T18:17:52","guid":{"rendered":"https:\/\/courses.lumenlearning.com\/wm-englishcomp2\/?post_type=chapter&#038;p=3784"},"modified":"2022-01-10T23:18:30","modified_gmt":"2022-01-10T23:18:30","slug":"working-with-literature-recommended-readings","status":"publish","type":"chapter","link":"https:\/\/courses.lumenlearning.com\/wm-englishcomp2\/chapter\/working-with-literature-recommended-readings\/","title":{"raw":"Module 10: Working with Literature Recommended Readings","rendered":"Module 10: Working with Literature Recommended Readings"},"content":{"raw":"<h2>Compact Anthology of World Literature I<\/h2>\r\n<p style=\"padding-left: 30px;\"><em>Laura Getty and Kyounghye Kwon,\u00a0University of North Georgia<\/em><\/p>\r\n<p style=\"padding-left: 30px;\">Texts from a variety of genres and cultures are included in each unit. Additionally, each selection or collection includes a brief introduction about the author and text(s), and each includes 3 \u2013 5 discussion questions. Texts in the public domain--those published or translated before 1923--are replicated here. Texts published or translated after 1923 are not yet available in the public domain. License: CC-BY-SA<\/p>\r\n<p style=\"padding-left: 30px;\"><strong>Part One: The Ancient World <\/strong>(<a href=\"https:\/\/course-building.s3.us-west-2.amazonaws.com\/EnglishComp2\/world_lit_anthology\/Compact+Anthology+of+World+Literature-Part+1.pdf\" target=\"_blank\" rel=\"noopener\">download Part 1 PDF<\/a>)<\/p>\r\n<p style=\"padding-left: 30px;\">[reveal-answer q=\"432399\"]Table of Contents[\/reveal-answer]\r\n[hidden-answer a=\"432399\"]<\/p>\r\n\r\n<ul>\r\n \t<li>Chapter 1: Middle East, Near East, Greece\r\n<ul>\r\n \t<li>Hebrew Bible, \u201cGenesis\u201d and \u201cExodus\u201d<\/li>\r\n \t<li>The Epic of Gilgamesh<\/li>\r\n \t<li>The Iliad and The Odyssey<\/li>\r\n \t<li>Medea<\/li>\r\n \t<li>Oedipus the King<\/li>\r\n<\/ul>\r\n<\/li>\r\n \t<li>Chapter 2: China\r\n<ul>\r\n \t<li>The Analects<\/li>\r\n \t<li>The Art of War<\/li>\r\n \t<li>The Book of Songs<\/li>\r\n \t<li>The Mother of Mencius<\/li>\r\n \t<li>The Zhuangzi<\/li>\r\n<\/ul>\r\n<\/li>\r\n \t<li>Chapter 3: India\r\n<ul>\r\n \t<li>The Bhagavad Gita<\/li>\r\n \t<li>The Mahabharata<\/li>\r\n \t<li>The R\u00e2m\u00e2yana<\/li>\r\n<\/ul>\r\n<\/li>\r\n \t<li>Chapter 4: Rome\r\n<ul>\r\n \t<li>The Aeneid<\/li>\r\n \t<li>Metamorphoses<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n[\/hidden-answer]\r\n<p style=\"padding-left: 30px;\"><strong>Part Two: The Middle Ages <\/strong>(<a href=\"https:\/\/course-building.s3.us-west-2.amazonaws.com\/EnglishComp2\/world_lit_anthology\/Compact+Anthology+of+World+Literature-Part+2.pdf\" target=\"_blank\" rel=\"noopener\">download Part 2 PDF<\/a>)<\/p>\r\n<p style=\"padding-left: 30px;\">[reveal-answer q=\"616169\"]Table of Contents[\/reveal-answer]\r\n[hidden-answer a=\"616169\"]<\/p>\r\n\r\n<ul>\r\n \t<li>Chapter 5: Europe\r\n<ul>\r\n \t<li>The Parliament of Birds<\/li>\r\n \t<li>The Canterbury Tales<\/li>\r\n \t<li>The Decameron<\/li>\r\n \t<li>The Divine Comedy<\/li>\r\n \t<li>The Lais of Marie de France<\/li>\r\n \t<li>Lancelot, the Knight of the Cart<\/li>\r\n \t<li>The Song of the Cid<\/li>\r\n \t<li>The Travels of Marco Polo<\/li>\r\n<\/ul>\r\n<\/li>\r\n \t<li>Chapter 6: Middle East\r\n<ul>\r\n \t<li>The Rose Garden (Golestan or Gulistan) of Sa\u2019di<\/li>\r\n \t<li>The Quran<\/li>\r\n \t<li>Divani Shamsi Tabriz and Masnavi<\/li>\r\n \t<li>Shahnameh<\/li>\r\n \t<li>The Thousand and One Nights<\/li>\r\n<\/ul>\r\n<\/li>\r\n \t<li>Chapter 7: China\r\n<ul>\r\n \t<li>Li Bo, Selected Poems<\/li>\r\n \t<li>The Romance of the Three Kingdoms<\/li>\r\n<\/ul>\r\n<\/li>\r\n \t<li>Chapter 8: Japan\r\n<ul>\r\n \t<li>Atsumori<\/li>\r\n \t<li>The Tale of Genji<\/li>\r\n<\/ul>\r\n<\/li>\r\n \t<li>Chapter 9: South Asia\r\n<ul>\r\n \t<li>Tukaram, Selected Poems<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n[\/hidden-answer]\r\n<p style=\"padding-left: 30px;\"><strong>Part Three: The Renaissance<\/strong> (<a href=\"https:\/\/course-building.s3.us-west-2.amazonaws.com\/EnglishComp2\/world_lit_anthology\/Compact+Anthology+of+World+Literature-Part+3.pdf\" target=\"_blank\" rel=\"noopener\">download Part 3 PDF<\/a>)<\/p>\r\n<p style=\"padding-left: 30px;\">[reveal-answer q=\"104785\"]Table of Contents[\/reveal-answer]\r\n[hidden-answer a=\"104785\"]<\/p>\r\n\r\n<ul>\r\n \t<li>Chapter 10: Korea\r\n<ul>\r\n \t<li>Various Poets, Sijo Poetry<\/li>\r\n \t<li>The Tale of Hong Gil-Dong<\/li>\r\n<\/ul>\r\n<\/li>\r\n \t<li>Chapter 11: Europe\r\n<ul>\r\n \t<li>Don Quixote<\/li>\r\n \t<li>Gargantua and Pantagruel<\/li>\r\n \t<li>Hamlet<\/li>\r\n \t<li>The Journals of Christopher Columbus<\/li>\r\n \t<li>The Prince<\/li>\r\n \t<li>The Tempest<\/li>\r\n \t<li>Utopia<\/li>\r\n<\/ul>\r\n<\/li>\r\n \t<li>Chapter 12: Native America\r\n<ul>\r\n \t<li>Myths of the Cherokee<\/li>\r\n \t<li>Aw-aw-tam Indian Nights: The Myths and Legends of the Pimas<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n[\/hidden-answer]\r\n<h2>Compact Anthology of World Literature II<\/h2>\r\n<p style=\"padding-left: 30px;\"><em>Anita Turlington, Matthew Horton, Karen Dodson, Laura Getty, Kyounghye Kwon, and Laura Ng,\u00a0University of North Georgia<\/em><\/p>\r\n<p style=\"padding-left: 30px;\">Texts from a variety of genres and cultures are included in each unit. Additionally, each selection or collection includes a brief introduction about the author and text(s), and each includes 3 \u2013 5 discussion questions. Texts in the public domain--those published or translated before 1923--are replicated in the anthology. Texts published or translated after 1923 are not yet available in the public domain. CC-BY-SA<\/p>\r\n<p style=\"padding-left: 30px;\"><strong>Part Four: The Seventeenth and Eighteenth Centuries\u00a0<\/strong>(download <a href=\"https:\/\/course-building.s3.us-west-2.amazonaws.com\/EnglishComp2\/world_lit_anthology\/WorldLiterature_VolumeFour.pdf\" target=\"_blank\" rel=\"noopener\">Part 4 PDF<\/a>, <a href=\"https:\/\/course-building.s3.us-west-2.amazonaws.com\/EnglishComp2\/world_lit_anthology\/WorldLiterature_VolumeFour.epub\" target=\"_blank\" rel=\"noopener\">Part 4 epub<\/a>)<\/p>\r\n<p style=\"padding-left: 30px;\">[reveal-answer q=\"761829\"]Table of Contents[\/reveal-answer]\r\n[hidden-answer a=\"761829\"]<\/p>\r\n\r\n<ul>\r\n \t<li>Unit 1: The Age of Reason\r\n<ul>\r\n \t<li>Jean Baptiste Poquelin Moli\u00e8re, Tartuffe<\/li>\r\n \t<li>Anne Bradstreet,\u00a0Before the Birth of One of Her Children, By Night When Others Soundly Slept, Contemplations, A Dialogue between Old England and New<\/li>\r\n \t<li>Aphra Behn, Oroonoko, or The Royal Slave<\/li>\r\n \t<li>Jonathan Swift, A Modest Proposal, Gulliver's Travels<\/li>\r\n \t<li>Alexander Pope, Rape of the Lock<\/li>\r\n \t<li>Eliza Haywood, Fantomina<\/li>\r\n \t<li>Fran\u00e7ois-Marie Arouet de Voltaire, Candide, or Optimism<\/li>\r\n \t<li>Benjamin Franklin, The Autobiography of Benjamin Franklin<\/li>\r\n \t<li>Immanuel Kant, What Is Enlightenment?<\/li>\r\n \t<li>Olaudah Equiano, The Interesting Narrative of the Life of Olaudah Equiano<\/li>\r\n<\/ul>\r\n<\/li>\r\n \t<li>Unit 2: Near East and Asia\r\n<ul>\r\n \t<li>Korean Pansori<\/li>\r\n \t<li>The Song of Chunhyang<\/li>\r\n \t<li>Evliya \u00c7elebi, Book of Travels<\/li>\r\n \t<li>C\u00e1o Xueq\u00edn, The Story of the Stone<\/li>\r\n \t<li>Matsuo Bash\u014d, from The Narrow Road to the Deep North\u201d<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n[\/hidden-answer]\r\n<p style=\"padding-left: 30px;\"><strong>Part Five: The Long Nineteenth Century<\/strong> (download <a href=\"https:\/\/course-building.s3.us-west-2.amazonaws.com\/EnglishComp2\/world_lit_anthology\/WorldLiterature_VolumeFive.pdf\" target=\"_blank\" rel=\"noopener\">Part 5 PDF<\/a>, <a href=\"https:\/\/course-building.s3.us-west-2.amazonaws.com\/EnglishComp2\/world_lit_anthology\/WorldLiterature_VolumeFive.epub\" target=\"_blank\" rel=\"noopener\">Part 5 epub<\/a>)<\/p>\r\n<p style=\"padding-left: 30px;\">[reveal-answer q=\"969980\"]Table of Contents[\/reveal-answer]\r\n[hidden-answer a=\"969980\"]<\/p>\r\n\r\n<ul>\r\n \t<li>Unit 1: Romanticism\r\n<ul>\r\n \t<li>Jean-Jacques Rousseau, Confessions<\/li>\r\n \t<li>Johann Wolfgang von Goethe, Faust<\/li>\r\n \t<li>William Blake,\u00a0Songs of Innocence: The Lamb, The Chimney Sweeper, Holy Thursday. Songs of Experience: Holy Thursday, The Chimney Sweeper, The Tyger, London<\/li>\r\n \t<li>Mary Wollstonecraft, from A Vindication of the Rights of Woman<\/li>\r\n \t<li>Olympe De Gouges, The Rights of Woman<\/li>\r\n \t<li>William Wordsworth, Lines Composed a Few Miles above Tintern Abbey, from Preface to Lyrical Ballads, Michael, a Pastoral Poem, I Wandered Lonely as a Cloud, Ode: Intimations of Immortality<\/li>\r\n \t<li>Samuel Taylor Coleridge, The Rime of the Ancient Mariner, Kubla Khan<\/li>\r\n \t<li>Percy Bysshe Shelley, To Wordsworth, Hymn to Intellectual Beauty, Ozymandias, A Song: \"Men of England\", Ode to the West Wind, Mutability, from A Defence of Poetry<\/li>\r\n \t<li>John Keats, When I have Fears That I May Cease to Be, Ode to a Nightingale, Ode on a Grecian Urn<\/li>\r\n \t<li>Mary Shelley, Frankenstein, or the Modern Prometheus, Mathilda, The Last Man<\/li>\r\n<\/ul>\r\n<\/li>\r\n \t<li>Unit 2: Realism\r\n<ul>\r\n \t<li>Elizabeth Barrett Browning, from Sonnets from the Portuguese, The Cry of the Children, Lord Walter's Wife<\/li>\r\n \t<li>Alfred, Lord Tennyson, The Lotos-Eaters, Ulysses<\/li>\r\n \t<li>Robert Browning, Porphyria's Lover, My Last Duchess, \"Childe Roland to the Dark Tower Came\"<\/li>\r\n \t<li>Frederick Douglass, The Narrative of the Life of Frederick Douglass<\/li>\r\n \t<li>Walt Whitman, Song of Myself, Out of the Cradle Endlessly Rocking, Crossing Brooklyn Ferry, O Captain! My Captain!<\/li>\r\n \t<li>Gustave Flaubert, A Simple Soul<\/li>\r\n \t<li>Fyodor Dostoyevsky, Notes from Underground<\/li>\r\n \t<li>Charles Baudelaire, Correspondences, The Corpse, Spleen, Hymn to Beauty<\/li>\r\n \t<li>Leo Tolstoy, The Death of Ivan Ilych<\/li>\r\n \t<li>Henrik Ibsen, A Doll's House, An Enemy of the People<\/li>\r\n \t<li>Emily Dickinson, Because I could not stop for Death, A bird came down the walk, The brain is wider than the sky, Hope is the thing with feathers, I died for beauty, but was scarce, I heard a fly buzz when I died, If I can stop one heart from breaking, My life closed twice before its close, The soul selects her own society, Success is counted sweetest, There's a certain slant of light, Wild nights! Wild nights!<\/li>\r\n \t<li>Christina Rossetti, After Death, Up-Hill, Goblin Market, \"No, Thank You, John\"<\/li>\r\n \t<li>Bankim Chandra Chatterjee, The Poison Tree<\/li>\r\n \t<li>Guy de Maupassant, Boule de Suif, The Diamond Necklace<\/li>\r\n \t<li>Olive Schreiner , <span style=\"font-size: 1rem; orphans: 1; text-align: initial;\">The Story of an African Farm<\/span><\/li>\r\n \t<li>Charlotte Perkins Gilman, The Yellow Wall-Paper<\/li>\r\n \t<li>Anton Chekhov, The Lady with the Dog, The Cherry Orchard, A Doctor's Visit<\/li>\r\n \t<li>W.B. Yeats, The Lake Isle of Innisfree, When You Are Old, Easter 1916, The Second Coming<\/li>\r\n \t<li>H.G. Wells, The Invisible Man, The Island of Doctor Moreau, The War of the Worlds<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n[\/hidden-answer]\r\n<p style=\"padding-left: 30px;\"><strong>Part Six: The Twentieth Century and Contemporary Literature<\/strong> (download <a href=\"https:\/\/course-building.s3.us-west-2.amazonaws.com\/EnglishComp2\/world_lit_anthology\/WorldLiterature_VolumeSix.pdf\" target=\"_blank\" rel=\"noopener\">Part 6 PDF<\/a>, <a href=\"https:\/\/course-building.s3.us-west-2.amazonaws.com\/EnglishComp2\/world_lit_anthology\/WorldLiterature_VolumeSix.epub\" target=\"_blank\" rel=\"noopener\">Part 6 epub<\/a>)<\/p>\r\n<p style=\"padding-left: 30px;\">[reveal-answer q=\"35285\"]Table of Contents[\/reveal-answer]\r\n[hidden-answer a=\"35285\"]<\/p>\r\n(Note: Since many of these works are still in copyright, it may be necessary to purchase longer texts or work with your library to build a reader).\r\n<ul>\r\n \t<li>Unit 1: Modernism (1900-1945)\r\n<ul>\r\n \t<li>Rabindranath Tagore, The Cabuliwallah<\/li>\r\n \t<li>Luigi Pirandello, Six Characters in Search of an Author<\/li>\r\n \t<li>Marcel Proust, Swann's Way<\/li>\r\n \t<li>Violetta Thurstan, Field Hospital and Flying Column<\/li>\r\n \t<li>Lu Xun, Diary of a Madman<\/li>\r\n \t<li>Virginia Woolf, A Room of One's Own<\/li>\r\n \t<li>James Joyce, The Dead<\/li>\r\n \t<li>Franz Kafka,\u00a0 The Metamorphosis<\/li>\r\n \t<li>Katherine Mansfield, The Garden Party<\/li>\r\n \t<li>T.S. Eliot, The Love Song of J. Alfred Prufrock, Tradition and the Individual Talent, The Waste Land<\/li>\r\n \t<li>Anna Akhmatova, Lot's Wife, Requiem, Why Is This Century Worse...<\/li>\r\n \t<li>Ry\u016bnosuke Akutagawa, In a Grove, Rashomon<\/li>\r\n \t<li>Wilfred Owen, Preface, Strange Meeting, Anthem for Doomed Youth, Dulce et Decorum est, Exposure, Futility,<\/li>\r\n \t<li>Parable of the Old Men and the Young<\/li>\r\n \t<li>William Faulkner, Barn Burning, A Rose for Emily<\/li>\r\n \t<li>Bertolt Brecht, Mother Courage and Her Children<\/li>\r\n \t<li>Jorge Luis Borges, The Garden of Forking Paths<\/li>\r\n \t<li>Langston Hughes, Harlem, The Negro Speaks of Rivers, Theme for English B, The Weary Blues<\/li>\r\n \t<li>Yi Sang, Phantom Illusion<\/li>\r\n<\/ul>\r\n<\/li>\r\n \t<li>Unit 2: Postcolonial Literature\r\n<ul>\r\n \t<li>Sarojini Naidu, The Golden Threshold<\/li>\r\n \t<li>Aim\u00e9 Fernand David C\u00e9saire, from Notebook of a Return to the Native Land, The Woman and the Flame<\/li>\r\n \t<li>Chinua Achebe, Things Fall Apart<\/li>\r\n \t<li>Cho Se-hui, Knifeblade, A Little Ball Launched by a Dwarf, The M\u00f6bius Strip<\/li>\r\n \t<li>Joy Harjo, Eagle Poem, An American Sunrise, My House Is the Red Earth, A Poem to Get Rid of Fear, When the World as We Knew It Ended<\/li>\r\n<\/ul>\r\n<\/li>\r\n \t<li>Unit 3: Contemporary Literature (1955-present)\r\n<ul>\r\n \t<li>Naguib Mahfouz, from Midaq Alley<\/li>\r\n \t<li>Yehuda Amichai, An Arab Shepherd is Searching for His Goat on Mt. Zion, Jerusalem<\/li>\r\n \t<li>Gabriel Garc\u00eda M\u00e1rquez, A Very Old Man with Enormous Wings<\/li>\r\n \t<li>Derek Walcott, The Bounty, from Omeros<\/li>\r\n \t<li>Seamus Heaney, The Haw Lantern, The Tollund Man<\/li>\r\n \t<li>Mahmoud Darwish, Identity Card, Victim Number 18<\/li>\r\n \t<li>Hanan al-Shaykh, The Women's Swimming Pool<\/li>\r\n \t<li>Salman Rushdie, The Perforated Sheet<\/li>\r\n \t<li>Leslie Marmon Silko, Yellow Woman<\/li>\r\n \t<li>Haruki Murakami, The Second Bakery Attack<\/li>\r\n \t<li>Jamaica Kincaid, Girl<\/li>\r\n \t<li>Francisco X. Alarc\u00f3n, \"Mexican\" Is Not a Noun, Prayer, To Those Who Have Lost Everything<\/li>\r\n \t<li>Yasmina Reza, God of Carnage\u201d<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n[\/hidden-answer]\r\n<h2>More Anthologies:<\/h2>\r\n<a href=\"https:\/\/courses.lumenlearning.com\/suny-jefferson-africanamericanlit\/\" target=\"_blank\" rel=\"noopener\">Anthology: Reading African American Literature<\/a> (SUNY Jefferson, CC-BY)\r\n\r\n<a href=\"https:\/\/human.libretexts.org\/Bookshelves\/Literature_and_Literacy\/Writing_and_Critical_Thinking_Through_Literature_(Ringo_and_Kashyap)\" target=\"_blank\" rel=\"noopener\">Writing and Critical Thinking Through Literature<\/a> (Heather Ringo &amp; Athena Kashyap,\u00a0City College of San Francisco, CC-BY-NC)\r\n\r\n<a href=\"https:\/\/openoregon.pressbooks.pub\/poetry\/\" target=\"_blank\" rel=\"noopener\">Towards an Open Anthology of Poetry<\/a> (David Mount, Clackamas Community College, CC-BY-NC)\r\n\r\n<a href=\"https:\/\/milnepublishing.geneseo.edu\/naming-the-unnameable\/\" target=\"_blank\" rel=\"noopener\">Naming the Unnameable: An Approach to Poetry for New Generations<\/a> (Michelle Bonczek Evory, SUNY Geneseo, CC-BY-NC-SA) (Poetry writing textbook)","rendered":"<h2>Compact Anthology of World Literature I<\/h2>\n<p style=\"padding-left: 30px;\"><em>Laura Getty and Kyounghye Kwon,\u00a0University of North Georgia<\/em><\/p>\n<p style=\"padding-left: 30px;\">Texts from a variety of genres and cultures are included in each unit. Additionally, each selection or collection includes a brief introduction about the author and text(s), and each includes 3 \u2013 5 discussion questions. Texts in the public domain&#8211;those published or translated before 1923&#8211;are replicated here. Texts published or translated after 1923 are not yet available in the public domain. License: CC-BY-SA<\/p>\n<p style=\"padding-left: 30px;\"><strong>Part One: The Ancient World <\/strong>(<a href=\"https:\/\/course-building.s3.us-west-2.amazonaws.com\/EnglishComp2\/world_lit_anthology\/Compact+Anthology+of+World+Literature-Part+1.pdf\" target=\"_blank\" rel=\"noopener\">download Part 1 PDF<\/a>)<\/p>\n<p style=\"padding-left: 30px;\">\n<div class=\"qa-wrapper\" style=\"display: block\"><span class=\"show-answer collapsed\" style=\"cursor: pointer\" data-target=\"q432399\">Table of Contents<\/span><\/p>\n<div id=\"q432399\" class=\"hidden-answer\" style=\"display: none\">\n<ul>\n<li>Chapter 1: Middle East, Near East, Greece\n<ul>\n<li>Hebrew Bible, \u201cGenesis\u201d and \u201cExodus\u201d<\/li>\n<li>The Epic of Gilgamesh<\/li>\n<li>The Iliad and The Odyssey<\/li>\n<li>Medea<\/li>\n<li>Oedipus the King<\/li>\n<\/ul>\n<\/li>\n<li>Chapter 2: China\n<ul>\n<li>The Analects<\/li>\n<li>The Art of War<\/li>\n<li>The Book of Songs<\/li>\n<li>The Mother of Mencius<\/li>\n<li>The Zhuangzi<\/li>\n<\/ul>\n<\/li>\n<li>Chapter 3: India\n<ul>\n<li>The Bhagavad Gita<\/li>\n<li>The Mahabharata<\/li>\n<li>The R\u00e2m\u00e2yana<\/li>\n<\/ul>\n<\/li>\n<li>Chapter 4: Rome\n<ul>\n<li>The Aeneid<\/li>\n<li>Metamorphoses<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<p style=\"padding-left: 30px;\"><strong>Part Two: The Middle Ages <\/strong>(<a href=\"https:\/\/course-building.s3.us-west-2.amazonaws.com\/EnglishComp2\/world_lit_anthology\/Compact+Anthology+of+World+Literature-Part+2.pdf\" target=\"_blank\" rel=\"noopener\">download Part 2 PDF<\/a>)<\/p>\n<p style=\"padding-left: 30px;\">\n<div class=\"qa-wrapper\" style=\"display: block\"><span class=\"show-answer collapsed\" style=\"cursor: pointer\" data-target=\"q616169\">Table of Contents<\/span><\/p>\n<div id=\"q616169\" class=\"hidden-answer\" style=\"display: none\">\n<ul>\n<li>Chapter 5: Europe\n<ul>\n<li>The Parliament of Birds<\/li>\n<li>The Canterbury Tales<\/li>\n<li>The Decameron<\/li>\n<li>The Divine Comedy<\/li>\n<li>The Lais of Marie de France<\/li>\n<li>Lancelot, the Knight of the Cart<\/li>\n<li>The Song of the Cid<\/li>\n<li>The Travels of Marco Polo<\/li>\n<\/ul>\n<\/li>\n<li>Chapter 6: Middle East\n<ul>\n<li>The Rose Garden (Golestan or Gulistan) of Sa\u2019di<\/li>\n<li>The Quran<\/li>\n<li>Divani Shamsi Tabriz and Masnavi<\/li>\n<li>Shahnameh<\/li>\n<li>The Thousand and One Nights<\/li>\n<\/ul>\n<\/li>\n<li>Chapter 7: China\n<ul>\n<li>Li Bo, Selected Poems<\/li>\n<li>The Romance of the Three Kingdoms<\/li>\n<\/ul>\n<\/li>\n<li>Chapter 8: Japan\n<ul>\n<li>Atsumori<\/li>\n<li>The Tale of Genji<\/li>\n<\/ul>\n<\/li>\n<li>Chapter 9: South Asia\n<ul>\n<li>Tukaram, Selected Poems<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<p style=\"padding-left: 30px;\"><strong>Part Three: The Renaissance<\/strong> (<a href=\"https:\/\/course-building.s3.us-west-2.amazonaws.com\/EnglishComp2\/world_lit_anthology\/Compact+Anthology+of+World+Literature-Part+3.pdf\" target=\"_blank\" rel=\"noopener\">download Part 3 PDF<\/a>)<\/p>\n<p style=\"padding-left: 30px;\">\n<div class=\"qa-wrapper\" style=\"display: block\"><span class=\"show-answer collapsed\" style=\"cursor: pointer\" data-target=\"q104785\">Table of Contents<\/span><\/p>\n<div id=\"q104785\" class=\"hidden-answer\" style=\"display: none\">\n<ul>\n<li>Chapter 10: Korea\n<ul>\n<li>Various Poets, Sijo Poetry<\/li>\n<li>The Tale of Hong Gil-Dong<\/li>\n<\/ul>\n<\/li>\n<li>Chapter 11: Europe\n<ul>\n<li>Don Quixote<\/li>\n<li>Gargantua and Pantagruel<\/li>\n<li>Hamlet<\/li>\n<li>The Journals of Christopher Columbus<\/li>\n<li>The Prince<\/li>\n<li>The Tempest<\/li>\n<li>Utopia<\/li>\n<\/ul>\n<\/li>\n<li>Chapter 12: Native America\n<ul>\n<li>Myths of the Cherokee<\/li>\n<li>Aw-aw-tam Indian Nights: The Myths and Legends of the Pimas<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<h2>Compact Anthology of World Literature II<\/h2>\n<p style=\"padding-left: 30px;\"><em>Anita Turlington, Matthew Horton, Karen Dodson, Laura Getty, Kyounghye Kwon, and Laura Ng,\u00a0University of North Georgia<\/em><\/p>\n<p style=\"padding-left: 30px;\">Texts from a variety of genres and cultures are included in each unit. Additionally, each selection or collection includes a brief introduction about the author and text(s), and each includes 3 \u2013 5 discussion questions. Texts in the public domain&#8211;those published or translated before 1923&#8211;are replicated in the anthology. Texts published or translated after 1923 are not yet available in the public domain. CC-BY-SA<\/p>\n<p style=\"padding-left: 30px;\"><strong>Part Four: The Seventeenth and Eighteenth Centuries\u00a0<\/strong>(download <a href=\"https:\/\/course-building.s3.us-west-2.amazonaws.com\/EnglishComp2\/world_lit_anthology\/WorldLiterature_VolumeFour.pdf\" target=\"_blank\" rel=\"noopener\">Part 4 PDF<\/a>, <a href=\"https:\/\/course-building.s3.us-west-2.amazonaws.com\/EnglishComp2\/world_lit_anthology\/WorldLiterature_VolumeFour.epub\" target=\"_blank\" rel=\"noopener\">Part 4 epub<\/a>)<\/p>\n<p style=\"padding-left: 30px;\">\n<div class=\"qa-wrapper\" style=\"display: block\"><span class=\"show-answer collapsed\" style=\"cursor: pointer\" data-target=\"q761829\">Table of Contents<\/span><\/p>\n<div id=\"q761829\" class=\"hidden-answer\" style=\"display: none\">\n<ul>\n<li>Unit 1: The Age of Reason\n<ul>\n<li>Jean Baptiste Poquelin Moli\u00e8re, Tartuffe<\/li>\n<li>Anne Bradstreet,\u00a0Before the Birth of One of Her Children, By Night When Others Soundly Slept, Contemplations, A Dialogue between Old England and New<\/li>\n<li>Aphra Behn, Oroonoko, or The Royal Slave<\/li>\n<li>Jonathan Swift, A Modest Proposal, Gulliver&#8217;s Travels<\/li>\n<li>Alexander Pope, Rape of the Lock<\/li>\n<li>Eliza Haywood, Fantomina<\/li>\n<li>Fran\u00e7ois-Marie Arouet de Voltaire, Candide, or Optimism<\/li>\n<li>Benjamin Franklin, The Autobiography of Benjamin Franklin<\/li>\n<li>Immanuel Kant, What Is Enlightenment?<\/li>\n<li>Olaudah Equiano, The Interesting Narrative of the Life of Olaudah Equiano<\/li>\n<\/ul>\n<\/li>\n<li>Unit 2: Near East and Asia\n<ul>\n<li>Korean Pansori<\/li>\n<li>The Song of Chunhyang<\/li>\n<li>Evliya \u00c7elebi, Book of Travels<\/li>\n<li>C\u00e1o Xueq\u00edn, The Story of the Stone<\/li>\n<li>Matsuo Bash\u014d, from The Narrow Road to the Deep North\u201d<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<p style=\"padding-left: 30px;\"><strong>Part Five: The Long Nineteenth Century<\/strong> (download <a href=\"https:\/\/course-building.s3.us-west-2.amazonaws.com\/EnglishComp2\/world_lit_anthology\/WorldLiterature_VolumeFive.pdf\" target=\"_blank\" rel=\"noopener\">Part 5 PDF<\/a>, <a href=\"https:\/\/course-building.s3.us-west-2.amazonaws.com\/EnglishComp2\/world_lit_anthology\/WorldLiterature_VolumeFive.epub\" target=\"_blank\" rel=\"noopener\">Part 5 epub<\/a>)<\/p>\n<p style=\"padding-left: 30px;\">\n<div class=\"qa-wrapper\" style=\"display: block\"><span class=\"show-answer collapsed\" style=\"cursor: pointer\" data-target=\"q969980\">Table of Contents<\/span><\/p>\n<div id=\"q969980\" class=\"hidden-answer\" style=\"display: none\">\n<ul>\n<li>Unit 1: Romanticism\n<ul>\n<li>Jean-Jacques Rousseau, Confessions<\/li>\n<li>Johann Wolfgang von Goethe, Faust<\/li>\n<li>William Blake,\u00a0Songs of Innocence: The Lamb, The Chimney Sweeper, Holy Thursday. Songs of Experience: Holy Thursday, The Chimney Sweeper, The Tyger, London<\/li>\n<li>Mary Wollstonecraft, from A Vindication of the Rights of Woman<\/li>\n<li>Olympe De Gouges, The Rights of Woman<\/li>\n<li>William Wordsworth, Lines Composed a Few Miles above Tintern Abbey, from Preface to Lyrical Ballads, Michael, a Pastoral Poem, I Wandered Lonely as a Cloud, Ode: Intimations of Immortality<\/li>\n<li>Samuel Taylor Coleridge, The Rime of the Ancient Mariner, Kubla Khan<\/li>\n<li>Percy Bysshe Shelley, To Wordsworth, Hymn to Intellectual Beauty, Ozymandias, A Song: &#8220;Men of England&#8221;, Ode to the West Wind, Mutability, from A Defence of Poetry<\/li>\n<li>John Keats, When I have Fears That I May Cease to Be, Ode to a Nightingale, Ode on a Grecian Urn<\/li>\n<li>Mary Shelley, Frankenstein, or the Modern Prometheus, Mathilda, The Last Man<\/li>\n<\/ul>\n<\/li>\n<li>Unit 2: Realism\n<ul>\n<li>Elizabeth Barrett Browning, from Sonnets from the Portuguese, The Cry of the Children, Lord Walter&#8217;s Wife<\/li>\n<li>Alfred, Lord Tennyson, The Lotos-Eaters, Ulysses<\/li>\n<li>Robert Browning, Porphyria&#8217;s Lover, My Last Duchess, &#8220;Childe Roland to the Dark Tower Came&#8221;<\/li>\n<li>Frederick Douglass, The Narrative of the Life of Frederick Douglass<\/li>\n<li>Walt Whitman, Song of Myself, Out of the Cradle Endlessly Rocking, Crossing Brooklyn Ferry, O Captain! My Captain!<\/li>\n<li>Gustave Flaubert, A Simple Soul<\/li>\n<li>Fyodor Dostoyevsky, Notes from Underground<\/li>\n<li>Charles Baudelaire, Correspondences, The Corpse, Spleen, Hymn to Beauty<\/li>\n<li>Leo Tolstoy, The Death of Ivan Ilych<\/li>\n<li>Henrik Ibsen, A Doll&#8217;s House, An Enemy of the People<\/li>\n<li>Emily Dickinson, Because I could not stop for Death, A bird came down the walk, The brain is wider than the sky, Hope is the thing with feathers, I died for beauty, but was scarce, I heard a fly buzz when I died, If I can stop one heart from breaking, My life closed twice before its close, The soul selects her own society, Success is counted sweetest, There&#8217;s a certain slant of light, Wild nights! Wild nights!<\/li>\n<li>Christina Rossetti, After Death, Up-Hill, Goblin Market, &#8220;No, Thank You, John&#8221;<\/li>\n<li>Bankim Chandra Chatterjee, The Poison Tree<\/li>\n<li>Guy de Maupassant, Boule de Suif, The Diamond Necklace<\/li>\n<li>Olive Schreiner , <span style=\"font-size: 1rem; orphans: 1; text-align: initial;\">The Story of an African Farm<\/span><\/li>\n<li>Charlotte Perkins Gilman, The Yellow Wall-Paper<\/li>\n<li>Anton Chekhov, The Lady with the Dog, The Cherry Orchard, A Doctor&#8217;s Visit<\/li>\n<li>W.B. Yeats, The Lake Isle of Innisfree, When You Are Old, Easter 1916, The Second Coming<\/li>\n<li>H.G. Wells, The Invisible Man, The Island of Doctor Moreau, The War of the Worlds<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<p style=\"padding-left: 30px;\"><strong>Part Six: The Twentieth Century and Contemporary Literature<\/strong> (download <a href=\"https:\/\/course-building.s3.us-west-2.amazonaws.com\/EnglishComp2\/world_lit_anthology\/WorldLiterature_VolumeSix.pdf\" target=\"_blank\" rel=\"noopener\">Part 6 PDF<\/a>, <a href=\"https:\/\/course-building.s3.us-west-2.amazonaws.com\/EnglishComp2\/world_lit_anthology\/WorldLiterature_VolumeSix.epub\" target=\"_blank\" rel=\"noopener\">Part 6 epub<\/a>)<\/p>\n<p style=\"padding-left: 30px;\">\n<div class=\"qa-wrapper\" style=\"display: block\"><span class=\"show-answer collapsed\" style=\"cursor: pointer\" data-target=\"q35285\">Table of Contents<\/span><\/p>\n<div id=\"q35285\" class=\"hidden-answer\" style=\"display: none\">\n<p>(Note: Since many of these works are still in copyright, it may be necessary to purchase longer texts or work with your library to build a reader).<\/p>\n<ul>\n<li>Unit 1: Modernism (1900-1945)\n<ul>\n<li>Rabindranath Tagore, The Cabuliwallah<\/li>\n<li>Luigi Pirandello, Six Characters in Search of an Author<\/li>\n<li>Marcel Proust, Swann&#8217;s Way<\/li>\n<li>Violetta Thurstan, Field Hospital and Flying Column<\/li>\n<li>Lu Xun, Diary of a Madman<\/li>\n<li>Virginia Woolf, A Room of One&#8217;s Own<\/li>\n<li>James Joyce, The Dead<\/li>\n<li>Franz Kafka,\u00a0 The Metamorphosis<\/li>\n<li>Katherine Mansfield, The Garden Party<\/li>\n<li>T.S. Eliot, The Love Song of J. Alfred Prufrock, Tradition and the Individual Talent, The Waste Land<\/li>\n<li>Anna Akhmatova, Lot&#8217;s Wife, Requiem, Why Is This Century Worse&#8230;<\/li>\n<li>Ry\u016bnosuke Akutagawa, In a Grove, Rashomon<\/li>\n<li>Wilfred Owen, Preface, Strange Meeting, Anthem for Doomed Youth, Dulce et Decorum est, Exposure, Futility,<\/li>\n<li>Parable of the Old Men and the Young<\/li>\n<li>William Faulkner, Barn Burning, A Rose for Emily<\/li>\n<li>Bertolt Brecht, Mother Courage and Her Children<\/li>\n<li>Jorge Luis Borges, The Garden of Forking Paths<\/li>\n<li>Langston Hughes, Harlem, The Negro Speaks of Rivers, Theme for English B, The Weary Blues<\/li>\n<li>Yi Sang, Phantom Illusion<\/li>\n<\/ul>\n<\/li>\n<li>Unit 2: Postcolonial Literature\n<ul>\n<li>Sarojini Naidu, The Golden Threshold<\/li>\n<li>Aim\u00e9 Fernand David C\u00e9saire, from Notebook of a Return to the Native Land, The Woman and the Flame<\/li>\n<li>Chinua Achebe, Things Fall Apart<\/li>\n<li>Cho Se-hui, Knifeblade, A Little Ball Launched by a Dwarf, The M\u00f6bius Strip<\/li>\n<li>Joy Harjo, Eagle Poem, An American Sunrise, My House Is the Red Earth, A Poem to Get Rid of Fear, When the World as We Knew It Ended<\/li>\n<\/ul>\n<\/li>\n<li>Unit 3: Contemporary Literature (1955-present)\n<ul>\n<li>Naguib Mahfouz, from Midaq Alley<\/li>\n<li>Yehuda Amichai, An Arab Shepherd is Searching for His Goat on Mt. Zion, Jerusalem<\/li>\n<li>Gabriel Garc\u00eda M\u00e1rquez, A Very Old Man with Enormous Wings<\/li>\n<li>Derek Walcott, The Bounty, from Omeros<\/li>\n<li>Seamus Heaney, The Haw Lantern, The Tollund Man<\/li>\n<li>Mahmoud Darwish, Identity Card, Victim Number 18<\/li>\n<li>Hanan al-Shaykh, The Women&#8217;s Swimming Pool<\/li>\n<li>Salman Rushdie, The Perforated Sheet<\/li>\n<li>Leslie Marmon Silko, Yellow Woman<\/li>\n<li>Haruki Murakami, The Second Bakery Attack<\/li>\n<li>Jamaica Kincaid, Girl<\/li>\n<li>Francisco X. Alarc\u00f3n, &#8220;Mexican&#8221; Is Not a Noun, Prayer, To Those Who Have Lost Everything<\/li>\n<li>Yasmina Reza, God of Carnage\u201d<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<h2>More Anthologies:<\/h2>\n<p><a href=\"https:\/\/courses.lumenlearning.com\/suny-jefferson-africanamericanlit\/\" target=\"_blank\" rel=\"noopener\">Anthology: Reading African American Literature<\/a> (SUNY Jefferson, CC-BY)<\/p>\n<p><a href=\"https:\/\/human.libretexts.org\/Bookshelves\/Literature_and_Literacy\/Writing_and_Critical_Thinking_Through_Literature_(Ringo_and_Kashyap)\" target=\"_blank\" rel=\"noopener\">Writing and Critical Thinking Through Literature<\/a> (Heather Ringo &amp; Athena Kashyap,\u00a0City College of San Francisco, CC-BY-NC)<\/p>\n<p><a href=\"https:\/\/openoregon.pressbooks.pub\/poetry\/\" target=\"_blank\" rel=\"noopener\">Towards an Open Anthology of Poetry<\/a> (David Mount, Clackamas Community College, CC-BY-NC)<\/p>\n<p><a href=\"https:\/\/milnepublishing.geneseo.edu\/naming-the-unnameable\/\" target=\"_blank\" rel=\"noopener\">Naming the Unnameable: An Approach to Poetry for New Generations<\/a> (Michelle Bonczek Evory, SUNY Geneseo, CC-BY-NC-SA) (Poetry writing textbook)<\/p>\n\n\t\t\t <section class=\"citations-section\" role=\"contentinfo\">\n\t\t\t <h3>Candela Citations<\/h3>\n\t\t\t\t\t <div>\n\t\t\t\t\t\t <div id=\"citation-list-3784\">\n\t\t\t\t\t\t\t <div class=\"licensing\"><div class=\"license-attribution-dropdown-subheading\">Lumen Learning authored content<\/div><ul class=\"citation-list\"><li>Module 10: Working with Literature Recommended Readings. <strong>Provided by<\/strong>: Lumen Learning. <strong>License<\/strong>: <em><a target=\"_blank\" rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\">CC BY: Attribution<\/a><\/em><\/li><\/ul><\/div>\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t <\/div>\n\t\t\t <\/section>","protected":false},"author":161083,"menu_order":10,"template":"","meta":{"_candela_citation":"[{\"type\":\"lumen\",\"description\":\"Module 10: Working with Literature Recommended Readings\",\"author\":\"\",\"organization\":\"Lumen Learning\",\"url\":\"\",\"project\":\"\",\"license\":\"cc-by\",\"license_terms\":\"\"}]","CANDELA_OUTCOMES_GUID":"","pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-3784","chapter","type-chapter","status-publish","hentry"],"part":3330,"_links":{"self":[{"href":"https:\/\/courses.lumenlearning.com\/wm-englishcomp2\/wp-json\/pressbooks\/v2\/chapters\/3784","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.lumenlearning.com\/wm-englishcomp2\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/courses.lumenlearning.com\/wm-englishcomp2\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/wm-englishcomp2\/wp-json\/wp\/v2\/users\/161083"}],"version-history":[{"count":21,"href":"https:\/\/courses.lumenlearning.com\/wm-englishcomp2\/wp-json\/pressbooks\/v2\/chapters\/3784\/revisions"}],"predecessor-version":[{"id":4076,"href":"https:\/\/courses.lumenlearning.com\/wm-englishcomp2\/wp-json\/pressbooks\/v2\/chapters\/3784\/revisions\/4076"}],"part":[{"href":"https:\/\/courses.lumenlearning.com\/wm-englishcomp2\/wp-json\/pressbooks\/v2\/parts\/3330"}],"metadata":[{"href":"https:\/\/courses.lumenlearning.com\/wm-englishcomp2\/wp-json\/pressbooks\/v2\/chapters\/3784\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/courses.lumenlearning.com\/wm-englishcomp2\/wp-json\/wp\/v2\/media?parent=3784"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/wm-englishcomp2\/wp-json\/pressbooks\/v2\/chapter-type?post=3784"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/wm-englishcomp2\/wp-json\/wp\/v2\/contributor?post=3784"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/courses.lumenlearning.com\/wm-englishcomp2\/wp-json\/wp\/v2\/license?post=3784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}